|
| |
|
LASCELLES ABERCROMBIE: |
| PEREGRINUS |
|
DANNIE ABSE: |
| AFTER THE RELEASE OF EZRA POUND |
|
W. C. ACKERLY: |
| PRAYER OF AN UNEMPLOYED MAN |
|
HENRY BROOKS ADAMS: |
| BUDDHA AND BRAHMA |
|
JOSEPH ADDISON: |
| ODE |
|
CONRAD AIKEN: |
| 1915: THE TRENCHES |
|
| ASPHALT |
|
| HERMAN MELVILLE |
|
LUCY AIKEN: |
| ON SEEING BLENHEIM CASTLE |
|
DOUGLAS AINSLIE: |
| A STIRRUP-CUP |
|
| DEATH OF THE DOUGLAS, SELS. |
|
| GOOD FRIDAY'S HOOPOE |
|
| LINES PREFIXED TO ST JOHN OF DAMASCUS |
|
HEW AINSLIE: |
| THE HINT O' HAIRST |
|
| THE LAST LOOK O' HAME |
|
MARK AKENSIDE: |
| HYMN TO THE NAIADS |
|
| THE VIRTUOSO; IN IMITATION OF SPENCER'S STYLE AND STANZA |
|
RAFAEL ALBERTI: |
| DECEPTION |
|
| GOOD ANGEL |
|
| GRAMMAR SCHOOL ANGELS |
|
| IF MY VOICE... |
|
AMOS BRONSON ALCOTT: |
| BARTOL |
|
| CHANNING |
|
| EMERSON |
|
| EXCELLENCE |
|
| GARRISON |
|
| HAWTHORNE |
|
| MARGARET FULLER |
|
| SEER'S RATIONS |
|
| SONNET: 14 |
|
| THOREAU |
|
| WENDELL PHILLIPS |
|
RICHARD ALDINGTON: |
| CHILDHOOD: 1 |
|
| IMAGES OF DESIRE |
|
THOMAS BAILEY ALDRICH: |
| A PETITION |
|
| ALEC YEATON'S SON; GLOUCESTER, AUGUST, 1720 |
|
| AN ARAB WELCOME |
|
| AN ELECTIVE COURSE |
|
| AN ODE ON THE UNVEILING OF THE SHAW MEMORIA BOSTON COMMON, MAY 31, 1897 |
|
| AN OLD CASTLE |
|
| AN UNTIMELY THOUGHT |
|
| AT A READING |
|
| AT THE FUNERAL OF A MINOR POET |
|
| BABY BELL |
|
| BATUSCHKA |
|
| BAYARD TAYLOR |
|
| BEFORE THE RAIN |
|
| BROKEN MUSIC |
|
| BROTHERLY LOVE |
|
| CIRCUMSTANCE |
|
| CORYDON - A PASTORAL |
|
| DANS LA BOHEME |
|
| DECEMBER |
|
| DIRGE |
|
| FABLE; ROME, 1875 |
|
| FACE AGAINST THE PANE |
|
| FLOWER AND THORN |
|
| FOREVER AND A DAY |
|
| FREDERICKSBURG |
|
| FRIAR JEROME'S BEAUTIFUL BOOK; A.D. 1200 |
|
| GARNAUT HALL (A.D. 1598) |
|
| GREAT CAPTAIN, GLORIOUS IN OUR WARS |
|
| GUILIELMUS REX |
|
| HASCHEESH |
|
| HEREDITY |
|
| HESPERIDES |
|
| I VEX ME NOT WITH BROODING ON THE YEARS |
|
| IDENTITY |
|
| IN AN ATELIER |
|
| IN WESTMINSTER ABBEY |
|
| INGRATITUDE |
|
| INVOCATION TO SLEEP |
|
| LADY OF CASTLENORE; A.D. 1700 |
|
| LATAKIA |
|
| LONGFELLOW |
|
| LOST AT SEA |
|
| LYCIDAS |
|
| MARECHAL NIEL |
|
| MASKS |
|
| MEMORIES |
|
| MEMORY |
|
| MIANTOWONA |
|
| MIRACLES |
|
| MONODY ON THE DEATH OF WENDELL PHILLIPS |
|
| NAMELESS PAIN |
|
| ON AN INTAGLIO HEAD OF MINERVA (1) |
|
| ON READING -- . |
|
| OUTWARD BOUND |
|
| PALABRAS CARINOSAS (SPANISH AIR) |
|
| PAMPINEA |
|
| POET'S GRAVE |
|
| POETS |
|
| PRESCIENCE |
|
| PROEM |
|
| QUATRAIN: AMONG THE PINES |
|
| QUATRAIN: FAME |
|
| QUATRAIN: HERRICK |
|
| QUATRAIN: OMAR KHAYYAM (AFTER FITZGERALD) |
|
| QUATRAIN: SPENDTHRIFT |
|
| QUATRAIN: THE IRON AGE |
|
| QUITS |
|
| ROCOCO |
|
| ROMANCE |
|
| SARGENT'S PORTRAIT OF EDWIN BOOTH AT THE PLAYERS |
|
| SLEEP |
|
| SONNET |
|
| SONNET: 'EVEN THIS WILL PASS AWAY' |
|
| SONNET: EUTERPE |
|
| SONNET: HENRY HOWARD BROWNELL |
|
| SONNET: THE RARITY OF GENIUS |
|
| SONNET: TO L.T. IN FLORENCE |
|
| TENNYSON |
|
| THALIA |
|
| THE CRESCENT AND THE CROSS |
|
| THE FADED VIOLET |
|
| THE GUERDON |
|
| THE LAST CAESAR, 1851-1870 |
|
| THE MENU |
|
| THE METEMPSYCHOSIS |
|
| THE PIAZZA OF ST. MARK AT MIDNIGHT |
|
| THE ROSE |
|
| THE SHIPMAN'S TALE |
|
| THE SISTER'S TRAGEDY |
|
| THE UNDISCOVERED COUNTRY |
|
| THE UNFORGIVEN |
|
| THE VOICE OF THE SEA |
|
| THE WORLD'S WAY |
|
| THRENODY |
|
| TO HAFIZ |
|
| TOUSOULIA (A LEGEND OF THE MOHEGAN) |
|
| UNGUARDED GATES |
|
| UNSUNG |
|
| WHEN THE SULTAN GOES TO ISPAHAN |
|
VICENTE ALEIXANDRE: |
| LIKE THE SEA, KISSES |
|
WILLIAM ALEXANDER (1567-1640): |
| AURORA |
|
| DOOMSDAY: TREASURES IN HEAVEN |
|
| ROBERT BURNS |
|
SHERMAN ALEXIE: |
| AT NAVAJO MONUMENT VALLEY TRIBAL SCHOOL |
|
| CRAZY HORSE SPEAKS: 1 |
|
| CRAZY HORSE SPEAKS: 2 |
|
| CRAZY HORSE SPEAKS: 3 |
|
| CRAZY HORSE SPEAKS: 4 |
|
| CRAZY HORSE SPEAKS: 5 |
|
| CRAZY HORSE SPEAKS: 6 |
|
| CRAZY HORSE SPEAKS: 7 |
|
| DANGEROUS ASTRONOMY |
|
| DEFENDING WALT WHITMAN |
|
| GOOD HAIR |
|
| GRIEF CALLS US TO THE THINGS OF THIS WORLD |
|
| HOW TO WRITE THE GREAT AMERICAN INDIAN NOVEL |
|
| I WOULD STEAL HORSES |
|
| INSIDE DACHAU |
|
| MEMORIAL DAY, 1972 |
|
| OWL DANCING WITH FRED ASTAIRE |
|
| PENANCE |
|
| POSTCARDS TO COLUMBUS |
|
| POWWOW AT THE END OF THE WORLD |
|
| POWWOW POLAROID |
|
| RED BLUES |
|
| RESERVATION CAB DRIVER |
|
| RESERVATION LOVE SONG |
|
| SASQUATCH POEMS |
|
| SISTER FIRE, BROTHER SMOKE |
|
| SUDDEN DEATH |
|
| SUMMER OF BLACK WIDOWS |
|
| TEXAS CHAINSAW MASSACRE |
|
| THINGS (FOR AN INDIAN) TO DO IN NEW YORK (CITY) |
|
| WATER |
|
| WHEN I WAS MY FATHER I SANG LOVE SONGS TO MY SON |
|
| WHY INDIAN MEN FALL IN LOVE WITH WHITE WOMEN |
|
| WHY WE PLAY BASKETBALL |
|
ROBERT ALLAN: |
| TO A LINNET |
|
WILLIAM ALLINGHAM: |
| A BURIAL-PLACE |
|
| ABBEY ASAROE |
|
| FAMILIAR EPISTLE TO A LITTLE BOY |
|
| GEORGE LEVISON OR, THE SCHOOLFELLOWS |
|
| IN SNOW |
|
| PILOT'S DAUGHTER |
|
| ROBIN REDBREAST |
|
| THE ABBOT OF INISFALEN |
|
| THE BALLAD OF SQUIRE CURTIS |
|
| THE FAIRIES |
|
| THE GIRL'S LAMENTATION |
|
| THE LEPRECAUN, OR THE FAIRY SHOEMAKER |
|
| THE LOVER AND THE BIRDS |
|
| THE WINDING BANKS OF ERNE; OR, THE EMIGRANT'S ADIEU TO HIS BIRTHPLACE |
|
JULIA ALVAREZ: |
| BILINGUAL SESTINA |
|
| DUSTING |
|
| HOMECOMING |
|
| HOW I LEARNED TO SWEEP |
|
| ON NOT SHOPLIFTING LOUISE BOGAN'S THE BLUE ESTUARIES |
|
YEHUDA AMICHAI: |
| A PITY. WE WERE SUCH A GOOD INVENTION |
|
| NATIONAL THOUGHTS |
|
| WE HAVE DONE OUR DUTY |
|
ARCHIE RANDOLPH AMMONS: |
| EASTER MORNING |
|
| GRAVELLY RUN |
|
| IMPORVISATION FOR ANGULAR MOMENTUM |
|
ALEXANDER ANDERSON: |
| A SONG FOR MY FELLOWS |
|
| BLOOD ON THE WHEEL |
|
| CUDDLE DOON |
|
| IN THE VANGUARD |
|
| MOVE UPWARD |
|
| ON THE ENGINE AGAIN |
|
| THE BROWN GIANT |
|
| THE ENGINE |
|
| THE SPIRIT OF THE TIMES |
|
JON ANDERSON: |
| AFTERLIFE |
|
| AMERICAN LANDSCAPE WITH CLOUDS AND A ZOO |
|
| ATTENTION TO DETAIL |
|
| AVIATORS |
|
| CURIOUS GEORGE MEETS LOREN GOODMAN |
|
| DEATH'S ONLY SON |
|
| GREENING OF HARRY BRIGHT |
|
| HOMAGE TO ROBERT BRESSON |
|
| SECRET OF POETRY |
|
MAYA ANGELOU: |
| A PLAGUED JOURNEY |
|
| AILEY, BALDWIN, FLOYD, KILLENS, AND MAYFIELD |
|
| AIN'T THAT BAD? |
|
| ALONE |
|
| AWAKING IN NEW YORK |
|
| BRAVE AND STARTLING TRUTH |
|
| CAGED BIRD |
|
| CALIFORNIA PRODIGAL |
|
| CONCEIT |
|
| EQUALITY |
|
| HARLEM HOPSCOTCH |
|
| HEALTH-FOOD DINER |
|
| HUMAN FAMILY |
|
| IN ALL WAYS A WOMAN |
|
| INAUGURAL POEM: ON THE PULSE OF MORNING |
|
| INSOMNIAC |
|
| KIN |
|
| LESSON |
|
| LIFE DOESN'T FRIGHTEN ME |
|
| MEN |
|
| MILLION MAN MARCH POEM |
|
| MOMMA WELFARE ROLL |
|
| OLD FOLKS LAUGH |
|
| ON AGING |
|
| PASSING TIME |
|
| PHENOMENAL WOMAN |
|
| PICKIN EM UP AND LAYIN EM DOWN |
|
| PREACHER, DON'T SEND ME |
|
| REFUSAL |
|
| REMEMBRANCE |
|
| SAVIOR |
|
| SON TO MOTHER |
|
| STILL I RISE |
|
| THE BLACK FAMILY PLEDGE |
|
| THE MOTHERING BLACKNESS |
|
| THESE YET TO BE UNITED STATES |
|
| THEY WENT HOME |
|
| WEEKEND GLORY |
|
| WHEN YOU COME TO ME |
|
| WOMAN WORK |
|
ANONYMOUS: |
| "ADAM LAY I-BOWNDYN [OR, I-BOUNDEN, OR, Y-BOUNDEN]" |
|
| "FAREWELL TO MACKENZIE, HIGH CHIEF OF KINTAIL" |
|
| "GOOD MORNING, FATHER FRANCIS" |
|
| "SIR GAWAIN AND THE GREEN KNIGHT, SELS." |
|
| BY MEMORY INSPIRED |
|
| GOD MOVES ON THE WATER |
|
| KITTY OF COLERAINE |
|
| LAMENT OF MORIAN SHEHONE FOR MISS MARY BOURKE |
|
| SHULE AROON |
|
| SIR PATRICK SPENS |
|
| THE BOOK OF THE DEAD: HE WALKETH BY DAY |
|
| THE SHAN VAN VOCHT (THE POOR OLD WOMAN) (1) |
|
| THE THREE RAVENS (1) |
|
| THE UNQUIET GRAVE (1) |
|
| THE UNQUIET GRAVE (3) |
|
PAUL ANTSCHEL: |
| A DEATH FUGUE |
|
| PSALM |
|
GUILLAUME APOLLINAIRE: |
| AT NIMES |
|
| AUTUMN |
|
| COMPANY COMMANDER |
|
| DUSK; TO MADEMOISELLE MARIE LAURENCIN |
|
| FAREWELL |
|
| HILLS |
|
| HUNTING HORNS |
|
| MARIZIBILL |
|
| MEADOW-SAFFRON |
|
| RHENISH AUTUMN; TO TOUSSAINT LUCA |
|
| SALOME |
|
| STAR |
|
| THE LORELEI |
|
| THE MIRABEAU BRIDGE |
|
| THE PRETTY REDHEAD |
|
| THE SONG OF THE ILL-BELOVED; TO PAUL LEAUTARD |
|
| WHITE SNOW |
|
| ZONE |
|
HAMILTON FISH ARMSTRONG: |
| AFTER THE PLAY |
|
MATTHEW ARNOLD: |
| DOVER BEACH |
|
| THE SCHOLAR GIPSY |
|
| WRITTEN IN EMERSON'S ESSAYS |
|
JOHN ASHBERY: |
| ... BY AN EARTHQUAKE |
|
| AND UT PICTURA POESIS IS HER NAME |
|
| ANTICIPATED STRANGER |
|
| AS ONE PUT DRUNK INTO THE PACKET-BOAT |
|
| AT NORTH FARM |
|
| BOUNDARY ISSUES |
|
| BY GUESS AND BY GOSH |
|
| CHINESE WHISPERS |
|
| CRAZY WEATHER |
|
| DAFFY DUCK IN HOLLYWOOD |
|
| DOUBLE DREAM OF SPRING |
|
| EL DORADO |
|
| FARM IMPLEMENTS AND RUTABAGAS IN A LANDSCAPE |
|
| FLOW CHART |
|
| FOR JOHN CLARE |
|
| GLAZUNOVIANA |
|
| HARD TIMES |
|
| HOTEL LAUTRéAMONT |
|
| HOW TO CONTINUE |
|
| INSTEAD OF LOSING |
|
| INTO THE DUSK-CHARGED AIR |
|
| JUST WALKING AROUND |
|
| LAST MONTH |
|
| LATE ECHO |
|
| LEAVE THE HAND IN |
|
| LIKE A SENTENCE |
|
| LITANY, SELS. |
|
| MEANINGFUL LOVE |
|
| MOTTLED TUESDAY |
|
| MY EROTIC DOUBLE |
|
| MY PHILOSOPHY OF LIFE |
|
| ONE THING THAT CAN SAVE AMERICA |
|
| OTHER TRADITION |
|
| PANTOUM |
|
| PARADOXES AND OXYMORONS |
|
| PICTURE OF LITTLE J.A. IN A PROSPECT OF FLOWERS |
|
| PYROGRAPHY |
|
| QUALM |
|
| RIVERS AND MOUNTAINS |
|
| SAYING IT TO KEEP IT FROM HAPPENING |
|
| SELF-PORTRAIT IN A CONVEX MIRROR |
|
| SKATERS: 1 |
|
| SKATERS: 2 |
|
