Classic and Contemporary Poetry
WOOD WALK AND HYMN, by FELICIA DOROTHEA HEMANS Poet Analysis Poet's Biography First Line: There are the aspens, with their silvery leaves Last Line: To walk the woods with thee! Alternate Author Name(s): Browne, Felicia Dorothea Subject(s): Forests; Woods | ||||||||
FATHER -- CHILD. Child. There are the aspens, with their silvery leaves Trembling, for ever trembling; though the lime And chestnut boughs, and those long arching sprays Of eglantine, hang still, as if the wood Were all one picture! Father. Hast thou heard, my boy, The peasant's legend of that quivering tree? Child. No, father: doth he say the fairies dance Amidst the branches? Father. Oh! a cause more deep, More solemn far, the rustic doth assign To the strange restlessness of those wan leaves! The cross he deems, the blessed cross, whereon The meek Redeemer bowed his head to death, Was framed of aspen wood; and since that hour, Through all its race the pale tree hath sent down A thrilling consciousness, a secret awe, Making them tremulous, when not a breeze Disturbs the airy thistle-down, or shakes The light lines of the shining gossamer. Child (after a pause). Dost thou believe it, father? Father. Nay, my child, We walk in clearer light. But yet, even now, With something of a lingering love, I read The characters, by that mysterious hour Stamped on the reverential soul of man In visionary days; and thence thrown back On the fair forms of nature. Many a sign Of the great sacrifice which won us heaven, The woodman and the mountaineer can trace On rock, on herb, and flower. And be it so! They do not wisely that, with hurried hand, Would pluck these salutary fancies forth From their strong soil within the peasant's breast, And scatter them -- far, far too fast! -- away As worthless weeds. Oh! little do we know When they have soothed, when saved! But come, dear boy! My words grow tinged with thought too deep for thee. Come -- let us search for violets. Child. Know you not More of the legends which the woodmen tell Amidst the trees and flowers? Father. Wilt thou know more? Bring then the folding leaf, with dark-brown stains There -- by the mossy roots of yon old beech, Midst the rich tuft of cowslips -- see'st thou not? There is a spray of woodbine from the tree Just bending o'er it with a wild bee's weight. Child. The Arum leaf? Father. Yes. These deep inwrought marks, The villager will tell thee (and with voice Lowered in his true heart's reverent earnestness), Are the flower's portion from th' atoning blood On Calvary shed. Beneath the cross it grew; And, in the vase-like hollow of its leaf, Catching from that dread shower of agony A few mysterious drops, transmitted thus Unto the groves and hills, their sealing stains, A heritage, for storm or vernal wind Never to waft away! And hast thou seen The passion-flower? It grows not in the woods, But 'midst the bright things brought from other climes Child. What! the pale star-shaped flower, with purple streaks, And light green tendrils? Father. Thou hast marked it well. Yes! a pale, starry, dreamy-looking flower, As from a land of spirits! To mine eye Those faint, wan petals -- colourless, and yet Not white, but shadowy -- with the mystic lines (As letters of some wizard language gone) Into their vapour-like transparence wrought, Bear something of a strange solemnity, Awfully lovely! -- and the Christian's thought Loves, in their cloudy pencilling, to find Dread symbols of his Lord's last mortal pangs Set by God's hand -- the coronal of thorns -- The cross, the wounds -- with other meanings deep Which I will teach thee when we meet again That flower, the chosen for the martyr's wreath, The Saviour's holy flower. But let us pause: Now have we reached the very inmost heart Of the old wood. How the green shadows close Into a rich, clear, summer darkness round, A luxury of gloom! Scarce doth one ray, Even when a soft wind parts the foliage, steal O'er the bronzed pillars of these deep arcades; Or if it doth, 'tis with a mellowed hue Of glow-worm coloured light. Here, in the days Of pagan visions, would have been a place For worship of the wood-nymphs! Through these oaks A small, fair gleaming temple might have thrown The quivering image of its Dorian shafts On the stream's bosom, or a sculptured form, Dryad, or fountain-goddess of the gloom, Have bowed its head o'er that dark crystal down, Drooping with beauty, as a lily droops Under bright rain. But we, my child, are here With God, our God, a Spirit, who requires Heart-worship, given in spirit and in truth; And this high knowledge -- deep, rich, vast enough To fill and hallow all the solitude -- Makes consecrated earth where'er we move, Without the aid of shrines. What! dost thou feel The solemn whispering influence of the scene Oppressing thy young heart, that thou dost draw More closely to my side, and clasp my hand Faster in thine? Nay, fear not, gentle child! 'Tis love, not fear, whose vernal breath pervades The stillness around. Come, sit beside me here, Where brooding violets mantle this green slope With dark exuberance; and beneath these plumes Of wavy fern, look where the cup-moss holds In its pure crimson goblets, fresh and bright, The starry dews of morning. Rest awhile, And let me hear once more the woodland verse I taught thee late -- 'twas made for such a scene. Child speaks. WOOD HYMN. Broods there some spirit here? The summer leaves hang silent as a cloud; And o'er the pools, all still and darkly clear, The wild wood-hyacinth with awe seems bowed; And something of a tender cloistral gloom Deepens the violet's bloom. The very light that streams Through the dim, dewy veil of foliage round Comes tremulous with emerald - tinted gleams -- As if it knew the place were holy ground; And would not startle, with too bright a burst, Flowers, all Divinely nursed. Wakes there some spirit here? A swift wind, fraught with change, comes rushing by; And leaves and waters, in its wild career Shed forth sweet voices -- each a mystery! Surely some awful influence must pervade These depths of trembling shade! Yes! lightly, softly move! There is a power, a presence in the woods; A viewless being that, with life and love, Informs the reverential solitudes: The rich air knows it, and the mossy sod -- Thou -- Thou art here, my God! And if with awe we tread The minster-floor, beneath the storied pane, And, 'midst the mouldering banners of the dead, Shall the green, voiceful wild seem less thy fane. Where thou alone hast built? -- where arch and roof Are of thy living woof? The silence and the sound, In the lone places, breathe alike of Thee; The temple-twilight of the gloom profound, The dew-cup of the frail anemone, The reed by every wandering whisper thrilled -- All, all with Thee are filled! Oh! purify mine eyes, More and yet more, by love and lowly thought, Thy presence, holiest One! to recognise In these majestic aisles which Thou hast wrought, And, 'midst their sea-like murmurs, teach mine ear Ever thy voice to hear! And sanctify my heart To meet the awful sweetness of that tone With no faint thrill or self-accusing start, But a deep joy the heavenly guest to own -- Joy, such as dwelt in Eden's glorious bowers Ere sin had dimmed the flowers. Let me not know the change O'er nature thrown by guilt! -- the boding sky, The hollow leaf - sounds ominous and strange, The weight wherewith the dark tree-shadows lie! Father! oh! keep my footsteps pure and free, To walk the woods with Thee! | Discover our Poem Explanations and Poet Analyses!Other Poems of Interest...THE PRINCESS WAKES IN THE WOOD by RANDALL JARRELL CHAMBER MUSIC: 20 by JAMES JOYCE ADVICE TO A FOREST by MAXWELL BODENHEIM A SOUTH CAROLINA FOREST by AMY LOWELL JOY IN THE WOODS by CLAUDE MCKAY IN BLACKWATER WOODS by MARY OLIVER THE PLACE I WANT TO GET BACK TO by MARY OLIVER A DIRGE (1) by FELICIA DOROTHEA HEMANS |
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