Poetry Explorer- Classic Contemporary Poetry, A GARDEN IDYLL, by HENRY AUSTIN DOBSON



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Classic and Contemporary Poetry

A GARDEN IDYLL, by                 Poet Analysis     Poet's Biography
First Line: Sir poet, ere you crossed the lawn
Last Line: Regretted -- that I'd left the other.
Alternate Author Name(s): Dobson, Austin
Subject(s): Gardens & Gardening


A LADY. A POET.

THE LADY.

SIR POET, ere you crossed the lawn
(If it was wrong to watch you, pardon),
Behind this weeping birch withdrawn,
I watched you saunter round the garden.
I saw you bend beside the phlox,
Pluck, as you passed, a sprig of myrtle,
Review my well-ranged hollyhocks,
Smile at the fountain's slender spurtle;

You paused beneath the cherry-tree,
Where my marauder thrush was singing,
Peered at the bee-hives curiously,
And narrowly escaped a stinging;
And then -- you see I watched -- you passed
Down the espalier walk that reaches
Out to the western wall, and last
Dropped on the seat before the peaches.

What was your thought? You waited long.
Sublime or graceful, -- grave, -- satiric?
A Morris Greek-and-Gothic song?
A tender Tennysonian lyric?
Tell me. That garden-seat shall be,
So long as speech renown disperses,
Illustrious as the spot where he --
The gifted Blank -- composed his verses.

THE POET.

Madam, -- whose uncensorious eye
Grows gracious over certain pages,
Wherein the Jester's maxims lie,
It may be, thicker than the Sage's --
I hear but to obey, and could
Mere wish of mine the pleasure do you,
Some verse as whimsical as Hood, --
As gay as Praed, -- should answer to you.

But, though the common voice proclaims
Our only serious vocation
Confined to giving nothings names
And dreams a 'local habitation,'
Believe me there are tuneless days,
When neither marble, brass, nor vellum,
Would profit much by any lays
That haunt the poet's cerebellum.

More empty things, I fear, than rhymes,
More idle things than songs, absorb it;
The 'finely-frenzied' eye, at times,
Reposes mildly in its orbit;
And -- painful truth -- at times, to him,
Whose jog-trot thought is nowise restive,
'A primrose by a river's brim'
Is absolutely unsuggestive.

The fickle Muse! As ladies will,
She sometimes wearies of her wooer;
A goddess, yet a woman still,
She flies the more that we pursue her;
In short, with worst as well as best,
Five months in six, your hapless poet
Is just as prosy as the rest,
But cannot comfortably show it.

You thought, no doubt, the garden scent
Brings back some brief-winged bright sensation
Of love that came and love that went, --
Some fragrance of a lost flirtation,
Born when the cuckoo changes song,
Dead ere the apple's red is on it,
That should have been an epic long,
Yet scarcely served to fill a sonnet.

Or else you thought, -- the murmuring noon
He turns it to a lyric sweeter,
With birds that gossip in the tune,
And windy bough-swing in the metre;
Or else the zigzag fruit-tree arms
Recall some dream of harp-prest bosoms,
Round singing mouths, and chanted charms,
And mediaeval orchard blossoms, --

Quite a la mode. Alas for prose! --
My vagrant fancies only rambled
Back to the red-walled Rectory close,
Where first my graceless boyhood gamboled,
Climbed on the dial, teased the fish,
And chased the kitten round the beeches,
Till widening instincts made me wish
For certain slowly-ripening peaches.

Three peaches. Not the Graces three
Had more equality of beauty:
I would not look, yet went to see;
I wrestled with Desire and Duty;
I felt the pangs of those who feel
The Laws of Property beset them;
The conflict made my reason reel,
And, half-abstractedly, I ate them; --

Or Two of them. Forthwith Despair --
More keen that one of these was rotten --
Moved me to seek some forest lair
Where I might hide and dwell forgotten,
Attired in skins, by berries stained,
Absolved from brushes and ablution; --
But, ere my sylvan haunt was gained,
Fate gave me up to execution.

I saw it all but now. The grin
That gnarled old Gardener Sandy's features;
My father, scholar-like and thin,
Unroused, the tenderest of creatures;
I saw -- ah me -- I saw again
My dear and deprecating mother;
And then, remembering the cane,
Regretted -- that I'd left the Other.





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