| SKATERS: 3 |
|
| SKATERS: 4 |
|
| SLEEPERS AWAKE |
|
| SOME TREES |
|
| SOONEST MENDED |
|
| SPRING DAY |
|
| STRANGE THINGS HAPPEN AT NIGHT |
|
| STREET MUSICIANS |
|
| SUNRISE IN SUBURBIA |
|
| SYRINGA |
|
| SYSTEM |
|
| TAPESTRY |
|
| TENNIS COURT OATH |
|
| THE BUNGALOWS |
|
| THE HISTORY OF MY LIFE |
|
| THE ICE-CREAM WARS |
|
| THE INSTRUCTION MANUAL |
|
| THE NEW HIGHER |
|
| THE PAINTER |
|
| THE PROBLEM OF ANXIETY |
|
| THE TENNIS COURT OATH |
|
| THESE LACUSTRINE CITIES |
|
| THIS ROOM |
|
| TRAIN RISING OUT OF THE SEA |
|
| UPTICK |
|
| VETIVER |
|
| WET CASEMENTS |
|
| WHAT IS POETRY |
|
| WORSENING SITUATION |
|
THOMAS ASHE: |
| A VISION OF CHILDREN |
|
MARGARET ATWOOD: |
| BACKDROP ADDRESSES COWBOY |
|
| CITY PLANNERS |
|
| HABITATION |
|
| HELEN OF TROY DOES COUNTER DANCING |
|
| IN THE SECULAR NIGHT |
|
| MOMENT |
|
| SIREN SONG |
|
| SPELLING |
|
| THIS IS A PHOTOGRAPH OF ME |
|
| VARIATION ON THE WORD SLEEP |
|
| YOU BEGIN |
|
WYSTAN HUGH AUDEN: |
| 1929 |
|
| A.E. HOUSMAN |
|
| ACADEMIC GRAFFITI |
|
| ADDRESS TO THE BEASTS |
|
| ADOLESCENCE |
|
| AFTER READING A CHILD'S GUIDE TO MODERN PHYSICS |
|
| ALONE (1) |
|
| AMOR LOCI |
|
| AND THE AGE ENDED, AND THE LAST DELIVERER DIED |
|
| ANOTHER TIME |
|
| ANTHEM |
|
| ARCHAEOLOGY |
|
| ART OF HEALING |
|
| AS HE IS |
|
| AT LAST, DOWN IN THE LANE |
|
| AT THE GRAVE OF HENRY JAMES |
|
| AT THE MANGER |
|
| AT THE PARTY |
|
| ATLANTIS |
|
| AUBADE |
|
| AUG-68 |
|
| AUGUST FOR THE PEOPLE |
|
| AWARE |
|
| BACH AND THE LADY |
|
| BAD NIGHT |
|
| BALLAD |
|
| BALLAD |
|
| BATHTUB THOUGHTS |
|
| BEHOLD THE MANLY MESOMORTH |
|
| BETWEEN ADVENTURE |
|
| BLESSED EVENT |
|
| BONFIRES |
|
| BRIDE IN THE 30'S |
|
| BRUSSELS IN WINTER |
|
| CANZONE |
|
| CAPITAL |
|
| CASINO |
|
| CONSIDER |
|
| CULTURAL PRESUPPOSITION |
|
| CUTTY WREN |
|
| DANS MACABRE |
|
| DARK YEARS |
|
| DEATH'S ECHO |
|
| DECOYS |
|
| DIASPORA |
|
| DOOR |
|
| DOVER |
|
| EASY KNOWLEDGE |
|
| EDWARD LEAR |
|
| EPITAPH ON A TYRANT |
|
| EXILES |
|
| FAMILY GHOSTS |
|
| FIRST THINGS FIRST |
|
| FREE ONE |
|
| GARE DU MIDI |
|
| HAPPY ENDING |
|
| HAVE A GOOD TIME |
|
| HEALTHT SPOT |
|
| HEAVY DATE |
|
| HELL |
|
| HERMAN MELVILLE |
|
| HIS EXCELLENCY |
|
| IF I COULD TELL YOU |
|
| IN MEMORY OF ERNST TOLLER |
|
| IN MEMORY OF SIGMUND FREUD |
|
| IN MEMORY OF W.B. YEATS |
|
| IN PRAISE OF LIMESTONE |
|
| IN SICKNESS AND IN HEALTH |
|
| IN WAR TIME |
|
| JOURNEY TO ICELAND |
|
| LADY, WEEPING AT THE CROSSROADS |
|
| LAW LIKE LOVE |
|
| LEAP BEFORE YOU LOOK |
|
| LEGEND |
|
| LESSON |
|
| LET HISTORY BY MY JUDGE |
|
| LETTER (2) |
|
| LIKE A VOCATION |
|
| LIKE US |
|
| LULLABY |
|
| LUTHER |
|
| MACAO |
|
| MANY HAPPY RETURNS |
|
| MAZE |
|
| MEIOSIS |
|
| MISS GEE |
|
| MISSING |
|
| MISUNDERSTANDING |
|
| MODEL |
|
| MONTAIGNE |
|
| MUNDUS ET INFANS |
|
| MUSEE DES BEAUX ARTS |
|
| NEW YEAR LETTER: PART 1 |
|
| NO CHANGE OF PLACE |
|
| NO TIME |
|
| NOVELIST |
|
| ODE |
|
| ON SUNDAY WALKS |
|
| ON THE CIRCUIT |
|
| ORPHEUS |
|
| OUR BIAS |
|
| OUR HUNTING FATHERS TOLD THE STORY |
|
| OXFORD |
|
| PAYSAGE MORALISE |
|
| PETITION |
|
| PORTRAIT |
|
| PRICE |
|
| PROLOGUE (2) |
|
| PROPHETS |
|
| QUEST: ADVENTURE |
|
| QUEST: THE ADVENTURERS |
|
| QUEST: THE AVERAGE |
|
| QUEST: THE CITY |
|
| QUEST: THE CROSSROADS |
|
| QUEST: THE FIRST TEMPTATION |
|
| QUEST: THE GARDEN |
|
| QUEST: THE HERO |
|
| QUEST: THE LUCKY |
|
| QUEST: THE PREPARATIONS |
|
| QUEST: THE PRESUMPTUOUS |
|
| QUEST: THE SECOND TEMPTATION |
|
| QUEST: THE THIRD TEMPTATION |
|
| QUEST: THE TOWER |
|
| QUEST: THE TRAVELLER |
|
| QUEST: THE USEFUL |
|
| QUEST: THE WATERS |
|
| QUEST: THE WAY |
|
| QUEST: VOCATION |
|
| QUESTION |
|
| QUESTIONER WHO SITS SO SLY |
|
| REFUGEE BLUES |
|
| RIDDLE |
|
| RIMBAUD |
|
| SCHOOLCHILDREN |
|
| SECRET AGENT |
|
| SEPTEMBER 1. 1939 |
|
| SHIP |
|
| SONG |
|
| SONG FOR ST. CECILIA'S DAY |
|
| SPAIN - 1937 |
|
| SPHINX |
|
| SPRING UNSETTLES SLEEPING PARTNERSHIPS |
|
| TALLER TODAY |
|
| TEN SONGS: 3 |
|
| TEN SONGS: 4 |
|
| TEN SONGS: 5 |
|
| TEN SONGS: 6 |
|
| TEN SONGS: 8 |
|
| TEN SONGS: 9 |
|
| THAT NIGHT WHEN JOY BEGAN |
|
| THE CUTTY WREN |
|
| THE LESSON |
|
| THE SHIELD OF ACHILLES |
|
| THE UNKNOWN CITIZEN |
|
| THE WANDERER |
|
| THEIR LONELY BETTERS |
|
| THEY |
|
| THIS LOVED ONE |
|
| THIS LUNAR BEAUTY |
|
| TOO DEAR, TOO VAGUE |
|
| TRAVELLER |
|
| TWELVE SONGS: 1 |
|
| TWELVE SONGS: 10 |
|
| TWELVE SONGS: 11 |
|
| TWELVE SONGS: 12 |
|
| TWELVE SONGS: 4 |
|
| TWELVE SONGS: 5 |
|
| TWELVE SONGS: 8 |
|
| TWELVE SONGS: 9. FUNERAL BLUES |
|
| TWO CLIMBS |
|
| VENUS WILL NOW SAY A FEW WORDS |
|
| VICTOR |
|
| VOLTAIRE AT FERNEY |
|
| WALKING TOUR |
|
| WATERSHED |
|
| WHO'S WHO |
|
| WITNESSES |
|
JOSEPH AUSLANDER: |
| STEEL |
|
ALFRED AUSTIN: |
| AGATHA |
|
| THE DEATH OF HUSS |
|
| THE LAST REDOUBT |
|
KOFI AWOONOR: |
| THE FIRST CIRCLE |
|
| THE SEA EATS THE LAND AT HOME |
|
PHILIP AYRES: |
| APOLLO AND DAPHNE |
|
| BEING RETIRED, COMPLAINS AGAINST THE COURT |
|
| EMBLEMS OF LOVE: 1. THE MARVELLOUS SEED OF LOVE |
|
| INVITES HIS NYMPH TO HIS COTTAGE |
|
| INVITES POETS AND HISTORIANS TO WRITE IN CYNTHIA'S PRAISE |
|
| LESBIA'S COMPLAINT AGAINST THYRISIS HIS INCONSTANCY; A SONNET |
|
| ON A FAIR BEGGAR |
|
| ON A FOUNTAIN AND ITS ARCHITECT |
|
| TO HIS INGENIOUS FRIEND, MR. N. TATE |
|
| TO JOHN DRYDEN, ESQ.; POET LAUREATE AND HISTOGRAPHER ROYAL |
|
| TO SLEEP, WHEN SICK OF A FEVER |
|
ROBERT AYTON: |
| EXERCISE OF AFFECTION |
|
| TO HIS FORSAKEN MISTRESS |
|
| UPON A DIAMOND CUT IN FORME OF A HEART SET WITH A CROWN |
|
| WHEN THOU DIDST THINK I DID NOT LOVE |
|
| WOMAN'S INCONSTANCY |
|
WILLIAM EDMONSTOUNE AYTOUN: |
| A LAMENT FOR PERCY BYSSHE SHELLEY |
|
| A MIDNIGHT MEDITATION |
|
| AMERICAN'S APOSTROPHE TO BOZ, SELS. |
|
| BATTLE OF KILLIECRANKIE |
|
| BLIND OLD MILTON |
|
| BOTHWELL: PART 1 |
|
| BOTHWELL: PART 6 |
|
| CHARLES EDWARD AT VERSAILLES ON THE ANNIVERSARY OF CULLODEN |
|
| DANUBE AND THE EUXINE |
|
| EDINBURGH AFTER FLODDEN |
|
| FIRMILIAN; A TRAGEDY |
|
| HERMOTIMUS |
|
| LA MORT D'ARTHUR |
|
| LITTLE JOHN AND THE RED FRIAR; A LAY OF SHERWOOD |
|
| MASSACRE OF THE MACPHERSON |
|
| ODE TO THE PAST |
|
| OENONE |
|
| TARQUIN AND THE AUGUR |
|
| THE BROKEN PITCHER |
|
| THE BURIAL-MARCH OF THE DUNDEE |
|
| THE ELDER'S WARNING; A LAY OF THE CONVOCATION |
|
| THE EXECUTION OF MONTROSE |
|
| THE GOLDEN AGE |
|
| THE HEART OF THE BRUCE |
|
| THE ISLAND OF THE SCOTS |
|
| THE OLD SCOTTISH CAVALIER |
|
| THE WANDERING JEW |
|
PHILIP JAMES BAILEY: |
| THE MYSTIC |
|
GRISELL BAILLIE: |
| WERENA MY HEART'S LICHT I WAD DEE |
|
JOANNA BAILLIE: |
| A CHILD TO HIS SICK GRANDFATHER |
|
| A MOTHER TO HER WAKING INFANT |
|
| A SCOTCH SONG |
|
| CHRISTOPHER COLUMBUS |
|
| HAY MAKING |
|
| LADY GRISELD BAILLIE |
|
| LONDON |
|
| MALCOLM'S HEIR |
|
| POVERTY PARTS GUDE COMPANIE |
|
| SAW YE JOHNNIE COMIN'? |
|
| SONG: WOO'D AND MARRIED AND A' |
|
| THE KITTEN |
|
| THE OUTLAW'S SONG |
|
DAVID BAKER: |
| HEAVENLY |
|
| INFERTILITY |
|
| LAMB'S CANYON, FALL: WASATCH FOREST |
|
| MELANCHOLY MAN |
|
| MIDWEST: ODE; IN MEMORIAM WILLIAM MATTHEWS |
|
| NEIGHBORS IN OCTOBER |
|
| PATRIOTICS |
|
| THANKSGIVING IN TIME OF AIDS |
|
| THE TRUTH ABOUT SMALL TOWNS |
|
JOHN BANCKS: |
| A DESCRIPTION OF LONDON |
|
JOHN BANIM: |
| BOUCHELLEEN-BAWN |
|
| SOGGARTH AROON |
|
| THE IRISH MOTHER IN THE PENAL DAYS |
|
THEODORE FAULLAIN DE BANVILLE: |
| TO THEOPHILE GAUTIER |
|
AMIRI BARAKA: |
| AN AGONY. AS NOW |
|
| BABYLON REVISITED |
|
| BLACK ART |
|
| IN MEMORY OF RADIO |
|
| LEROY |
|
| NUMBERS, LETTERS |
|
| POLITICAL POEM |
|
| PREFACE TO A TWENTY VOLUME SUICIDE NOTE |
|
| SOS |
|
| THE INVENTION OF COMICS |
|
| THREE MODES OF HISTORY AND CULTURE |
|
ANNA LETITIA BARBAULD: |
| A SCHOOL ECLOGUE |
|
| A SUMMER EVENING'S MEDITATION |
|
| CHARACTERS: ELIZABETH RIGBY |
|
| CONSTANTINOPLE |
|
| THE RIGHTS OF WOMAN |
|
| TO THE POOR |
|
| TO WISDOM |
|
JOHN BARBOUR: |
| BRUCE: JAMES OF DOUGLAS |
|
| THE EVE OF BANNOCKBURN |
|
RICHARD HARRIS BARHAM: |
| HON. MR. SUCKLETHUMBKIN'S STORY: THE EXECUTION; A SPORTING ANECDOTE |
|
| INGOLDSBY LEGENDS, SELS. |
|
| MRS. BOTHERBY'S STORY: THE LEECH OF FOLKESTONE |
|
| SPECTRE OF TAPPINGTON |
|
| THE GHOST |
|
| THE HOUSE-WARMING; A LEGEND OF BLEEDING-HEART YARD |
|
| THE JACKDAW OF RHEIMS |
|
| THE LAY OF ST. CUTHBERT; OR THE DEVIL'S DINNER-PARTY |
|
| THE LORD OF THOULOUSE; A LEGEND OF LANGUEDOC |
|
| THE NURSE'S STORY: THE HAND OF GLORY |
|
| THE SMUGGLER'S LEAP; A LEGEND OF THANET |
|
| THE TRUANTS |
|
ELSA BARKER: |
| OSCAR WILDE |
|
JANE BARKER: |
| A VIRGIN LIFE |
|
| FIDELIA ARGUING WITH HER SELF ON THE DIFFICULTY FINDING TRUE RELIGION |
|
JOEL BARLOW: |
| ADVICE TO A RAVEN IN RUSSIA |
|
| THE HASTY PUDDING |
|
CHARLES BAUDELAIRE: |
| A VOYAGE TO CYTHERA |
|
| AFFINITIES |
|
| ANYWHERE OUT OF THE WORLD |
|
| AT ONE O'CLOCK IN THE MORNING |
|
| BE DRUNK |
|
| BEATRICE |
|
| BEAUTY |
|
| BLIND FOLK |
|
| CORRESPONDENCES |
|
| DEATH |
|
| DON JUAN IN HELL |
|
| EPITAPH FOR A CONDEMNED BOOK |
|
| EXOTIC PERFUME |
|
| GIANTESS |
|
| HYMN |
|
| INVOCATION |
|
| L'AMOUR DU MENSONGE |
|
| LA BEAUTE |
|
| LANDSCAPE |
|
| LE GUIGNON |
|
| LES HIBOUX |
|
| LESBOS |
|
| LITANY TO SATAN |
|
| MEDITATION |
|
| MORNING TWILIGHT |
|
| MUSIC |
|
| POSTHUMOUS REMORSE |
