Classic and Contemporary Poetry
THE SPRING, by GEORGE MURRAY (1830-1910) First Line: Why, gentle spring, why hide away Last Line: "even as now they still are thine." Subject(s): Flowers; Memory; Nature; Pleasure; Spring | ||||||||
Why, gentle spring, why hide away 'Neath these dark rocks and boulders grey? Why secret veil thy lovely face In this unknown, untrodden place? It fits thee not, this home of thine, This sunless, sad, rock-walled ravine. Is it because thy modesty Fills thee with fears that thou would'st be Mocked for thy plain simplicity, If that thou came to dwell abroad, Matching thy charms against the hoard Of charming things that Nature spreads O'er breezy hills and sunny meads? Or dost thou think thy song would seem Too plain, too humble in its theme, To mingle with those joyous lays Glad birds and gladder breezes raise? If these, or like, the reasons be Why hermit-like thou hidest thee Here in this dungeon spot,list then: Two green and flowery hills I ken, Bounding a meadow's southern side, Between whose grassy slopes doth hide A sun-kissed, hazel-shaded dell. There thou in a green cup may'st dwell, Moss-lined from bottom to the brim; And round thy bubble-fringéd rim The shy white violet shall bloom, Shedding for thee its rare perfume. And later, when the summer sun Shall higher in his course have run, The wild-rose will her petals pink Sweetly unfold above thy brink, While ferns their pointed fronds unroll, Stretching athwart to keep thee cool And sheltered from the heat; to you Such welcome will be rendered due As this. But for thyself, thine own Bright face and voice of sweetest tone, 'Twill not be long when thou shalt see What homage will be paid to thee. Phbus, each morn when he doth rise, With rosy kiss will ope thine eyes. Each night, when Phbus far is sped, The stars shall watch above thy bed, And make thy face their mirror bright, To see if they their silver light Do proper shed abroad. With day The shepherd lads will foot their way Behind their flocks to those fresh meads Where flows the rill thy full cup feeds; Whose even waters ever keep The pastures green for kine and sheep, And in whose depths their tongues do find A nectar sweeter than the wind That from their gentle nostrils blows, Itself far sweeter than the rose. On pleasant summer holiday, The roving lads to thee will stray, And prostrate round thy margin thrown, Bend to thy lips their rosy own, To draw the diamond sparkling drink, And round thy mossy cushioned brink Linger delightedly and long, To watch thy bubbling, hear thy song, Or, far down in the crystal deep, Study the patient snail's slow creep; The free and lawless boy to thee Shall thus resign his sovereignty. The rustic beauty, village bound O'er field, instead of going round By highway, will her path forsake, Some drops in her pink palm to take From thee, and 'twixt her dainty lips Draw in two dainty, dainty sips; And then (for beauty ne'er was known To shut her eyes when near her shone Aught that her beauty might reflect) She will employ thee to detect Some dimple new, or budding grace, Within the blossom of her face, And envious sigh to see in thee Complexion clearer than hath she. But thankful for thy bashful tongue, She will rise and trip along, And leave thee to the birds and bees, That on the bushes and the trees Sit silent perched; for they have come, From busy hive and bough-built home, To learn that glorious art of thee, The art of tuneful harmony; And none so soft, or none so sad, None so loud, nor none so glad, But from thy wide-ranged song may learn Some blithesome trill, or tender turn, To add unto the little store Of sweetness that each knew before. The bee can teach his golden wing A drowsier, sleepier tune to sing, By listening near that mossy rock, Beneath which lazy flows thy brook; The sparrow, when the bubbles break, Can learn a shorter chirp to take; Of soft, low tones an endless store The choice-eared thrush may ponder o'er, Where from thy brimming bowl's low lip, With gentle fall thy