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Classic and Contemporary Poetry
REFLECTIONS ON THE FOREGOING ACCOUNT, by JOHN BYROM Poet Analysis Poet's Biography First Line: How full a proof of heav'n's all-present aid Last Line: It is all meanness, if the love be mean. Subject(s): Love; Meditation | |||
HOW full a proof of heav'n's all-present aid Was good Armelle, a simple servant maid! A poor French girl, by parentage and birth Of low and mean condition upon earth; By education ignorant indeed, She, all her life, could neither write nor read. But she had that which all the force of art Could neither give nor take awaya heart; An honest, humble, well disposed will, The true capacity for higher skill Than what the world, with all its learned din, Could teachshe learn'd her lesson from within; Plain, single lesson of essential kind, The love of God's pure presence in her mind. Her artless, innocent, attentive thought Was at the Source of all true knowledge taught: There she could read the characters impress'd Upon the mind of ev'ry human breast; The native laws prescrib'd to ev'ry soul; And love, the one fulfiller of the whole. This holy love to know and practise well, Became the sole endeavour of Armelle: Of outward things the management and rule She wisely took from this internal school: In ev'ry work well done by such a hand, The work was servile, but the thing was grand. There was a dignity in all she did, Tho' from the world by meaner labours hid; If mean below, not so esteem'd above, Where all the grand of labour is the love: In vain to boast magnificence of scene; It is all meanness, if the love be mean. | Discover our Poem Explanations and Poet Analyses!Other Poems of Interest...BROTHERS: 5. THE ROAD LED FROM DELIGHT by LUCILLE CLIFTON TEN OXHERDING PICTURES: A MEDITATION by LUCILLE CLIFTON BRIEF WYOMING MEDITATION by DIANE DI PRIMA MEDITATION AT FIFTY YARDS, MOVING TARGET by RITA DOVE ROTHKO'S LAST MEDITATION by BOB HICOK THE CRYSTAL GAZER by SARA TEASDALE MIRROR MEDITATION by ANNE WALDMAN TAN TIEN by MEI-MEI BERSSENBRUGGE A HYMN FOR CHRISTMAS DAY (2) by JOHN BYROM |
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