|
| SELF-COMMUNING |
|
| SIN |
|
| SOARING |
|
| SOIS SAGE O MA DOULEUR |
|
| SPLEEN |
|
| THE ALBATROSS |
|
| THE CRACKED BELL |
|
| THE DEAD MISTRESS |
|
| THE DEATH OF THE POOR |
|
| THE ENEMY |
|
| THE FORMER LIFE |
|
| THE GULF |
|
| THE LID |
|
| THE LITTLE OLD WOMEN; TO VICTOR HUGO |
|
| THE LOVE OF DECEIT |
|
| THE MONITOR |
|
| THE PIT |
|
| THE SEVEN OLD MEN; TO VICTOR HUGO |
|
| THE SWAN; TO VICTOR HUGO |
|
| THE VIAL |
|
| THE VOYAGE; TO MAXIME DU CAMP |
|
| THE WAGES OF PRIDE |
|
| TO THE READER |
|
| TRANSFERABLE MERIT |
|
| TRAVELLING GIPSIES |
|
| TWILIT HARMONY |
|
JAMES BEATTIE: |
| ELEGY |
|
| RETIREMENT: AN ODE |
|
| THE HERMIT |
|
| THE JUDGMENT OF PARIS |
|
| THE TRIUMPH OF MELANCHOLY |
|
JAMES HAY BEATTIE: |
| EPITAPH ON DIOPHANTUS |
|
FRANCIS BEAUMONT: |
| BONDUCA |
|
JOSEPH BEAUMONT: |
| A CONCLUSORIE HUMNE TO THE SAME WEEK; & FOR MY FRIEND |
|
| UNREASONABLE REASON |
|
PATRICIA BEER: |
| TRANSVESTISM IN THE NOVELS OF CHARLOTTE BRONTE |
|
THOMAS BEER: |
| THE LAST BALLADE; MASTER FRANCOIS VILLON LOQUITUR |
|
BRENDAN BEHAN: |
| OSCAR WILDE |
|
JOHN+(1) BELLENDEN: |
| ADDRESS TO BELLONA AND KING JAMES V |
|
HILAIRE BELLOC: |
| GODOLPHIN HORNE, WHO WAS CURSED WITH THE SIN OF PRIDE, AND BECAME A BOOT-BLACK |
|
GOTTFRIED BENN: |
| MORGUE: 1. LITTLE ASTER |
|
| MORGUE: 2. LOVELY CHILDHOOD |
|
JOHN BERRYMAN: |
| ADDRESS TO THE LORD |
|
| DREAM SONGS, SELS. |
|
| DREAM SONGS: 76. HENRY'S CONFESSION |
|
| FARE WELL |
|
| THE CAGE |
|
| THE DISPOSSESSED |
|
JOHN BETJEMAN: |
| A SUBALTERN'S LOVE-SONG |
|
| ARREST OF OSCAR WILDE AT THE CADOGAN HOTEL |
|
| IN WESTMINSTER ABBEY |
|
| JUBILEE HYMN |
|
| THE ARREST OF OSCAR WILDE AT THE CADOGAN HOTEL |
|
| THE LICORICE FIELDS AT PONTEFRACT |
|
| VARIATION A A THEME BY T.W. ROLLESTON |
|
LOUISA SARAH BEVINGTON: |
| BOUGHT WITH A PRICE |
|
| THE END OF THE WORLD |
|
| THE UNPARDONABLE SIN |
|
MIRON BIALOSZEWSKI: |
| HOW EASY TO LOSE FAITH |
|
AMBROSE BIERCE: |
| AFTER TENNYSON |
|
| CREATION |
|
| HESITATING VETERAN |
|
| INVOCATION |
|
| MONTEFIORE |
|
| PRESENTIMENT |
|
| T.A.H. |
|
| THE BRIDE |
|
| THE DEATH OF GRANT |
|
| THE DEVIL'S DICTIONARY, SELECTION |
|
| THE FREE TRADER'S LAMENT |
|
| TO THE BARTHOLDI STATUE |
|
ELIZABETH BISHOP: |
| ANAPHORA |
|
| AT THE FISHHOUSES |
|
| FILLING STATION |
|
| FIRST DEATH IN NOVA SCOTIA |
|
| FLORIDA |
|
| HOUSE GUEST |
|
| INSOMNIA |
|
| INVITATION TO MISS MARIANNE MOORE |
|
| IT IS MARVELLOUS |
|
| JERONIMO'S HOUSE |
|
| LARGE BAD PICTURE |
|
| LATE AIR |
|
| LESSON 10 |
|
| LETTER TO N.Y. |
|
| LINES WRITTEN IN THE FANNIE FARMER COOKBOOK |
|
| LITTLE EXERCISE |
|
| LULLABY FOR THE CAT |
|
| MANNERS |
|
| ONE ART |
|
| OVER 2,000 ILLUSTRATIONS AND A COMPLETE CONCORDANCE |
|
| PINK DOG (RIO DE JANEIRO) |
|
| POEM |
|
| QUESTIONS OF TRAVEL |
|
| ROOSTERS |
|
| SANDPIPER |
|
| SEASCAPE |
|
| SESTINA |
|
| SLEEPING ON THE CEILING |
|
| SONGS FOR A COLORED SINGER |
|
| SQUATTER'S CHILDREN |
|
| THE ARMADILLO; FOR ROBERT LOWELL |
|
| THE BIGHT |
|
| THE BURGLAR OF BABYLON |
|
| THE MAN-MOTH |
|
| THE MOOSE |
|
| THE PRODIGAL |
|
| THE RIVERMAN |
|
| UNDER THE WINDOW: OURO PRETO |
|
| VARICK STREET |
|
| VISITS TO ST. ELIZABETHS |
|
JOHN STUART BLACKIE: |
| ABRAHAM |
|
| ALEXANDER |
|
| CROMWELL |
|
| DAVID |
|
| MY BATH |
|
| NELSON AND WELLINGTON |
|
| SOCRATES |
|
| SONG OF GOOD COUNSEL |
|
| THE EMIGRANT LASSIE |
|
| THE WORKING MAN'S SONG |
|
| TRIMURTI |
|
| WALLACE AND BRUCE |
|
ROBERT BLAIR: |
| THE GRAVE |
|
WILLIAM BLAKE: |
| A CRADLE SONG |
|
| A CRADLE SONG, FR. SONGS OF INNOCENCE |
|
| A POISON TREE, FR. SONGS OF EXPERIENCE |
|
| AN ANCIENT PROVERB |
|
| AUGURIES OF INNOCENCE |
|
| FOUR ZOAS |
|
| HOLY THURSDAY, FR. SONGS OF EXPERIENCE |
|
| HOLY THURSDAY, FR. SONGS OF INNOCENCE |
|
| JERUSALEM; THE EMANATION OF THE GIANT ALBION: CHAPTER 1 |
|
| LONDON, FR. SONGS OF EXPERIENCE |
|
| MOCK ON, MOCK ON! VOLTAIRE, ROUSSEAU |
|
| THE ANGEL, FR. SONGS OF EXPERIENCE |
|
| THE BOOK OF THEL |
|
| THE CHIMNEY SWEEPER, FR. SONGS OF EXPERIENCE |
|
| THE CHIMNEY SWEEPER, FR. SONGS OF INNOCENCE |
|
| THE CLOD AND THE PEBBLE, FR. SONGS OF EXPERIENCE |
|
| THE DIVINE IMAGE, FR. SONGS OF INNOCENCE |
|
| THE FIRST BOOK OF URIZEN |
|
| THE FLY, FR. SONGS OF EXPERIENCE |
|
| THE GARDEN OF LOVE, FR. SONGS OF EXPERIENCE |
|
| THE HUMAN ABSTRACT, FR. SONGS OF EXPERIENCE |
|
| THE LAMB, FR. SONGS OF INNOCENCE |
|
| THE LITTLE BLACK BOY, FR. SONGS OF INNOCENCE |
|
| THE LITTLE BOY FOUND, FR. SONGS OF INNOCENCE |
|
| THE LITTLE BOY LOST, FR. SONGS OF INNOCENCE |
|
| THE MARRIAGE OF HEAVEN AND HELL |
|
| THE MENTAL TRAVELLER |
|
| THE SICK ROSE, FR. SONGS OF EXPERIENCE |
|
| THE SUNFLOWER, FR. SONGS OF EXPERIENCE |
|
| THE TIGER, FR. SONGS OF EXPERIENCE |
|
| THE VOICE OF THE ANCIENT BARD, FR. SONGS OF EXPERIENCE |
|
| TO AUTUMN |
|
| TO THE EVENING STAR |
|
RANDY BLASING: |
| RETRIEVER |
|
MATHILDE BLIND: |
| BIRDS OF PASSAGE: PRELUDE |
|
| MYSTERY OF MYSTERIES |
|
| THE HEATHER ON FIRE |
|
| THE PROPHECY OF ST. ORAN |
|
ALEXANDER (ALEKSANDR) ALEXANDROVICH BLOK: |
| A LITTLE BLACK MAN RAN THROUGH THE CITY |
|
| INTO CRIMSON DARK THOU GOEST |
|
| RUSSIA |
|
| THE LADY UNKNOWN |
|
| THE SCYTHIANS |
|
| THE UNKNOWN WOMAN |
|
| WHEN MOUNTAIN ASH IN CLUSTERS REDDENS |
|
ROBERT BLOOMFIELD: |
| BANKS OF WYE: BOOK 1 |
|
| FARMER'S BOY |
|
EDMUND CHARLES BLUNDEN: |
| REPORT ON EXPERIENCE |
|
| THE ANCRE AT HAMEL: AFTERWARDS |
|
| THE MIDNIGHT SKATERS |
|
| THE WAGGONER |
|
| THIRD YPRES |
|
WILFRID SCAWEN BLUNT: |
| IN VINCULIS; SONNETS WRITTEN IN AN IRISH PRISON: THE COURT OF PENANCE |
|
| LE ROI EST MORT. VIVE LE ROI! |
|
| THE LOVE SONNETS OF PROTEUS: 112. GIBRALTAR |
|
| THE LOVE SONNETS OF PROTEUS: 113, TO ONE WITH HIS SONNETS |
|
MAXWELL BODENHEIM: |
| ADVICE TO MY YOUNG WIFE |
|
| JACK ROSE |
|
| SIMPLE ACCOUNT OF A POET'S LIFE |
|
| THE KING OF SPAIN |
|
| TWO SONNETS TO MY WIFE |
|
LOUISE BOGAN: |
| A TALE |
|
| BETROTHED |
|
| CASSANDRA |
|
| CHANSON UN PEU NAIVE |
|
| ELDERS |
|
| EPITAPH FOR A ROMANTIC WOMAN |
|
| EVENING IN THE SANITARIUM |
|
| FRIGHTENED MAN |
|
| JUAN'S SONG |
|
| KNOWLEDGE |
|
| LEAVE-TAKING |
|
| MAN ALONE |
|
| MEDUSA |
|
| MEN LOVED WHOLLY BEYOND WISDOM |
|
| PORTRAIT |
|
| PYROTECHNICS |
|
| ROMAN FOUNTAIN |
|
| SOLITARY OBSERVATION BROUGHT BACK FROM SHORT SOJOURN IN HELL |
|
| SONG FOR THE LAST ACT |
|
| STATUE AND BIRDS |
|
| TEARS IN SLEEP |
|
| THE ALCHEMIST |
|
| THE CROSSED APPLE |
|
| THE DRAGONFLY |
|
| THE DREAM |
|
| TO A DEAD LOVER |
|
| TO BE SUNG ON THE WATER |
|
| WOMEN |
|
| WORDS FOR DEPARTURE |
|
| ZONE |
|
NICOLAS BOILEAU-DESPREAUX: |
| ITS ORIGIN |
|
| TO MOLIERE |
|
| VERBATIM FROM BOILEAU |
|
GEORGE HENRY BOKER: |
| FRANCESCA DA RIMINI |
|
| HOOKER'S ACROSS |
|
| THE BLACK REGIMENT |
|
ARNA BONTEMPS: |
| A BLACK MAN TALKS OF REAPING |
|
| NOCTURNE AT BETHESDA |
|
| SOUTHERN MANSION |
|
PHILIP BOOTH: |
| A NUMBER OF WAYS OF LOOKING AT IT |
|
| AFTER THE EXHIBITION |
|
| DATA |
|
| FIRST LESSON |
|
| FOG-TALK |
|
| GATHERING GREENS |
|
| NIGHTSONG |
|
| ORIGINAL SEQUENCE |
|
| POST-EQUINOX SPECTRA |
|
| SEA-CHANGE; JOHN MARIN (1870-1953) |
|
JORGE LUIS BORGES: |
| AT THE BUTCHER'S [CARNICERIA] |
|
| BLADE IN THE NORTHSIDE |
|
| CAMDEN, 1892 |
|
| CYCLICAL NIGHT [LA NOCHE CICLICA] |
|
| DAYBREAK [AMANECER] |
|
| DEATHWATCH ON THE SOUTHSIDE |
|
| DULCIA LINQUIMUS ARVA |
|
| FOR THE GUITAR: MILONGA OF ALBORNOZ |
|
| HERMAN MELVILLE |
|
| INVOCATION TO JOYCE |
|
| NEW ENGLAND, 1967 |
|
| SIMPLICITY |
|
| SUSANA BOMBAL |
|
| TANKAS |
|
ALEXANDER BOSWELL: |
| MARCH OF THE MEN OF HARLECH |
|
| TO BOCCACCIO IN HEAVEN; A PARODY |
|
GORDON BOTTOMLEY: |
| A DEAD MOTHER |
|
| A HYMN OF FORM |
|
| A HYMN OF IMAGINATION |
|
VINCENT BOURNE: |
| THE TEARS OF A PAINTER |
|
| THE THRACIAN |
|
WILLIAM LISLE BOWLES: |
| DISCOVERY OF MADEIRA |
|
| GRAVE OF HOWARD |
|
| ON THE FUNERAL OF CHARLES I; AT NIGHT, IN ST. GEORGE'S CHAPEL, WINDSOR |
|
| REMEMBRANCE |
|
| SONNET: 8. TO THE RIVER ITCHIN, NEAR WINTON |
|
ELIZABETH BOYD: |
| ON THE DEATH OF AN INFANT OF FIVE DAYS OLD |
|
MARK ALEXANDER BOYD: |
| SONNET: CUPID AND VENUS |
|
KATHERINE HARRIS BRADLEY: |
| ARIDITY |
|
| BELOVED |
|
| LONG AGO: 54 |
|
ANNE BRADSTREET: |
| THE AUTHOR TO HER BOOK |
|
| TO MY DEAR AND LOVING HUSBAND |
|
WILLIAM STANLEY BRAITHWAITE: |
| THE DEPARTURE OF PIERROTT |
|
ANDRE BRETON: |
| CHOOSE LIFE |
|
| FALSE PIECE |
|
| FREEDOM OF LOVE |
|
| IT WAS GOING ON FIVE IN THE MORNING |
|
| LETHAL RELIEF |
|
| MARQUIS DE SADE |
|
| MORE THAN SUSPECT |
|
| NO GROUNDS FOR PROSECUTION |
|
| ODE TO CHARLES FOURIER |
|
| ON THE ROAD TO SAN ROMANO |
|
| POSTMAN CHEVAL |
|
| SUNFLOWER |
|
| THE FOREST IN THE AXE |
|
| THE MAGNETIC FIELDS: FACTORY |
|
| THE MYSTERY CORSET |
|
| THE SPECTRAL ATTITUDES |
|
ROBERT BRIDGES (1858-1941): |
| A TOAST TO OUR NATIVE LAND |
|
| AT THE FARRAGUT STATUE |
|
| FATHER TO MOTHER |
|
| FOR A NOVEL OF HALL CAINE'S |
|
| HOTHOUSE VIOLET SPEAKS |
|
| JAMES MCCOSH |
|
ROBERT SEYMOUR BRIDGES: |
| ABSENCE |
|
| AFTER THE GALE |
|
| CHRISTMAS EVE, 1917 |
|
| DEJECTION |
|
| DEMOCRITUS |
|
| DER TAG: NELSON AND BEATTY |
|
| ELEGY ON A LADY, WHOM GRIEF FOR THE DEATH OF HER BETHROTHED KILLED |
|
| EMILY BRONTE |
|
| EROS |
|
| HELL AND HATE |
|
| I LOVE ALL BEAUTEOUS THINGS |
|
| IN DER FREMDE |
|
