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Classic and Contemporary Poetry
THE NOBLE PATRON, by HENRY AUSTIN DOBSON Poet Analysis Poet's Biography First Line: What is a patron? Johnson knew Last Line: Next day he took the wiltshire stage. Alternate Author Name(s): Dobson, Austin | |||
'Ce sont les amours Qui font les beaux jours.' WHAT is a Patron? JOHNSON knew, And well that lifelike portrait drew. He is a Patron who looks down With careless eye on men who drown; But if they chance to reach the land, Encumbers them with helping hand. Ah! happy we whose artless rhyme No longer now must creep to climb! Ah! happy we of later days, Who 'scape those Caudine Forks of praise! Whose votive page may dare commend A Brother, or a private Friend! Not so it fared with scribbling man, As POPE says, 'under My Queen ANNE.' DICK DOVECOT (this was long, be sure, Ere he attained his Wiltshire cure, And settled down, like humbler folks, To cowslip wine and country jokes) Once hoped -- as who will not? -- for fame, And dreamed of honours and a Name. A fresh-cheeked lad, he came to Town In homespun hose and russet brown, But armed at point with every view Enforced in RAPIN and BOSSU, Besides a stout portfolio ripe For LINTOT'S or for TONSON'S type. He went the rounds, saw all the sights, Dropped in at Will's and Tom's o' nights; Heard BURNET preach, saw BICKNELL dance, E'en gained from ADDISON a glance; Nay, once, to make his bliss complete, He supped with STEELE in Bury Street. ('Tis true the feast was half by stealth: PRUE was in bed: they drank her health.) By this his purse was running low, And he must either print or go. He went to TONSON. TONSON said -- Well! TONSON hummed and shook his head; Deplored the times; abused the Town; But thought -- at length -- it might go down; With aid, of course, of Elzevir, And Prologue to a Prince, or Peer. Dick winced at this, for adulation Was scarce that candid youth's vocation: Nor did he deem his rustic lays Required a Coronet for Bays. But there -- the choice was that, or none. The lord was found; the thing was done. With HORACE and with TOOKE'S Pantheon, He penned his tributary paean; Dispatched his gift, nor waited long The meed of his ingenuous song. Ere two days passed, a hackney chair Brought a pert spark with languid air, A lace cravat about his throat, -- Brocaded gown, -- en papillotes, ('My Lord himself,' quoth DICK, 'at least!' But no, 'twas that 'inferior priest,' His Lordship's man.) He held a card: My Lord (it said) would see the Bard. The day arrived; Dick went, was shown Into an ante-room, alone -- A great gilt room with mirrored door, Festoons of flowers and marble floor, Whose lavish splendours made him look More shabby than a sheepskin book. (His own book -- by the way -- he spied On a far table, toss'd aside.) DICK waited, as they only wait Who haunt the chambers of the Great. He heard the chairmen come and go; He heard the Porter yawn below; Beyond him, in the Grand Saloon, He heard the silver stroke of noon, And thought how at this very time The old church clock at home would chime. Dear heart, how plain he saw it all! The lich-gate and the crumbling wall, The stream, the pathway to the wood, The bridge where they so oft had stood. Then, in a trice, both church and clock Vanished before ... a shuttlecock. A shuttlecock! And following slow The zigzag of its to-and-fro, And so intent upon its flight She neither looked to left nor right, Came a tall girl with floating hair, Light as a wood-nymph, and as fair. O Dea certe! -- thought poor DICK, And thereupon his memories quick Ran back to her who flung the ball In HOMER'S page, and next to all The dancing maids that bards have sung, Lastly to One at home, as young, As fresh, as light of foot, and glad, Who, when he went, had seemed so sad. O Dea certe! (Still, he stirred Nor hand nor foot, nor uttered word.) Meanwhile the shuttlecock in air Went darting gaily here and there; Now crossed a mirror's face, and next Shot up amidst the sprawled, perplexed Olympus overhead. At last, Jerked sidelong by a random cast, The striker missed it, and it fell Plump on the book DICK knew so well. (If he had thought to speak or bow, Judge if he moved a muscle now!) The player paused, bent down to look, Lifted a cover of the book; Poohed at the Prologue, passed it o'er, Went forward for a page or more (Asem and Asa: DICK could trace Almost the passage and the place); Then for a moment with bent head Rested upon her hand and read. (DICK thought once more how Cousin CIS Used when she read to lean like this; -- 'Used when she read,' -- why, CIS could say All he had written, -- any day!) Sudden was heard a hurrying tread; The great doors creaked. The reader fled. Forth came a crowd with muffled laughter, A waft of Bergamot, and after, With wine-bag cheeks and vacant face, A portly shape in stars and lace -- My Lord himself in all his pride, His Chaplain smirking at his side. DICK bowed and smiled. The Great Man stared, With look half puzzled and half scared; Then seemed to recollect, turned round, And mumbled some imperfect sound: A moment more, his coach of state Dipped on its springs beneath his weight; And DICK, who followed at his heels, Heard but the din of rolling wheels. Away, too, all his dreams had rolled; And yet they left him half consoled: Fame, after all, he thought, might wait. Would CIS? Suppose he were too late! Ten months he'd lost in Town -- an age! Next day he took the Wiltshire Stage. | Discover our Poem Explanations and Poet Analyses!Other Poems of Interest...A GAGE D'AMOUR by HENRY AUSTIN DOBSON A GARDEN SONG by HENRY AUSTIN DOBSON ARS VICTRIX (IMITATED FROM THEOPHILE GAUTIER) by HENRY AUSTIN DOBSON BEFORE SEDAN by HENRY AUSTIN DOBSON DORA VERSUS ROSE by HENRY AUSTIN DOBSON GROWING GRAY by HENRY AUSTIN DOBSON HENRY WADSWORTH LONGFELLOW; IN MEMORIAM by HENRY AUSTIN DOBSON IN AFTER DAYS; RONDEAU by HENRY AUSTIN DOBSON THE BALLAD OF PROSE AND RHYME by HENRY AUSTIN DOBSON WHEN THERE IS PEACE by HENRY AUSTIN DOBSON |
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