waters slip; While for a merry song and gay, A mirth-awakening roundelay, Unto the rising sun to bring, A sole and new sung offering, The lark will close attention give Down where thy laughing brook doth live In a round of pleasure, dancing on Over its pebble bed sloping down. But when all these have taken flight, Scared by the dusky face of night; When shadows veil day's last red gleam, And starry silence reigns supreme; Winging her lonesome flight along, Will come the queen of feathered song, Poor Philomel. And she will brood, In sad, most melancholy mood, Long on some branch of sleeping flowers, As if her wing had lost its powers And never more in air would spread; And dropping her grief-laden head Upon her breast, her pensive sight, And ears that woe's sad notes delight, In trance of sweetest sadness bind To that dark spot in its mazy wind, Where, over some smooth, rounded stone, Thy silver rill drops with a moan And sigh of sorrow. All these to-morrow May be thy happy joys, sweet spring, If thou to that bright dell wilt bring Thy lovely flood, leave this dark home Unto that sunny one to come, There 'mid these endless joys to dwell. O seal this fount, this wasted well! This bubbling cup let silence fill! And trace a straight and speedy track, By subterranean channels black, To where prepared for thee doth wait A life whose changeless, one estate Is joy and gladness! Thus long ago a youth made plea Unto a sylvan spring; but she, Regarding not his earnest tongue, Still bubbled up and flowed along, Filling her rocky house with song And music, smiles and mirth. "She mocks!" he thought, and he grew wroth; "She mocks me!" and in sad offence, He bid a cold adieu and hence His wounded presence took. Long, restless, wandering years passed o'er him; Then, back returning, spread before him, His youth's remembered home doth range. But oh! 'twas sadly new and strange! Nothing was as it was before; 'Twas not the aspect that it bore Of old, but only the old name, In name, but not in fact, the same. Where were the paths he once had trod? Where were the sunny hills whose sod With nodding daisies thick was strown? Where were the groves he once had known? Alas! the ruthless, puffing plough Up-shared those daisied hillsides now; In the shuddering woods the shrieking saw Surfeits his fanged and cruel jaw; No flocks to those fields now were driven, No herds at eve lowed up to heaven; The birds to other groves were fled, The lark did make his dewy bed In other meadows far away; Nowhere, in all his vision's play, Gleamed one loved, memoried sight. Yet stay! Out 'twixt two gray and stony walls, A thin stream plashed with gentle falls. He saw; his heart 'gan quicker beat; And straight his lost and stranger feet, No longer helplessly astray, Did thither bend their hasty way. And there, oh glad and welcome sight! Gurgling and bubbling, clear and bright, Gushed up that ancient, steadfast spring. "Spirit of constancy! Thou thing Of patient steadfastness!" he cried, "Through all these years that I have tried To find in pleasure's poison cup Some happiness, or followed up Deluding Fortune's faithless wheel, The woe-begetting gold to feel, Hast thou thus happily dwelt here, Nor known a woe, nor felt a fear, Nor drawn a sigh, nor dropped a tear? Ah, would in foolish youth I had Thee my good preceptor made! Then peace and joy might now be mine, Even as now they still are thine." | Discover our Poem Explanations and Poet Analyses!Other Poems of Interest...SPRING LEMONADE by TONY HOAGLAND A SPRING SONG by LYMAN WHITNEY ALLEN SPRING'S RETURN by GEORGE LAWRENCE ANDREWS ODE TO SPRING by ANNA LETITIA BARBAULD ODE TO SPRING by ANNA LETITIA BARBAULD SPRING FLOODS by MAURICE BARING SPRING IN WINTER by CHARLOTTE FISKE BATES SPRING ON THE PRAIRIE by HERBERT BATES THE FARMER'S BOY: SPRING by ROBERT BLOOMFIELD A BALLAD FOR CHRISTMAS-TIDE by GEORGE MURRAY (1830-1910) A DREAM ABOUT THE ASPEN by GEORGE MURRAY (1830-1910) A LEGEND OF THE CHILD JESUS; WRITTEN FOR A CHILD by GEORGE MURRAY (1830-1910) |
|