| JOHANNES MILTON, SENEX |
|
| LONDON SNOW |
|
| LORD KITCHENER |
|
| LOW BAROMETER |
|
| NARCISSUS |
|
| NOEL: CHRISTMAS EVE, 1913 |
|
| OCTOBER |
|
| ON A DEAD CHILD |
|
| SORROW AND JOY |
|
| THE CHIVALRY OF THE SEA |
|
| TO FRANCIS JAMMES |
|
| WINTER NIGHTFALL |
|
JOSEPH BRODSKY: |
| 24-MAY-80 |
|
| 25. XII. 1993 |
|
| A PART OF SPEECH |
|
| A SEASON |
|
| AB OVO |
|
| ALMOST AN ELEGY |
|
| ANGEL |
|
| ANTI-SHENANDOAH: TWO SKITS AND A CHORUS |
|
| AT A LECTURE |
|
| AT THE CITY DUMP IN NANTUCKET |
|
| AUGUST RAIN |
|
| BELFAST TUNE |
|
| BERLIN WALL TUNE |
|
| BLUES |
|
| BRISE MARINE |
|
| CAPE COD LULLABY |
|
| CAPPADOCIA |
|
| CENTAURS I |
|
| CENTAURS II |
|
| CENTAURS III |
|
| CENTAURS IV |
|
| CONSTANCY |
|
| DAEDALUS IN SICILY |
|
| ECLOGUE IV: WINTER |
|
| ECLOGUE: 5. SUMMER |
|
| EPITAPH FOR A CENTAUR |
|
| EXETER REVISITED |
|
| FIFTH ANNIVERSARY (4 JUNE 1977) |
|
| FIN DE DIECLE |
|
| FLIGHT TO EGYPT |
|
| FLY |
|
| FOOTNOTE TO WEATHER FORECASTS |
|
| FOR SCHOOLCHILDREN |
|
| FUNERAL OF BOBO |
|
| HAWK'S CRY IN AUTUMN |
|
| HOMAGE TO CHEKHOV |
|
| HOMAGE TO GIROLAMO MARCELLO |
|
| HOW LONG I'VE BEEN TAPPING AROUND, YOU CAN SEE BY THE HEEL |
|
| I SIT BY THE WINDOW |
|
| IN MEMORY OF CLIFFORD BROWN |
|
| IN MEMORY OF MY FATHER: AUSTRALIA |
|
| IN THE LAKE DISTRICT |
|
| ISCHIA IN OCTOBER |
|
| JEWISH CEMETERY NEAR LENINGRAD |
|
| KELOMYAKKI |
|
| KOLO |
|
| LAGOON |
|
| LETTERS FROM THE MING DYNASTY |
|
| LOVE SONG |
|
| MCMXCIV |
|
| MCMXCV |
|
| MONUMENT TO PUSHKIN |
|
| MY DEAR, I LEFT THE HOUSE TODAY LATE IN THE EVENING |
|
| NATIVITY POEM |
|
| NATURE MORTE |
|
| NEW JULES VERNE |
|
| NEW LIFE |
|
| NEW STANZAS TO AUGUSTA, SELS |
|
| OCTOBER TUNE |
|
| ODE TO CONCRETE |
|
| ODYSSEUS TO TELEMACHUS |
|
| ONLY ASHES KNOW WHAT IT MEANS TO BE BURNED OUT |
|
| PILGRIMS |
|
| POLAR EXPLORER |
|
| POLONAISE: A VARIATION |
|
| PORTA SAN PANCRAZIO |
|
| PORTRAIT OF A TRAGEDY |
|
| POSTCARD FROM LISBON |
|
| ROMAN ELEGIES |
|
| SEVEN STROPHES |
|
| SEXTET |
|
| SIX YEARS LATER |
|
| SO FORTH |
|
| SONG OF WELCOME |
|
| SONNET TO MARY QUEEN OF SCOTS |
|
| STAR OF THE NATIVITY |
|
| TO A FRIEND: IN MEMORIAM |
|
| TO A TYRANT |
|
| TO MY DAUGHTER |
|
| TO URANIA |
|
| TORNFALLET |
|
| TRANSATLANTIC |
|
| VERTUMNUS |
|
| VIA FUNARI |
|
| VIEW WITH A FLOOD |
|
| YORK |
|
ANNE BRONTE: |
| CAPTAIN'S DREAM |
|
| HE DOETH ALL THINGS WELL |
|
| MEMORY |
|
| SELF-CONGRATULATION |
|
| THE DOUBTER'S PRAYER |
|
| THE STUDENT'S SERENADE |
|
| VANITAS VANITATUM, OMNIA VANITAS |
|
BRANWELL BRONTE: |
| THORP GREEN |
|
CHARLOTTE BRONTE: |
| APOSTACY |
|
| LONELY LADY |
|
| ORPHAN CHILD |
|
| THE LETTER |
|
| THE MISSIONARY |
|
| THE TEACHER'S MONOLOGUE |
|
| TRUEST LOVE THAT EVER HEART |
|
EMILY JANE BRONTE: |
| A DEATH SCENE |
|
| A SUDDEN CHASM OF GHASTLY LIGHT |
|
| FAITH AND DESPONDENCY |
|
| HONOUR'S MARTYR |
|
| HOW LONG WILL YOU REMAIN? |
|
| I AM THE ONLY BEING WHOSE DOOM |
|
| I SEE AROUND ME TOMBSTONES GREY |
|
| NO COWARD SOUL IS MINE |
|
| O MOTHER I AM NOT REGRETTING |
|
| REMEMBRANCE |
|
| SELF-INTERROGATION |
|
| THE DEATH OF A.G.A |
|
| THE NIGHT IS DARKENING ROUND ME |
|
| THE PRISONER |
|
PATRICK BRONTE: |
| COTTAGER'S HYMN |
|
RUPERT BROOKE: |
| 1914: 5. THE SOLDIER |
|
GWENDOLYN BROOKS: |
| A BRONZEVILLE MOTHER LOITERS IN MISSISSIPPI |
|
| JANE ADDAMS |
|
| MALCOLM X |
|
| THE BEAN EATERS |
|
| THE CHILDREN OF THE POOR |
|
| THE MOTHER |
|
| WE REAL COOL; THE POOL PLAYERS. SEVEN AT THE GOLDEN SHOVEL |
|
ABBIE FARWELL BROWN: |
| CIPHERS |
|
| DEVIL'S GOLD (A HAMPTON LEGEND) |
|
| FROST |
|
| JOHN TOWNSEND TROWBRIDGE |
|
| PEACE WITH A SWORD |
|
KATE LOUISE BROWN: |
| PUSSY WILLOW |
|
| THE LITTLE PLANT |
|
STERLING ALLEN BROWN: |
| OLD LEM |
|
| SOUTHERN ROAD |
|
| STRONG MEN |
|
WILLIAM BROWNE (1591-1643): |
| ON THE RIGHT HONOURABLE CHARLES, LORD HERBERT |
|
| THE INNER TEMPLE MASQUE |
|
ELIZABETH BARRETT BROWNING: |
| A CHILD'S GRACE AT FLORENCE; A.A.E.C. |
|
| A MUSICAL INSTRUMENT |
|
| AURORA LEIGH: BOOK 1 |
|
| CASA GUIDI WINDOWS |
|
| CHRISTMAS GIFTS |
|
| CONSOLATION |
|
| DE PROFUNDIS |
|
| MOTHER AND POET; TURIN, AFTER THE NEWS FROM GAETA, 1861 |
|
| PAIN IN PLEASURE |
|
| SONNET TO GEORGE SAND: 1. A RECOGNITION |
|
| SONNET TO GEORGE SAND: 2. A DESIRE |
|
| SONNETS FROM THE PORTUGUESE: 14 |
|
| SONNETS FROM THE PORTUGUESE: 21 |
|
| SONNETS FROM THE PORTUGUESE: 22 |
|
| SONNETS FROM THE PORTUGUESE: 27 |
|
| SONNETS FROM THE PORTUGUESE: 43 |
|
| THE BEST [THING IN THE WORLD] |
|
| THE CRY OF THE CHILDREN |
|
| THE CRY OF THE HUMAN |
|
| THE DEAD PAN |
|
| THE RUNAWAY SLAVE AT PILGRIM'S POINT |
|
| THE SLEEP |
|
ROBERT BROWNING: |
| HOME-THOUGHTS, FROM ABROAD |
|
| HOME-THOUGHTS, FROM THE SEA |
|
| MY LAST DUCHESS; FERRRA |
|
| THE PIED PIPER OF HAMELIN |
|
| TWO IN THE CAMPAGNA |
|
MICHAEL BRUCE: |
| THE COMPLAINT OF NATURE |
|
WILLIAM CULLEN BRYANT: |
| A DAY-DREAM |
|
| A FOREST HYMN |
|
| A HYMN OF THE SEA |
|
| A LEGEND OF THE DELAWARES |
|
| A LIFETIME |
|
| A MEDITATION ON RHODE ISLAND COAL |
|
| A SICK-BED |
|
| A SONG OF PITCAIRN'S ISLAND |
|
| AMERICA (1) |
|
| AN INDIAN AT THE BURIAL PLACE OF HIS FATHERS |
|
| ANTIQUITY OF FREEDOM |
|
| BATTLE OF BENNINGTON |
|
| CATTERSKILL FALLS |
|
| CENTENNIAL HYMN |
|
| DANTE |
|
| GREEN RIVER |
|
| HYMN OF THE CITY |
|
| HYMN OF THE WALDENSES |
|
| I CANNOT FORGET WITH WHAT FERVID DEVOTION |
|
| IN MEMORY OF JOHN LOTHROP MOTLEY |
|
| INSCRIPTION FOR THE ENTRANCE TO A WOOD |
|
| JUNE (1) |
|
| LINES ON REVISITING THE COUNTRY |
|
| MONUMENT MOUNTAIN |
|
| MUTATION |
|
| MY AUTUMN WALK |
|
| NOT YET |
|
| OCTOBER, 1866 |
|
| ODE FOR AN AGRICULTURAL CELEBRATION |
|
| ODE FOR THE BURIAL OF ABRAHAM LINCOLN |
|
| OUR COUNTRY'S CALL |
|
| OUR FELLOW-WORSHIPPERS |
|
| RETRIBUTION |
|
| RIZPAH |
|
| ROBERT OF LINCOLN |
|
| ROMERO |
|
| SONG OF MARION'S MEN |
|
| SONG OF THE GREEK AMAZON |
|
| SONNET TO - -. |
|
| SPRING IN TOWN |
|
| THANATOPSIS |
|
| THE AFRICAN CHIEF |
|
| THE AGES |
|
| THE ARCTIC LOVER |
|
| THE BATTLE-FIELD |
|
| THE BURIAL-PLACE |
|
| THE CHILD'S FUNERAL |
|
| THE CONQUEROR'S GRAVE |
|
| THE CONSTELLATIONS |
|
| THE DEATH OF SCHILLER |
|
| THE DEATH OF SLAVERY |
|
| THE DEATH OF THE FLOWERS |
|
| THE EVENING WIND |
|
| THE FLOOD OF YEARS |
|
| THE FOREST MAID |
|
| THE FUTURE LIFE |
|
| THE GREEN MOUNTAIN BOYS [MAY 9, 1775] |
|
| THE HUNTER OF THE PRAIRIES |
|
| THE HUNTER'S VISION |
|
| THE INDIAN GIRL'S LAMENT |
|
| THE JOURNEY OF LIFE |
|
| THE KNIGHT'S EPITAPH |
|
| THE MASACRE AT SCIO |
|
| THE MAY-SUN SHEDS AN AMBER LIGHT |
|
| THE OLD MAN'S COUNSEL |
|
| THE PAST |
|
| THE PLANTING OF THE APPLE TREE |
|
| THE POET |
|
| THE PRAIRIES |
|
| THE RETURN OF THE BIRDS |
|
| THE RIVULET |
|
| THE SONG OF THE SOWER |
|
| THE STORY OF SEVENTY-SIX |
|
| THE STRANGE LADY |
|
| THE VOICE OF AUTUMN |
|
| THE YELLOW VIOLET |
|
| TO A CLOUD |
|
| TO A MOSQUITO |
|
| TO A WATERFOWL |
|
| TO COLE, THE PAINTER, DEPARTING FOR EUROPE |
|
| TO THE FRINGED GENTIAN |
|
| TO THE RIVER ARVE |
|
| TREE-BURIAL |
|
| WAITING BY THE GATE |
|
| WHEN THE FIRMAMENT QUIVERS WITH DAYLIGHT'S YOUNG BEAM |
|
| WILLIAM TELL |
|
ROBERT WILLIAMS BUCHANAN: |
| A VOICE FROM ACADEME |
|
| DOCTOR B. (ON RE-READING A COLLECTION OF POEMS) |
|
| FAERY REAPER |
|
| FIDES AMANTIS |
|
| FRA GIACOMO |
|
| IMAGE IN THE FORUM |
|
| NIETZSCHE |
|
| PENELOPE |
|
| PYGMALION THE SCULPTOR |
|
| SONG OF THE SLAIN |
|
| THE BALLAD OF JUDAS ISCARIOT |
|
| THE BATTLE OF DRUMLIEMOOR |
|
| TOM DUNSTAN |
|
| WEDDING OF SHON MACLEAN |
|
CHARLES BUKOWSKI: |
| ALONE WITH EVERYBODY |
|
| BLUEBIRD |
|
| CRUNCH |
|
| DINOSAURIA, WE |
|
| LOVE IS A DOG FROM HELL |
|
| NIRVANA |
|
| ROLL THE DICE |
|
| SECRET OF MY ENDURANCE |
|
| SO YOU WANT TO BE A WRITER? |
|
| THE GENIUS OF THE CROWD |
|
| THE LAUGHING HEART |
|
| THE SUICIDE KID |
|
EDWARD GEORGE EARLE LYTTON BULWER-LYTTON: |
| LAST DAYS OF QUEEN ELIZABETH |
|
EDWARD ROBERT BULWER-LYTTON: |
| LAST WORDS |
|
| THE WANDERER: 1. IN ITALY: A CHAIN TO WEAR |
|
| URIEL |
|
| WEALTH |
|
IVAN ALEKSEYEVITCH (ALEXEYVICH) BUNIN: |
| A SONG |
|
| AT THE GATES OF ZION |
|
| ENDLESS DOWNPOUR |
|
| FLAX |
|
| GRAVE OF RACHEL |
|
| HIGH UP ON A SNOWY PEAK |
|
| IN AN EMPTY HOUSE |
|
| IT WAS NEAR MIDNIGHT |
|
| RUSSIAN SPRING |
|
| STONE IDOL |
|
| THE GOD OF NOON |
|
BASIL BUNTING: |
| BRIGGFLATTS: 1 |
|
| HOW DUKE VALENTINE CONTRIVED |
|
| THE SPOILS €¬ |
|
| VILLON |
|
ROBERT BURNS: |
| A RED, RED ROSE |
|
| ADDRESS TO A HAGGIS |
|
| ADDRESS TO A LADY |
|
| ADDRESS TO THE DEIL |
|
| AULD LANG SYNE |
|
| CA' THE YOWES TO THE KNOWES |
|
| COME BOAT ME O'ER TO CHARLIE |
|
| DEATH AND DOCTOR HORNBOOK; A TRUE STORY |
|
| DUNCAN GRAY |
|
| EPISTLE TO DAVIE, A BROTHER POET |
|
| EPISTLE TO DR. BLACKLOCK |
|
| EPISTLE TO JOHN LAPRAIK, AN OLD SCOTTISH BARD |
|
| EPISTLE TO WILLIAM SIMPSON OF OCHILTREE |
|
| FOR A' THAT AND A' THAT; SONG |
|
| HOLY WILLIE'S PRAYER |
|
| I'M OWRE YOUNG TO MARRY YET |
|
| JOHN ANDERSON |
|
| LAMENT FOR CULLODEN |
|
| MACPHERSON'S [OR M'PHERSON'S] FAREWELL |
|
| POOR MAILIE'S ELEGY |
|
| POSTSCRIPT TO A LETTER ON THE EXCISE LAW |
|
| ROBERT BRUCE'S ADDRESS TO HIS ARMY BEFORE BANNOCKBURN |
|
| TAM GLEN |
|
| TAM O' SHANTER |
|
| THE LASS O' BALLOCHMYLE |
|
| TO A MOUNTAIN DAISY |
|
| TO A MOUSE, ON TURNING HER UP IN HER NEST WITH THE PLOUGH |
|
| TO MARY IN HEAVEN |
|
STANLEY BURNSHAW: |
| ANNA AKHMATOVA: THE WHITE FLOCK, SELS |
|
GEORGE GORDON BYRON: |
| SHE WALKS IN BEAUTY |
|
JAMES BRANCH CABELL: |
| VILLON QUITS FRANCE |
|
JOAO CABRAL DE MELO NETO: |
| ADEMIR DA GUIA |
|
| EMPTINESS OF MAN |
|
| ENCOUNTER WITH A POET |
|
JEREMIAH JOSEPH CALLANAN: |
| GOUGAUNE BARRA |
|
| LINES TO THE BLESSED SACRAMENT |
|
ADA CAMBRIDGE: |
| A DREAM OF VENICE |
|
| AT LONG LAST |
|
| CRAVEN-HEART |
|
| THE CROWN OF THORNS |
|
| THE HAND IN THE DARK |
|
THOMAS CAMPBELL: |
| BATTLE OF THE BALTIC |
|
| CHAUCER AND WINDSOR |
|
| DOWNFALL OF POLAND [FALL OF WARSAW, 1794] |
|
| EXILE OF ERIN |
|
| FLORINE |
|
| GERTRUDE OF WYOMING; OR, THE PENNSYLVANIAN COTTAGE: 1 |
|
| GERTRUDE OF WYOMING; OR, THE PENNSYLVANIAN COTTAGE: 2 |
|
| GERTRUDE OF WYOMING; OR, THE PENNSYLVANIAN COTTAGE: 3 |
|
| HOHENLINDEN |
|
| JEMIMA, ROSE, AND ELEANORE |
|
| LOCHIEL'S WARNING |
|
| LORD ULLIN'S DAUGHTER |
|
| MOBIADE, SELS. |
|
| NAPOLEON AND THE BRITISH [OR ENGLISH] SAILOR [BOY] |
|
| O'CONNOR'S CHILD; OR, THE FLOWER OF LOVE-LIES-BLEEDING |
|
| ODE TO WINTER |
|
| ON THE ORIGIN OF EVIL |
|
| QUEEN OF THE NORTH |
|
| SONG OF THE GREEKS |
|
| THE BEECH TREE'S PETITION |
|
| THE DIRGE OF WALLACE |
|
| THE HARPER |
|
| THE LAST MAN |
|
| THE PILGRIM OF GLENCOE |
|
| THE RITTER BANN |
|
| THE RIVER OF LIFE |
|
| THE SOLDIER'S DREAM |
|
| TO THE RAINBOW |
|
| YE MARINERS OF ENGLAND |
|
THOMAS CAMPION: |
| A BOOK OF AIRS: SONG 10. THE DYING FALL |
|
| A BOOK OF AIRS: SONG 21 |
|
| A BOOK OF AIRS: SONG 3. AMARYLLIS |
|
| A BOOK OF AIRS: SONG 32 |
|
| A BOOK OF AIRS: SONG 5 |
|
| A BOOK OF AIRS: SONG 6. CORRINA |
|
| CHANCE AND CHANGE |
|
| DIVINE AND MORAL SONGS: 21. LAMENT FOR PRINCE HENRY |
|
| FOURTH BOOK OF AIRS: SONG 24 |
|
| FOURTH BOOK OF AIRS: SONG 4 |
|
| FOURTH BOOK OF AIRS: SONG 7. CHERRY RIPE |
|
| OBSERVATIONS IN THE ART OF ENGLISH POESY: 28 |
|
| THIRD BOOK OF AIRS: SONG 12 |
|
MELVILLE CANE: |
| EMILY DICKINSON |
|
THOMAS CAREW: |
| TO MY INCONSTANT MISTRESS |
|
JANE WELSH CARLYLE: |
| TO A SWALLOW BUILDING UNDER THE EAVES [AT CRAIGENPUTTOCK] |
|
THOMAS CARLYLE: |
| THE SOWER'S SONG |
|
BLISS CARMAN: |
| A CAPTAIN OF THE PRESS-GANG |
|
| A VAGABOND SONG |
|
| AT THE ROADHOUSE: IN MEMORY OF ROBERT LOUIS STEVENSON |
|
| LOW TIDE ON GRAND-PRE |
|
JAMES CARNEGIE: |
| JONAS FISHER: A POEM IN BROWN AND WHITE, SELS. |
|
| THE FLITCH OF DUNMOW |
|
JOYCE SIMS CARRINGTON: |
| OLD SLAVE WOMAN |
|
HAYDEN CARRUTH: |
| CALIFORNIA; FOR ADRIENNE RICH |
|
| THE COWS AT NIGHT |
|
ANNE CARSON: |
| AUTOBIOGRAPHY OF RED: 1. JUSTICE |
|
| THE GLASS ESSAY |
|
| TV MEN: AKHMATOVA (TREATMENT FOR A SCRIPT) |
|
| TV MEN: LAZARUS |
|
| TV MEN: TOLSTOY: 1. CHAMBRE |
|
ELIZABETH CARTER: |
| ODE TO WISDOM |
|
WILLIAM CARTWRIGHT: |
| FALSEHOOD |
|
ALICE CARY: |
| PICTURES OF MEMORY |
|
| THE NOBLE LIFE |
|
PHOEBE CARY: |
| NEARER HOME |
|
| THE LEAK IN THE DIKE; A STORY OF HOLLAND |
|
CONSTANTINE P. CAVAFY: |
| CITY |
|
| GOD ABANDONS ANTONY |
|
| ITHAKA |
|
| THERMOPYLAE |
|
| WAITING FOR THE BARBARIANS |
|
MADISON JULIUS CAWEIN: |
| AT THE END OF THE ROAD |
|
ROBERT CHAMBERS: |
| THE ANNUITANTS ANSWER |
|
| YOUNG RANDAL |
|
WILLIAM ELLERY CHANNING (1817-1901): |
| A POET'S HOPE |
|
| CONFESSIO AMANTIS |
|
| CONTENT |
|
| FLIGHT OF THE WILD GEESE |
|
| HYMN OF THE EARTH |
|
| NATURE |
|
| SLEEPY HOLLOW |
|
| THE BARREN MOORS |
|
| WALDEN LAKE |
|
THOMAS CHATTERTON: |
| AELLA: MINSTREL'S MARRIAGE-SONG |
|
| THE [EXCELLENT] BALLADE OF CHARITIE |
|
GEOFFREY CHAUCER: |
| AGAINST WOMEN UNCONSTANT |
|
| THE CANTERBURY TALES: THE GENERAL PROLOGUE |
|
MARY LEE CHUDLEIGH: |
| TO THE LADIES |
|
CHARLES CHURCHILL: |
| GOTHAM |
|
| NIGHT; AN EPISTLE TO ROBERT LLOYD |
|
| THE APOLOGY; ADDRESSED TO THE CRITICAL REVIEWERS |
|
| THE PROPHECY OF FAMINE; A SCOTS PASTORAL INSCRIBED TO JOHN WILKES |
|
| THE ROSCIAD |
|
JOHN CIARDI: |
| A BOX COMES HOME |
|
| CENSORSHIP |
|
| EAST SIXTY-SEVENTH STREET |
|
| MOST LIKE AN ARCH THIS MARRIAGE |
|
AMY CLAMPITT: |
| BEACH GLASS |
|
| BURNING CHILD |
|
| CORMORANT IN ITS ELEMENT |
|
| HERMIT THRUSH |
|
| KINGFISHER |
|
| SUN UNDERFOOT AMONG THE SUNDEWS |
|
| SYRINX |
|
| THE ODESSA STEPS |
|
JOHN CLARE: |
| SONNET |
|
SARAH NORCLIFFE CLEGHORN: |
| A SAINT'S HOURS |
|
| AIR OF COOLNESS PLAYS UPON HIS FACE' |
|
| BALLAD OF GENE DEBS |
|
| OLDENBURYS OF SUNDERLAND |
|
| ST. CLARE HEARS ST. FRANCIS |
|
JOHN CLEVELAND: |
| A YOUNG MAN TO AN OLD WOMAN COURTING HIM |
|
| AN ELEGY UPON THE ARCHBISHOP OF CANTERBURY |
|
| ELEGY UPON KING CHARLES THE FIRST, MURDERED PUBLICLY BY HIS SUBJECTS |
|
| NEWS FROM NEWCASTLE; UPON THE COAL-PITS ABOUT NEWCASTLE-UPON-TYNE |
|
| ON THE MEMORY OF MR. EDWARD KING, DROWNED IN THE IRISH SEAS |
|
| RUPERTISMUS |
|
| THE AUTHOR'S MOCK SONG TO MARK ANTONY |
|
| THE REBEL SCOT |
|
| UPON A MISER THAT MADE A GREAT FEAST; THE NEXT DAY HE DIED FOR GRIEF |
|
ARTHUR HUGH CLOUGH: |
| SAY NOT |
|
| THE LATEST DECALOGUE |
|
FLORENCE EARLE COATES: |
| DREYFUS |
|
| HELEN KELLER WITH A ROSE |
|
ELIZABETH JANE COATSWORTH: |
| A LADY COMES TO AN INN |
|
ANITA SCOTT COLEMAN: |
| AMERICAN NEGRA |
|
| COLORIST |
|
| PORTRAITURE |
|
WANDA COLEMAN: |
| A STONEHOLD |
|
| ABOUT GOD & THINGS |
|
| AMERICAN SONNET (1) |
|
| AMERICAN SONNET (10) |
|
| AMERICAN SONNET (35) |
|
| AMERICAN SONNET (91) |
|
| HEAVY DAUGHTER BLUES |
|
| WANDA WHY AREN'T YOU DEAD |
|
MARY ELIZABETH COLERIDGE: |
| A CLEVER WOMAN |
|
| THE OTHER SIDE OF A MIRROR |
|
| THE WITCH |
|
SAMUEL TAYLOR COLERIDGE: |
| DEJECTION: AN ODE |
|
| FROST AT MIDNIGHT |
|
| JULIA |
|
| KUBLA KHAN |
|
| THE RIME OF THE ANCIENT MARINER |
|
WILLIAM COLLINS (1721-1759): |
| ODE TO EVENING |
|
| ODE TO SIMPLICITY |
|
| ODE WRITTEN IN [THE BEGINNING OF THE YEAR] 1746 |
|
| THE PASSIONS: AN ODE FOR MUSIC |
|
BILLY COLLINS: |
| BOOKS |
|
| CONSOLATION |
|
| FORGETFULNESS |
|
| NOSTALGIA |
|
| ON TURNING TEN |
|
| PICNIC, LIGHTNING |
|
| THE LANYARD |
|
MICHAEL COLLINS: |
| POETRY |
|
HELEN GRAY CONE: |
| KING RAEDWALD |
|
| THE RIDE TO THE LADY |
|
HENRY CONSTABLE: |
| DAMELUS' SONG TO HIS DIAPHENIA |
|
| LOVE'S FRANCISCAN |
|
| SONNET |
|
| TO GOD THE FATHER |
|
| TO SAINT CATHERINE |
|
| TO SIR PHILIP SIDNEY'S SOUL |
|
ELIZA COOK: |
| GALLANT ENGLISH TAR |
|
| OLD STORY BOOKS |
|
| SONG FOR THE WORKERS (WRITTEN FOR THE EARLY CLOSING MOVEMENT) |
|
| SONG OF THE OLD YEAR |
|
| THE ENGLISHMAN |
|
| THE OLD ARM-CHAIR |
|
| THE STAR OF MY HOME |
|
| THE YOUNG MARINERS |
|
INA DONNA COOLBRITH: |
| WHEN THE GRASS SHALL COVER ME |
|
WENDY COPE: |
| EMILY DICKINSON |
|
RICHARD CORBET: |
| DISTRACTED PURITAN |
|
| ON MR. FRANCIS BEAUMONT (THEN NEWLY DEAD) |
|
JAMES DAVID CORROTHERS: |
| PAUL LAURENCE DUNBAR |
|
GREGORY NUNZIO CORSO: |
| MARRIAGE |
|
TOMAS COSTELLO: |
| DARK ROSALEEN |
|
ABRAHAM COWLEY: |
| ON THE DEATH OF MRS. KATHERINE PHILIPS |
|
| THE COMPLAINT |
|
| THE PROPHET |
|
WILLIAM COWPER: |
| BOADICEA; AN ODE |
|
| OLNEY HYMNS: 1. WALKING WITH GOD |
|
| OLNEY HYMNS: 15. PRAISE FOR THE FOUNTAIN OPENED |
|
| OLNEY HYMNS: 35. LIGHT SHINING OUT OF DARKNESS |
|
| OLNEY HYMNS: 47. RETIREMENT |
|
| ON THE DEATH OF MRS. (NOW LADY) THROCKMORTON'S BULLFINCH |
|
| ON THE LOSS OF THE ROYAL GEORGE |
|
| ON THE RECEIPT OF MY MOTHER'S PICTURE [OUT OF NORFOLK] |
|
| THE CASTAWAY |
|
| THE DIVERTING HISTORY OF JOHN GILPIN |
|
| THE DOG AND THE WATER LILY; NO FABLE |
|
| THE JUDGMENT OF THE POETS |
|
| THE MODERN PATRIOT |
|
| THE NEEDLESS ALARM; A TALE |
|
| THE NIGHTINGALE AND THE GLOW-WORM |
|
| THE POPLAR FIELD |
|
| THE RETIRED CAT |
|
| THE SHRUBBERY, WRITTEN IN A TIME OF AFFLICTION |
|
| THE TASK: BOOK 1. THE SOFA |
|
| THE TASK: BOOK 2. THE TIME-PIECE |
|
| THE TASK: BOOK 3. THE GARDEN |
|
| THE TASK: BOOK 4. THE WINTER EVENING |
|
| THE TASK: BOOK 5. THE WINTER MORNING WALK |
|
| THE TASK: BOOK 6. THE WINTER WALK AT NOON |
|
| TO MARY |
|
| VERSES SUPPOSED TO BE WRITTEN BY ALEXANDER SELKIRK |
|
GEORGE CRABBE: |
| SIR EUSTACE GREY |
|
| TALE: 10. THE LOVER'S JOURNEY |
|
| THE PARISH REGISTER: 1. BAPTISMS |
|
| THE PARISH REGISTER: 2. MARRIAGES |
|
| THE PARISH REGISTER: 3. BURIALS |
|
| THE VILLAGE |
|
CHRISTOPHER PEARSE CRANCH: |
| A CHILD-SAVIOUR (A TRUE STORY) |
|
| A WORD TO PHILOSOPHERS |
|
| AFTER THE CENTENNIAL (A HOPE) |
|
| AFTER-LIFE |
|
| ARS LONGA, VITA BREVIS |
|
| AT THE GRAVE OF KEATS |
|
| BAYARD TAYLOR |
|
| BEETHOVEN'S FIFTH SYMPHONY |
|
| BROKEN WINGS |
|
| COMPENSATION |
|
| CORRESPONDENCES; HEXAMETERS AND PENTAMETERS |
|
| FREDERICK HENRY HEDGE, D.D. ON HIS 80TH BIRTHDAY |
|
| GEORGE RIPLEY |
|
| GLADSTONE |
|
| GNOSIS |
|
| HOURS |
|
| HUMAN HELPERS |
|
| JOHN WEISS |
|
| LIONEL AND LUCILLE |
|
| MAGNOLIA-GRANDIFLORA |
|
| MUSIC; READ AT ANNUAL DINNER OF HARVARD MUSICAL ASSN., 1874 |
|
| MY OLD PALETTE |
|
| OLD AND YOUNG |
|
| OMAR KHAYYAM |
|
| PAST SORROWS |
|
| RALPH WALDO EMERSON |
|
| SAN BORONDON |
|
| SONNET: 1 |
|
| SONNET: 2 |
|
| SONNET: 3 |
|
| SONNET: 4 |
|
| SONNET: 6 |
|
| SONNET: 8 |
|
| SURVIVAL OF THE FITTEST |
|
| TALENT AND GENIUS |
|
| THE BOBOLINKS |
|
| THE CATARACT ISLE |
|
| THE CENTENNIAL YEAR |
|
| THE EVENING PRIMROSE |
|
| THE PINES AND THE SEA |
|
| THE SPIRIT OF THE AGE |
|
| THE VICTORIES OF PEACE |
|
| THE WEATHER-PROPHET; A FABLE |
|
| TO JOHN GREENLEAF WHITTIER |
|
| TO OLIVER WENDELL HOMES |
|
| VEILED MEMORIES |
|
| YOUNG POET'S ADVICE |
|
HAROLD HART CRANE: |
| THE BRIDGE: PROEM. TO BROOKLYN BRIDGE |
|
| THE BROKEN TOWER |
|
| TO EMILY DICKINSON |
|
STEPHEN CRANE: |
| A MAN ADRIFT ON A SLIM SPAR |
|
| BATTLE HYMN' |
|
| GOD CAME TO MAN |
|
| I EXPLAIN |
|
| INTRIGUE |
|
| THE BLACK RIDERS: 25 |
|
| THE BLACK RIDERS: 27 |
|
| THERE EXISTS THE ETERNAL FACT OF CONFLICT |
|
| WAR IS KIND: 13 |
|
| WAR IS KIND: 18 |
|
RICHARD CRASHAW: |
| A HYMN [TO THE NAME AND] IN HONOR OF SAINT TERESA |
|
| IN THE HOLY NATIVITY [OF OUR LORD GOD]; AS SUNG BY SHEPHERDS |
|
| ON GEORGE HERBERT'S BOOK, THE TEMPLE, SENT TO A GENTLEWOMAN |
|
| TEMPERANCE, OR THE CHEAP PHYSICIAN |
|
| THE FLAMING HEART |
|
| WISHES TO HIS SUPPOSED MISTRESS |
|
ROBERT CRAWFORD (?-1733): |
| DOWN THE BURN, DAVIE |
|
ROBERT CREELEY: |
| A FORM OF WOMEN |
|
| A WICKER BASKET |
|
| AFTER LORCA |
|
| ALL THAT IS LOVELY IN MEN |
|
| AMERICA |
|
| BIRDS |
|
| FOR LOVE |
|
| I KNOW A MAN |
|
| NATHANIEL HAWTHORNE |
|
| OH NO |
|
| PLACES |
|
| THE CHARM |
|
| THE FLOWER |
|
| THE LANGUAGE |
|
| THE RAIN |
|
| THE WARNING |
|
| WHEN I HEARD THE LEARN'D ASTRONOMER...' |
|
COUNTEE CULLEN: |
| A BROWN GIRL DEAD |
|
| ADVICE TO YOUTH |
|
| AT THE WAILING WALL IN JERUSALEM |
|
| FROM THE DARK TOWER |
|
| HERITAGE |
|
| INCIDENT |
|
| LOSS OF LOVE |
|
| SATURDAY'S CHILD |
|
| SHROUD OF COLOR |
|
| SIMON THE CYRENIAN SPEAKS |
|
| TABLEAU |
|
| TO CERTAIN CRITICS |
|
| YET DO I MARVEL |
|
EDWARD ESTLIN CUMMINGS: |
| &: SEVEN POEMS: 3 |
|
| &: SEVEN POEMS: 7 |
|
| 50 POEMS: 34 |
|
| 95 POEMS: 10 |
|
| 95 POEMS: 92 |
|
| ANYONE LIVED IN A PRETTY HOW TOWN |
|
| BUFFALO BILL'S / DEFUNCT |
|
| CHANSON INNOCENTE: 1, FR. TULIPS |
|
| FIVE: 5 |
|
| FOUR: 7 |
|
| NO THANKS: 16 |
|
| NO THANKS: 58 |
|
| O SWEET SPONTANEOUS |
|
| ONE: 19 |
|
| PORTRAITS: 10 |
|
| SONNET - REALITIES: 1 |
|
| TWO: 3 |
|
| W (VIVA): 52 |
|
| XAIPE: 65 |
|
| XAIPE: 67 |
|
ALLAN CUNNINGHAM: |
| A SEA SONG |
|
| LOYALTY |
|
| SONG OF THE ELFIN MILLER |
|
JOHN PHILPOT CURRAN: |
| POOR MAN'S LABOR |
|
| THE DESERTER['S MEDITATION] |
|
CHARLES D'ORLEANS: |
| ALAS, DEATH |
|
| BALLAD |
|
| BALLADE |
|
| COME, DEATH - MY LADY IS DEAD |
|
| CONFESSION |
|
| DIEU! QU'IL LA FAIT |
|
| IN THE DARK WOOD |
|
| LOOKING TOWARDS THE LAND OF FRANCE |
|
| RONDEAU |
|
| RONDEAU |
|
| RONDEAU |
|
| RONDEAU |
|
| RONDEAU |
|
| RONDEL: SHALL IT BE SO |
|
| SPRING |
|
| SPRING; WRITTEN WHILE A PRISONER IN ENGLAND |
|
| THE FAIREST THING IN MORTAL EYES |
|
| THE SMILING MOUTH |
|
| WHAN FRESSHE PHEBUS DAY OF SEYNT VALENTYN |
|
JOHN DALTON: |
| A DESCRIPTIVE POEM, ADDRESSED TO TWO LADIES, SELECTION |
|
ROQUE DALTON: |
| 27 YEARS |
|
| FEAR |
|
| HEADACHES |
|
| LIKE YOU |
|
| PETIT BOURGEOSIE |
|
| REVISIONISM |
|
| SMALL HOURS OF THE NIGHT |
|
| STUDY WITH A LITTLE TEDIUM |
|
| THE CERTAINTY |
|
| THE FALLING OF THE FREEDOM FIGHTERS |
|
| THE NATIONAL DAY |
|
| THINGS THEY SAY |
|
RICHARD HENRY DANA (1787-1879): |
| THE LITTLE BEACH BIRD |
|
SAMUEL DANIEL: |
| A PASTORAL OF TASSO |
|
| AN ODE |
|
| EPISTLE TO HENRY WRIOTHESLEY, EARL OF SOUTHAMPTON |
|
| MUSOPHILUS |
|
| THE COMPLAINT OF ROSAMOND |
|
| TO DELIA: 33 |
|
| TO DELIA: 42 |
|
| TO DELIA: 45 |
|
| TO DELIA: 6 |
|
| TO DELIA: 9 |
|
| TO HIS READER |
|
| ULYSSES AND THE SIREN |
|
GEORGE DARLEY: |
| ENCHANTED LYRE |
|
| ETHELSTAN: RUNILDA'S CHANT |
|
| ETHELSTAN: SCENE |
|
| THE FLOWER OF BEAUTY |
|
WILLIAM DAVENANT: |
| GONDIBERT; AN HEROIC POEM: BOOK 3, CANTO 7; TO MR. COTTON |
|
| PRAISE AND PRAYER |
|
JOHN DAVIDSON: |
| A BALLAD OF A COWARD |
|
| A CINQUE PORT |
|
| A RUNNABLE STAG |
|
| HOLIDAY AT HAMPTON COURT |
|
| IN A MUSIC-HALL: PROLOGUE |
|
| IN ROMNEY MARSH |
|
| MERCHANTMEN |
|
| PIPER, PLAY |
|
| REV. HABAKKUK MCGRUTHER OF CAPE WRATH, IN 1879 |
|
| THE MAN FORBID |
|
| THE OUTCAST |
|
| THE TESTAMENT OF JOHN DAVIDSON: THE LAST JOURNEY |
|
| THIRTY BOB A WEEK |
|
| WAR SONG |
|
THOMAS DAVIDSON: |
| LOVE'S LAST SUIT |
|
| ON THE CHEVIOTS: A REVERIE AT THE END OF SUMMER |
|
DONALD DAVIE: |
| HOMAGE TO GEORGE WHITEFIELD (1714-1770) |
|
JOHN DAVIES (1565-1618): |
| SOME BLAZE THE PRECIOUS BEAUTIES OF THEIR LOVES |
|
WILLIAM HENRY DAVIES: |
| LEISURE |
|
| THE INQUEST |
|
| THE KINGFISHER |
|
| THE RAIN |
|
| THE SOUL'S DESTROYER |
|
| THE VAGABOND |
|
| THE VILLAIN |
|
FRANK MARSHALL DAVIS: |
| SNAPSHOTS OF THE COTTON SOUTH |
|
THOMAS OSBORNE DAVIS: |
| A BALLAD OF FREEDOM |
|
| A RALLY FOR IRELAND (MAY, 1689) |
|
| CELTS AND SAXONS |
|
| CLARE'S DRAGOONS |
|
| FONTENOY |
|
| LAMENT FOR THE DEATH OF EOGHAN RUADH (OWEN ROE) O'NEIL |
|
| MAIRE BAN ASTOR (FAIR MARY, MY TREASURE) |
|
| O'SULLIVAN'S RETURN |
|
| OH! THE MARRIAGE |
|
| SELF-RELIANCE |
|
| THE DUNGANNON CONVENTION (1782) |
|
| THE FATE OF KING DATHI (A.D. 428) |
|
| WILLIAM TELL AND THE GENIUS OF SWITZERLAND |
|
CECIL DAY LEWIS: |
| EMILY BRONTE |
|
| O DREAMS, O DESTINATIONS |
|
| STATUETTE: LATE MINOAN |
|
| THE NEWBORN |
|
| THE UNEXPLODED BOMB |
|
| WALKING AWAY |
|
| WHERE ARE THE WAR POETS |
|
ANNA BUNSTON DE BARY: |
| TO LIONEL JOHNSON |
|
JUANA INES DE LA CRUZ: |
| ARGUING THAT THERE ARE INCONSISTENCIES |
|
| DEATH IN YOUTH |
|
| DIVINE ROSE, THAT IN A PLEASANT GARDEN ... |
|
| IN WHICH SHE RETAINS A FANTASY, |
|
| LEARNING AND RICHES |
|
| ON THE CONTRARIES OF LOVE |
|
| POEMA DETENTE, SOMBRA DE MI BIEN ESQUIVO |
|
| SHE REFUTES THE PRAISES DEDICATED TO HER PORTRAIT |
|
| SHE WOULD CHOOSE TO DIE RATHER THAN EXPOSE HERSELF |
|
| THE DIVINE NARCISSUS |
|
| TO HER PORTRAIT |
|
WALTER JOHN DE LA MARE: |
| THE LISTENERS |
|
AUBREY DE VERE: |
| AT THE TOMB OF KING ARTHUR |
|
| COAST SCENERY |
|
| COLUMBUS |
|
| GRECIAN ODE |
|
AUBREY THOMAS DE VERE: |
| A BALLAD OF ATHLONE; OR, HOW THEY BROKE DOWN THE BRIDGE |
|
| A BALLAD OF SARSFIELD; OR, THE BURSTING OF THE GUNS |
|
| BARD ETHELL, SELS. |
|
| IMPLICIT FAITH |
|
| LYCIUS |
|
| SAINT PATRICK AND THE IMPOSTOR |
|
| THE BALLAD OF THE BIER THAT CONQUERED; OR, O'DONNELL'S ANSWER; 1257 |
|
| THE DIRGE OF DESMOND |
|
| THE WEDDING OF THE CLANS |
|
| YEAR OF SORROW: 1849 |
|
EDWARD DE VERE: |
| A DOUBTFUL CHOICE |
|
| A RENUNCIATION |
|
MRS. H. A. DEMING: |
| A CURIOUS LIFE POEM |
|
JOHN DENHAM: |
| COOPER'S HILL |
|
| ON MR. ABRAHAM COWLEY'S DEATH AND BURIAL AMONGST THE...POETS |
|
| SOMNUS |
|
TOI DERRICOTTE: |
| AERIAL PHOTOGRAPH BEFORE THE ATOMIC BOMB |
|
| AFRICAN/AMERICAN IN PARIS |
|
| AFTER A READING AT A BLACK COLLEGE |
|
| ALLEN GINSBERG |
|
| ELEGY FOR MY HUSBAND |
|
| MINKS |
|
| ON THE TURNING UP OF UNIDENTIFIED BLACK FEMALE CORPSES |
|
ANTOINETTE DU LIGIER DE LA GARDE DESHOULIERES: |
| AIR |
|
| TO A PROUD BEAUTY |
|
DIANE DI PRIMA: |
| LOBA: 1 |
|
| MONTEZUMA |
|
| NOTES TOWARD A POEM OF REVOLUTION |
|
| RANT |
|
| REVOLUTIONARY LETTER: 1 |
|
| REVOLUTIONARY LETTER: 13 |
|
| REVOLUTIONARY LETTER: 16 |
|
| REVOLUTIONARY LETTER: 19 |
|
| REVOLUTIONARY LETTER: 51 |
|
| THE PRACTICE OF MAGICAL EVOCATION |
|
JAMES DICKEY: |
| ADULTERY |
|
| FOR THE DEATH OF VINCE LOMBARDI |
|
| FOR THE LAST WOLVERINE |
|
| HUNTING CIVIL WAR RELICS AT NIMBLEWILL CREEK |
|
| PURSUIT FROM UNDER |
|
| THE DUSK OF HORSES |
|
| THE HEAVEN OF ANIMALS |
|
| THE HOSPITAL WINDOW |
|
| THE PERFORMANCE |
|
| THE SHEEP CHILD |
|
EMILY DICKINSON: |
| HE SHOWED ME HEIGHTS I NEVER SAW |
|
| A BOOK |
|
| A CAP OF LEAD ACROSS THE SKY |
|
| A CEMETERY |
|
| A CHARM INVESTS A FACE |
|
| A COUNTRY BURIAL |
|
| A DEATH-BLOW IS A LIFE-BLOW TO SOME |
|
| A DEED KNOCKS FIRST AT THOUGHT |
|
| A DEW SUFFICED ITSELF |
|
| A DIALOGUE |
|
| A FACE DEVOID OF LOVE OR GRACE |
|
| A LITTLE OVER [OR, EAST OF] JORDAN |
|
| A ROUTE OF EVANESCENCE |
|
| AFTER GREAT PAIN A FORMAL FEELING COMES |
|
| AGAIN - HIS VOICE IS AT THE DOOR |
|
| AH, NECROMANCY SWEET! |
|
| ALL BUT DEATH, CAN BE ADJUSTED |
|
| ALL THE LETTERS I CAN WRITE |
|
| ALONE I CANNOT BE |
|
| ANSWER JULY |
|
| ANTIQUATED TREE |
|
| ART THOU THE THING I WANTED? |
|
| AS IF THE SEA SHOULD PART |
|
| AS IMPERCEPTIBLY AS GRIEF |
|
| AS THE STARVED MAELSTROM LAPS THE NAVIES |
|
| AUCTIONEER OF PARTING |
|
| AUTUMN |
|
| BECAUSE THAT YOU ARE GOING |
|
| BECLOUDED |
|
| BEE HIS BURNISHED CARRIAGE |
|
| BEE! I'M EXPECTING YOU! |
|
| BEES |
|
| BEHIND ME DIPS ETERNITY |
|
| BEHOLD THIS LITTLE BANE |
|
| BEREAVEMENT IS THEIR DEATH TO FEEL |
|
| BEST WITCHCRAFT IS GEOMETRY |
|
| BETTER - THAN MUSIC! FOR I, WHO HEARD IT |
|
| BETWEEN THE FORM OF LIFE AND LIFE |
|
| BIRD HER PUNCTUAL MUSIC BRINGS |
|
| BIRDS BEGUN AT FOUR O'CLOCK |
|
| BIRTHDAY OF BUT A SINGLE PANG |
|
| BLOOM IS RESULT |
|
| BURDOCK CLAWED [OR, TWITCHED] MY GOWN |
|
| BUTTERFLY UPON THE SKY |
|
| BY A DEPARTING LIGHT |
|
| CALLED BACK |
|
| CAT |
|
| CATERPILLAR |
|
| CHARTLESS |
|
| CHILLY PEACE INFESTS THE GRASS |
|
| CHOICE |
|
| CLOCK STRIKES ONE THAT JUST STRUCK TWO |
|
| CLOVER'S SIMPLE FAME |
|
| COLOR - CASTE - DENOMINATION |
|
| CONJECTURING A CLIMATE |
|
| CONSCIOUS AM I IN MY CHAMBER |
|
| CRUMBLING IS NOT AN INSTANT'S ACT |
|
| DAY UNDRESSED HERSELF |
|
| DAY! HELP! HELP! ANOTHER DAY! |
|
| DEATH IS THE SUPPLE SUITOR |
|
| DID OUR BEST MOMENT LAST |
|
| DO PEOPLE MOULDER EQUALLY |
|
| DOOMED - REGARD THE SUNRISE |
|
| DOST THOU REMEMBER ME? |
|
| DRAMA'S VITALLEST EXPRESSION IS THE COMMON DAY |
|
| DROP, THAT WRESTLES IN THE SEA |
|
| DRUNKARD CANNOT MEET A CORK |
|
| DYING |
|
| DYING! TO BE AFRAID OF THEE |
|
| ETERNITY |
|
| EXCLUSION |
|
| FRIENDSHIP |
|
| FRINGED GENTIAN |
|
| GHOSTS |
|
| HEART, WE WILL FORGET HIM |
|
| HOPE (1) |
|
| I CANNOT LIVE WITH YOU |
|
| I FELT A FUNERAL IN MY BRAIN |
|
| I LIKE A LOOK OF AGONY |
|
| I NEVER LOST AS MUCH BUT TWICE |
|
| I RECKON - WHEN I COUNT AT ALL |
|
| I WOULD NOT PAINT - A PICTURE |
|
| IN THE GARDEN (1) |
|
| MORNING |
|
| MUCH MADNESS IS DIVINEST SENSE |
|
| MY LIFE HAD STOOD - A LOADED GUN |
|
| PARTING |
|
| POST-MORTEM |
|
| PRECIOUS WORDS |
|
| PUBLICATION IS THE AUCTION |
|
| REMORSE IS MEMORY AWAKE |
|
| SAFE IN THEIR ALABASTER CHAMBERS |
|
| SPLIT THE LARK AND YOU'LL FIND THE MUSIC |
|
| SUCCESS |
|
| SURGEONS MUST BE VERY CAREFUL |
|
| TELL ALL THE TRUTH BUT TELL IT SLANT |
|
| THAT SUCH HAVE DIED |
|
| THE BATTLEFIELD |
|
| THE BIBLE IS AN ANTIQUE VOLUME |
|
| THE CHARIOT |
|
| THE HEART ASKS PLEASURE FIRST |
|
| THE SECRET (1) |
|
| THE SNAKE |
|
| THE WAKING YEAR |
|
| THE WORLD IS NOT CONCLUSION |
|
| THERE'S A CERTAIN SLANT OF LIGHT |
|
| THEY SHUT ME UP IN PROSE |
|
| THIS IS MY LETTER TO THE WORLD |
|
| TO FIGHT ALOUD IS VERY BRAVE |
|
| TO HEAR AN ORIOLE SING |
|
| TOO LATE |
|
| UTTERANCE |
|
| VANISHED |
|
| WILD NIGHTS! WILD NIGHTS! |
|
| WITH FLOWERS |
|
GEORGE H. DILLON: |
| ENCHANTMENT |
|
HENRY AUSTIN DOBSON: |
| ARS VICTRIX (IMITATED FROM THEOPHILE GAUTIER) |
|
| LA BONNE COMEDIE |
|
| TO EDMUND GOSSE, WITH VINCENT BOURNE'S POETICAL WORKS |
|
| TO THOMAS BAILEY ALDRICH |
|
CHARLES LUTWIDGE DODGSON: |
| JABBERWOCKY |
|
MICHAEL DOHENY: |
| A CUSHLA GAL MO CHREE (BRIGHT VEIN OF MY HEART) |
|
JOHN DONNE: |
| A VALEDICTION: FORBIDDING MOURNING |
|
| GOOD FRIDAY, 1613. RIDING WESTWARD |
|
| HOLY SONNET: 1 |
|
| HOLY SONNET: 10 |
|
| HOLY SONNET: 14 |
|
| HOLY SONNET: 5 |
|
| HOLY SONNET: 7 |
|
| SONG |
|
| THE ANNIVERSARY [ANNIVERSARIE] |
|
| THE CANONIZATION |
|
| THE ECSTASY [EXTASIE] |
|
| THE EXPIRATION |
|
| THE FLEA |
|
| THE FUNERAL |
|
| THE GOOD-MORROW |
|
| THE SUN RISING |
|
| WOMAN'S CONSTANCY |
|
HILDA DOOLITTLE: |
| ANTIPATER OF SIDON |
|
| EURYDICE |
|
| GARDEN: 1 |
|
| GARDEN: 2 |
|
| HELEN |
|
| HERMES OF THE WAYS |
|
| LEDA |
|
| ORCHARD |
|
| OREAD |
|
| ORION DEAD |
|
| SEA ROSE |
|
| THE POOL |
|
EDWARD DORN: |
| A PERIOD PORTRAIT OF SYMPATHY |
|
| BOUNTY TIME |
|
| FROM GLOUCESTER OUT |
|
| GERONIMO |
|
| NANA & VICTORIO |
|
| RECOLLECTIONS OF ADVICE TO WHITEGUYS |
|
MARK DOTY: |
| BROADWAY |
|
| CHARLIE HOWARD'S DESCENT |
|
| FOG |
|
| GOLDEN RETRIEVALS |
|
| HOMO WILL NOT INHERIT |
|
| HORSES AFTER A HURRICANE |
|
| INDEPENDENCE DAY |
|
| NO |
|
| THE DEATH OF ANTINOUS |
|
GAVIN DOUGLAS: |
| THE DIFFICULTIES OF TRANSLATION |
|
GEORGE DOUGLAS: |
| ELEGY ON THOMAS TOD STODDART, THE ANGLER-POET |
|
KEITH CASTELLAINE DOUGLAS: |
| CAIRO JAG |
|
| DESERT FLOWERS |
|
| HOW TO KILL |
|
| REMEMBER ME |
|
| VERGISSMEINNICHT |
|
RITA DOVE: |
| DAYSTAR |
|
| PARSLEY |
|
| ROSA |
|
| SOMEONE'S BLOOD |
|
| SONNET IN PRIMARY COLORS |
|
| TAKING IN WASH |
|
| THE BISTRO STYX |
|
| THE SPRING CRICKET CONSIDERS THE QUESTION OF NEGRITUDE |
|
EDWARD DOWDEN: |
| INNER LIFE: 3. SEEKING GOD |
|
| ON THE HEIGHTS |
|
ERNEST CHRISTOPHER DOWSON: |
| BRIEF LIFE |
|
| DREGS |
|
| NON SUM QUALIS ERAM BONAE SUB REGNO CYNARAE |
|
| THE GARDEN OF SHADOW |
|
JOSEPH RODMAN DRAKE: |
| BRONX, 1818 |
|
| HOPE |
|
| INCONSTANCY |
|
| LINES TO A LADY, ON HEARING HER SING 'CUSHLAMACHREE' |
|
| LINES WRITTEN ON LEAVING NEW ROCHELLE |
|
| MOCKING-BIRD'S SONG |
|
| NIAGARA |
|
| SONG |
|
| THE AMERICAN FLAG |
|
| THE CULPRIT FAY |
|
| TO A FRIEND |
|
| TO A LADY WITH A VIOLET |
|
| TO SARAH |
|
| TO THE DEFENDERS OF NEW ORLEANS |
|
| TO THE SURGEON GENERAL OF THE STATE OF NEW YORK |
|
MICHAEL DRAYTON: |
| A SKELTONIAD |
|
| AGINCOURT |
|
| AN AMOURET ANACREONTICK |
|
| AN ODE WRITTEN IN THE PEAK |
|
| CANZONET: TO HIS COY LOVE |
|
| IDEA: 1. LOVE'S LUNACY |
|
| IDEA: 63 |
|
| TO MASTER GEORGE SANDYS TREASURER FOR THE ENGLISH COLONY IN VIRGINIA |
|
| TO THE NOBLE LADY, THE LADY I.S. OF WORLDLY CROSSES |
|
| TO THE VIRGINIAN VOYAGE [1611] |
|
| TO WILLIAM JEFFREYS, CHAPLAINE TO THE LORD AMBASSADOUR IN SPAINE |
|
| UPON THE THREE SONNES OF THE LORD SHEFFIELD, DROWNED IN HUMBER |
|
JOHN DRINKWATER: |
| 1914-1918: THE DEAD SPEAK |
|
| A SABBATH DAY; IN FIVE WATCHES |
|
| APPROACHING ELSINORE |
|
| DEFIANCE |
|
| ELIZABETH ANN |
|
| HISTORY |
|
| PRELUDE |
|
| THE VAGABOND |
|
| TO ALICE MEYNELL |
|
| WRITTEN IN WINTERBORNE CAME CHURCH |
|
WILLIAM DRUMMOND OF HAWTHORNDEN: |
| A NYMPH'S SONG; OF THE TRUE HAPPINESS |
|
| FOR THE MAGDALENE |
|
| INVOCATION [TO LOVE] |
|
| SONNET TO SIR WILLIAM ALEXANDER; WITH THE AUTHOR'S EPITAPH |
|
| THE BOOK [OF THE WORLD] |
|
WILLIAM HENRY DRUMMOND: |
| A CANADIAN VOYAGEUR'S ACCOUNT OF THE NILE EXPEDITION |
|
| DREAMS |
|
| NATURAL PHILOSOPHY |
|
| THE FIRST ROBIN |
|
JOHN DRYDEN: |
| A SONG |
|
| A SONG FOR ST. CECILIA'S DAY |
|
| ABSALOM AND ACHITOPHEL |
|
| ALEXANDER'S FEAST; OR, THE POWER OF MUSIC |
|
| ANNUS MIRABILIS: THE YEAR OF WONDERS, 1666 |
|
| ANNUS MIRABILIS: VERSES TO HER HIGHNESS THE DUCHESS ON THE MEMORABLE |
|
| ASTRAEA REDUX: A POEM ON THE HAPPY RESTORATION AND RETURN OF HIS |
|
| EPISTLE TO THE WHIGS |
|
| MACFLECKNOE; OR, A SATIRE UPON THE TRUE-BLUE-PROTESTANT POET |
|
| THE HIND AND THE PANTHER: PART 1 |
|
| THE SPANISH FRIAR, OR THE DOUBLE DISCOVERY: PROLOGUE |
|
| TO HIS SACRED MAJESTY; A PANEGYRIC ON HIS CORNONATION |
|
| TO MY DEAR FRIEND, MR. CONGREVE, ON HIS COMEDY, 'THE DOUBLE-DEALER' |
|
| TO THE MEMORY OF MR. OLDHAM |
|
| TO THE PIOUS MEMORY OF THE YOUNG LADY MRS. ANNE KILLIGREW |
|
NORMAN DUBIE: |
| A DREAM OF THREE SISTERS |
|
| ANCESTRAL |
|
| AUBADE OF THE SINGER AND SABOTEUR, MARIE TRISTE |
|
| ELIZABETH'S WAR WITH THE CHRISTMAS BEAR: 1601 |
|
| ELSINORE IN THE LATE ANCIENT AUTUMN |
|
| POPHAM OF THE NEW SONG: 5; FOR R.P. BLACKMUR |
|
| THE BOXCARS OF MARS |
|
| THE CITY OF THE OLESHA FRUIT |
|
| THE DESERT DEPORTATION OF 1915 |
|
| THE FRIARY AT BLOSSOM, PROLOGUE & INSTRUCTIONS |
|
| THE PARALLAX MONOGRAPH FOR RODIN |
|
| THE PENNACESSE LEPER COLONY FOR WOMEN, CAPE COD: 1922 |
|
WILLIAM DUDGEON: |
| THE MAID THAT TENDS THE GOATS |
|
CAROL ANN DUFFY: |
| ANNE HATHAWAY |
|
| STEPHEN LAWRENCE |
|
| TRANSLATING THE ENGLISH, 1989 |
|
| WARMING HER PEARLS |
|
CHARLES GAVAN DUFFY: |
| THE IRISH RAPPAREES; A PEASANT BALLAD OF 1691 |
|
DENISE DUHAMEL: |
| APRIL 18, 1990 |
|
PAUL LAURENCE DUNBAR: |
| A BACK-LOG SONG |
|
| A BORDER BALLAD |
|
| A CABIN TALE; THE YOUNG MASTER ASKS FOR A STORY |
|
| A CAREER |
|
| A CORN SONG |
|
| A DEATH SONG |
|
| A HYMN; AFTER READING 'LEAD, KINDLY LIGHT' |
|
| A LITTLE CHRISTMAS BASKET |
|
| A MATTER OF LOCALITY |
|
| A NEGRO LOVE SONG |
|
| A PLANTATION MELODY |
|
| ACCOUNTABILITY |
|
| AN ANTE-BELLUM SERMON |
|
| BOOKER T. WASHINGTON |
|
| CHRISMUS ON THE PLANTATION |
|
| DARKEY FISHERMAN'S RAINY DAY |
|
| DIFFERENCES |
|
| DINAH KNEADING DOUGH |
|
| DIRGE |
|
| DISAPPOINTED |
|
| EMANCIPATION |
|
| ERE SLEEP COMES DOWN TO SOOTHE THE WEARY EYES |
|
| FOR THEODORE ROOSEVELT |
|
| FREDERICK DOUGLASS |
|
| FROM THE PORCH AT RUNNYMEDE |
|
| HARRIET BEECHER STOWE |
|
| HE HAD HIS DREAM |
|
| HYMN |
|
| JAMES WHITCOMB RILEY (FROM A WESTERNER'S POINT OF VIEW) |
|
| JILTED |
|
| JOGGIN' ERLONG |
|
| LINCOLN |
|
| LITTLE BLACK SHEEP |
|
| LITTLE BROWN BABY |
|
| LONESOME |
|
| MEMORIAL DAY |
|
| NATURE AND ART; TO MY FRIEND CHARLES BOOTH NETTLETON |
|
| NUTTING SONG |
|
| ODE TO ETHIOPIA |
|
| ON THE ROAD |
|
| RETORT |
|
| SHIPS THAT PASS IN THE NIGHT |
|
| SIGNS OF THE TIMES |
|
| SONG |
|
| SYMPATHY (2) |
|
| THE COLORED SOLDIERS |
|
| THE CONQUERORS; THE BLACK TROOPS IN CUBA |
|
| THE CORN-STALK FIDDLE |
|
| THE DEATH OF THE FIRST BORN |
|
| THE DEBT |
|
| THE HAUNTED OAK |
|
| THE LAWYER'S WAYS |
|
| THE MYSTERY |
|
| THE OLD FRONT GATE |
|
| THE PARADOX |
|
| THE STIRRUP CUP |
|
| THE UNSUNG HEROES |
|
| THOU ART MY LUTE |
|
| TO THE SOUTH ON ITS NEW SLAVERY |
|
| WE WEAR THE MASK |
|
| WHEN DE CO'N PONE'S HOT |
|
WILLIAM DUNBAR: |
| LAMENT FOR THE MAKARIS [WHEN HE WAS SEIK] |
|
| ON THE NAVITITY OF CHRIST |
|
| THE DANCE OF THE SEVIN DEIDLY SYNNIS |
|
| THRISSIL AND THE ROSE [OR, ROIS]. |
|
| VANITAS VANITATUM |
|
ROBERT DUNCAN: |
| HOMAGE AND LAMENT FOR EZRA POUND IN CAPTIVITY, MAY 12, 1944 |
|
TIMOTHY DWIGHT: |
| COLUMBIA |
|
| LOVE TO THE CHURCH |
|
| TO THE FEDERAL CONVENTION |
|
EDWARD DYER: |
| CONTENTMENT |
|
| CYNTHIA |
|
JOHN DYER: |
| BEDFORD LEVEL |
|
| ENGLISH WEATHER |
|
| GRONGAR HILL |
|
| THE COUNTRY WALK |
|
KATHERINE DYER: |
| EPITAPH ON THE MONUMENT OF SIR WILLIAM DYER |
|
CLIFFORD DYMENT: |
| MAN AND BEAST |
|
RICHARD GHORMLEY EBERHART: |
| ARTILLERY AND AERIAL BOMBARDMENTS |
|
| CENTENNIAL FOR WHITMAN |
|
| EMILY DICKINSON |
|
| FOR A LAMB |
|
| ODE TO THE CHINESE PAPER SNAKE |
|
| ON A SQUIRREL CROSSING THE ROAD IN AUTUMN, IN NEW ENGLAND |
|
| SAINTE ANNE DE BEAUPRE |
|
| SEA-HAWK |
|
| STONE WORDS FOR ROBERT LOWELL |
|
| THE FURY OF AERIAL BOMBARDMENT |
|
| THE GROUNDHOG |
|
SARAH FYGE EGERTON: |
| THE EMULATION |
|
THOMAS STEARNS ELIOT: |
| FOUR QUARTETS: BURNT NORTON |
|
| FOUR QUARTETS: LITTLE GIDDING (1-5 COMPLETE) |
|
| GERONTION |
|
| JOURNEY OF THE MAGI |
|
| LA FIGLIA CHE PIANGE |
|
| LINES TO RALPH HODGSON, ESQRE. |
|
| MACAVITY: THE MYSTERY CAT |
|
| MR. APOLLINAX |
|
| PORTRAIT OF A LADY |
|
| PRELUDES: 1-4 (COMPLETE) |
|
| RHAPSODY ON A WINDY NIGHT |
|
| SWEENEY AMONG THE NIGHTINGALES |
|
| SWEENEY ERECT |
|
| THE BOSTON EVENING TRANSCRIPT |
|
| THE HIPPOPOTAMUS |
|
| THE LOVE SONG OF J. ALFRED PRUFROCK |
|
| THE WASTE LAND (1-5, COMPLETE) |
|
| WHISPERS OF IMMORTALITY |
|
JEAN ELLIOT (1727-1805): |
| LAMENT FOR FLODDEN [FIELD] |
|
RALPH WALDO EMERSON: |
| A MOUNTAIN GRAVE |
|
| BACCHUS |
|
| BEAUTY |
|
| BOSTON HYMN; READ IN MUSIC HALL, JANUARY 1, 1863 |
|
| BRAHMA |
|
| CHARACTER; EPIGRAM |
|
| CONCORD HYMN; SUNG AT COMPLETION OF CONCORD MONUMENT, 1836 |
|
| COSMOS |
|
| CULTURE |
|
| DAYS |
|
| DESTINY |
|
| DIRGE (1) |
|
| EACH AND [OR, IN] ALL |
|
| ELIZABETH HOAR |
|
| ETERNAL PAN |
|
| ETIENNE DE LA BOECE |
|
| EXPERIENCE |
|
| FABLE: THE MOUNTAIN AND THE SQUIRREL |
|
| FAME |
|
| FATE |
|
| FORBEARANCE |
|
| FORERUNNERS |
|
| FREEDOM |
|
| GOOD-BYE |
|
| HAMATREYA |
|
| MAIDEN SPEECH OF THE AEOLIAN HARP |
|
| MANNERS |
|
| MERLIN: 1 |
|
| MERLIN: 2 |
|
| MITHRIDATES |
|
| MONADNOC |
|
| MUSIC |
|
| MUSKETAQUID |
|
| MY GARDEN |
|
| MY THOUGHTS |
|
| NEW ENGLAND CAPITALIST |
|
| ODE SUNG IN THE TOWN HALL, CONCORD, JULY 4, 1857 |
|
| ODE TO BEAUTY |
|
| PAN |
|
| PETER'S FIELD |
|
| POEM ON ELOQUENCE BY R.W. EMERSON |
|
| POLITICS |
|
| SOLUTION |
|
| SONG OF NATURE |
|
| SOUL'S PROPHECY |
|
| ST. AUGUSTINE |
|
| SURSUM CORDA |
|
| TERMINUS (1) |
|
| THE ADIRONDACS; A JOURNAL |
|
| THE APOLOGY |
|
| THE CHARTIST'S COMPLAINT |
|
| THE COSMIC EGG |
|
| THE HARP |
|
| THE HUMBLE-BEE |
|
| THE PROBLEM |
|
| THE RHODORA: ON BEING ASKED, WHENCE IS THE FLOWER? |
|
| THE SNOW-STORM |
|
| THE SPHINX |
|
| THE TEST |
|
| THE WATERFALL |
|
| THRENODY |
|
| TO ELLEN, AT THE SOUTH |
|
| URIEL |
|
| VOLUNTARIES |
|
| WALDEINSAMKEIT |
|
| WALDEN |
|
| WAVES |
|
| WOODNOTES: 1, 1 |
|
| WOODNOTES: 1, 2 |
|
| WOODNOTES: 1, 3 |
|
| WOODNOTES: 1, 4 |
|
| WOODNOTES: 2 |
|
| WOODS; A PROSE SONNET |
|
| WRITTEN IN SICKNESS |
|
| XENOPHANES |
|
WILLIAM EVERSON: |
| HAZARDS OF HOLINESS: 1. THE BEHEADING OF JOHN THE BAPTIST |
|
| HAZARDS OF HOLINESS: 2. JUDITH AND HOLOFERNES |
|
| NIGHT SCENE |
|
| TENDRIL IN THE MESH |
|
| THE FLIGHT IN THE DESERT |
|
| THE POET IS DEAD |
|
KENNETH FEARING: |
| AD |
|
| AFTERNOON OF A PAWNBROKER |
|
| ANY MAN'S ADVICE TO HIS SON |
|
| DIRGE |
|
| ELEGY IN A THEATRICAL WAREHOUSE |
|
| PROGRAM |
|
| RADIO BLUES |
|
| REQUIEM |
|
| ST. AGNES' EVE |
|
| THE CITY TAKES A WOMAN |
|
| THE JUKE-BOX SPOKE AND THE JUKE-BOX SAID |
|
SAMUEL FERGUSON: |
| AIDEEN'S GRAVE |
|
| LAMENT FOR [THE DEATH OF] THOMAS DAVIS |
|
| THE BURIAL OF KING CORMAC |
|
| THE FAIRY THORN; AN ULSTER BALLAD |
|
| THE FORGING OF THE ANCHOR |
|
| THE WASHER OF THE FORD |
|
| WESTMINSTER ABBEY |
|
ROBERT FERGUSSON: |
| AULD REIKIE |
|
| BRAID CLAITH |
|
| ELEGY ON THE DEATH OF SCOTS MUSIC |
|
| LEITH RACES |
|
| ROB. FERGUSSON'S LAST WILL |
|
| THE DAFT DAYS |
|
| TO THE PRINCIPAL AND PROFESSORS OF THE UNIVERSITY OF ST ANDREWS ..... |
|
LAWRENCE FERLINGHETTI: |
| A CONEY ISLAND OF THE MIND: 15 |
|
| AUTOBIOGRAPHY |
|
| I AM WAITING |
|
| PICTURES OF THE GONE WORLD: 25 |
|
| REPORT ON A HAPPENING IN WASHINGTON SQUARE SAN FRANCISCO |
|
| SAN JOSE SYMPHONY RECEPTION |
|
| THE CHANGING LIGHT |
|
| TWO SCAVENGERS IN A TRUCK, TWO BEAUTIFUL PEOPLE IN A MERCEDES |
|
| UNDERWEAR |
|
DAVID FERRY: |
| C.P. CAVAFY, THERMOPYLAE |
|
ANNE FINCH: |
| A NOCTURNAL REVERIE |
|
| THE INTRODUCTION |
|
| THE SPLEEN; A PINDARIC POEM |
|
| TO THE NIGHTINGALE |
|
JAMES ELROY FLECKER: |
| DON JUAN DECLAIMS |
|
| GATES OF DAMASCUS |
|
| GLION - EVENING |
|
| RIOUPEROUX |
|
| THE BALLAD OF HAMPSTEAD HEATH |
|
| THE BRIDGE OF FIRE |
|
| THE GOLDEN JOURNEY TO SAMARKAND: EPILOGUE |
|
| THE GOLDEN JOURNEY TO SAMARKAND: PROLOGUE |
|
| THE MASQUE OF THE MAGI |
|
| THE OLD SHIPS |
|
| THE QUEEN'S SONG |
|
| THE TRANSLATOR AND THE CHILDREN |
|
| TO A POET A THOUSAND YEARS HENCE |
|
JOHN GOULD FLETCHER: |
| FACTORY CHIMNEYS |
|
| THE BLACK ROCK |
|
| THE BLUE SYMPHONY |
|
JOHN FORD (1586-1639): |
| PERKIN WARBECK |
|
FORD MADOX FORD: |
| ANTWERP |
|
| FOOTSLOGGERS |
|
| IRON MUSIC |
|
| OLD HOUSES OF FLANDERS |
|
| ON HEAVEN, SELECTION |
|
| SUSSMUND'S ADDRESS TO AN UNKNOWN GOD (ADAPTED FROM HIGH GERMAN) |
|
| TO PETRONELLA AT SEA |
|
WILLIAM A. FOSTER: |
| BONNY TWEED FOR ME |
|
WILLIAM FOWLER: |
| IN ORKNAY |
|
PHILIP FRENEAU: |
| ON THE EMIGRATION TO AMERICA AND PEOPLING WESTERN COUNTRY |
|
| THE INDIAN BURYING GROUND |
|
| TO THE MEMORY OF THE BRAVE AMERICANS UNDER GENERAL GREENE |
|
CAROL FROST: |
| ADULTERY |
|
| AMERICAN PRIMITIVES |
|
| APIARY 40 |
|
| APOLOGY |
|
| EGON SCHIELE'S WIFE |
|
| MORPHINE |
|
| SALT LESSON |
|
| SEXUAL JEALOUSY |
|
| TO KILL A DEER |
|
ROBERT FROST: |
| AFTER APPLE PICKING |
|
| AN OLD MAN'S WINTER NIGHT |
|
| BIRCHES |
|
| DESIGN |
|
| DIRECTIVE |
|
| FIRE AND ICE |
|
| MENDING WALL |
|
| OUT, OUT -' |
|
| PROVIDE, PROVIDE |
|
| STOPPING BY WOODS ON A SNOWY EVENING |
|
| THE BIRDS DO THUS |
|
| THE GIFT OUTRIGHT |
|
| THE OVEN BIRD |
|
| THE ROAD NOT TAKEN |
|
SARAH MARGARET FULLER: |
| THE SONG THAT MOTHER SANG TO CUSH (IN NOAH'S ARK) |
|
RICHARD GALL: |
| MY ONLY JO AND DEARIE, O |
|
| THE HAZELWOOD WITCH |
|
TESS GALLAGHER: |
| 3 A.M. KITCHEN: MY FATHER TALKING |
|
| AFTER THE CHINESE |
|
| AMPLITUDE |
|
| CHILD SINGING |
|
| CHOICES |
|
| CONVERSATION WITH A FIREMAN FROM BROOKLYN |
|
| I STOP WRITING THE POEM |
|
| INSTRUCTIONS TO THE DOUBLE |
|
| RED POPPY |
|
| THE HUG |
|
| TIME LAPSE WITH TULIPS |
|
FEDERICO GARCIA LORCA: |
| BALLAD OF THE MOON, MOON |
|
| CITY THAT DOES NOT SLEEP |
|
| DEATH OF ANTONITO EL CAMBORIO |
|
| GACELA OF DARK DEATH |
|
| GACELA OF LOVE UNFORESEEN |
|
| GHAZAL OF THE DARK DEATH |
|
| GUITAR |
|
| GUITAR |
|
| LAMENT FOR IGNACIO SANCHEZ MEJIAS: 4. ABSENCE OF THE SOUL |
|
| LAMENT FOR IGNACIO SANCHEZ MEJIAS: COGIDA AND DEATH |
|
| LAMENT FOR IGNAXIO SANCHEZ MEJIAS |
|
| LANDSCAPE OF THE VOMITING MULTITUDE |
|
| RIDDLE OF THE GUITAR |
|
| SONNETS OF DARK LOVE: SONNET OF THE SWEET COMPLAINT |
|
FELIX RUBEN GARCIA SARMIENTO: |
| AUTUMN VERSES |
|
| CANCIÓN DE OTOÑO EN PRIMAVERA |
|
| LOVE YOUR RHYTHM... |
|
| NOCTURNE |
|
| NOCTURNE |
|
| ON THE LATIN AMERICAN HARP: 1. NIGHTFALL IN THE TROPICS |
|
| SONATINA |
|
| SONG OF AUTUMN IN SPRINGTIME |
|
| UN SONETO A CERVANTES |
|
GEORGE GASCOIGNE: |
| GASCOIGNE'S WOODMANSHIP |
|
| THE ARRAIGNMENT OF A LOVER |
|
| THE GREEN KNIGHT'S FAREWELL TO FANCY |
|
JOSE GAUTIER BENITEZ: |
| PORTO RICO |
|
LEON GAUTIER: |
| WHEN CHILDREN SLEEP |
|
THEOPHILE GAUTIER: |
| AN INVITATION |
|
| ART |
|
| BOAT SONG |
|
| CHRISTMAS |
|
| CLARIMONDE |
|
| DESOLATION |
|
| DON JUAN |
|
| HIPPOPOTAMUS |
|
| IN FUTURO |
|
| INTERIORS |
|
| LAST SIGH OF THE MOOR |
|
| LE MONDE EST MECHANT |
|
| LOVE AT SEA |
|
| MEDITATION |
|
| NOTRE DAME |
|
| ON THE SIERRA |
|
| POSTHUMOUS COQUETRY |
|
| RHYTHMIC VILLANELLE |
|
| ROMANCE |
|
| SONG |
|
| TERZA RIMA |
|
| THE BLIND MAN |
|
| THE CARAVAN |
|
| THE CID AND THE JEW |
|
| THE CLOUD |
|
| THE DOVES |
|
| THE HELLESPONT |
|
| THE PHANTOM OF THE ROSE |
|
| THE PINE OF THE LANDES |
|
| THE SPECTRE OF THE ROSE |
|
| THE STREAMLET |
|
| THE TERRORS OF DEATH; WRITTEN ON THE WALLS OF A CARTHUSIAN MONASTERY |
|
| TO ZURBARAN |
|
| UNKNOWN SHORES |
|
| WHAT THE SWALLOWS SAY |
|
JACK GILBERT: |
| A BRIEF FOR THE DEFENSE |
|
| ABNORMAL IS NOT COURAGE |
|
| BYZANTIUM BURNING |
|
| DANTE DANCING |
|
| FAILING AND FLYING |
|
| GOING THERE |
|
| HORSES AT MIDNIGHT WITHOUT A MOON |
|
| IN UMBRIA |
|
| LIVES OF FAMOUS MEN |
|
| MICHIKO DEAD |
|
| REMEMBERING MY WIFE |
|
| SEARCHING FOR PITTSBURGH |
|
| TEAR IT DOWN |
|
| THE FORGOTTEN DIALECT OF THE HEART |
|
| THE GREAT FIRES |
|
| WHITE HEART OF GOD |
|
ROBERT GILFILLAN: |
| BLUE BONNETS OVER THE BORDER |
|
| THE EXILE'S SONG |
|
ALLEN GINSBERG: |
| A SUPERMARKET IN CALIFORNIA |
|
| AMERICA |
|
| AT APOLLINAIRE'S GRAVE |
|
| HOSPITAL WINDOW |
|
| HOWL; FOR CARL SOLOMON |
|
| PLUTONIAN ODE |
|
| RETURN OF KRAL MAJALES |
|
| REVERSE THE RAIN OF TERROR |
|
| RISING OVER NIGHT-BLACKENED DETROIT STREETS |
|
| SUNFLOWER SUTRA |
|
YOLANDE CORNELIA GIOVANNI: |
| BALANCES |
|
| BEAUTIFUL BLACK MEN |
|
| CHARLES WHITE |
|
| EGO TRIPPING |
|
| KNOXVILLE, TENNESSEE |
|
| NIKKI-ROSA |
|
| NO FURNACES (FOR VALENTINE'S DAY) |
|
| WOMAN POEM |
|
WILLIAM GLEN: |
| WAE'S ME FOR PRINCE CHARLIE |
|
LOUISE ELIZABETH GLUCK: |
| 12.6.71 |
|
| ABISHAG |
|
| ADULT GRIEF |
|
| ALL HALLOWS |
|
| ANCIENT TEXT |
|
| APHRODITE |
|
| APPLE TREES |
|
| APRIL |
|
| AUBADE |
|
| AUBADE |
|
| AUBADE |
|
| BALCONY |
|
| BASKETS |
|
| BIRTHDAY |
|
| BRENNENDE LIEBE |
|
| BRIDAL PIECE |
|
| BROODING LIKENESS |
|
| BUTTERFLY |
|
| CANA |
|
| CELESTIAL MUSIC |
|
| CELL |
|
| CHICAGO TRAIN |
|
| CIRCE'S GRIEF |
|
| CIRCE'S POWER |
|
| CIRCE'S TORMENT |
|
| CIVILIZATION |
|
| CLOVER |
|
| CONDO |
|
| CONFESSION |
|
| COPPER BEECH |
|
| COTTONMOUTH COUNTRY |
|
| DECADE |
|
| DEDICATION TO HUNGER: 1. FROM THE SUBURBS |
|
| DEDICATION TO HUNGER: 2. GRANDMOTHER |
|
| DEDICATION TO HUNGER: 3. EROS |
|
| DEDICATION TO HUNGER: 4. THE DEVIATION |
|
| DEDICATION TO HUNGER: 5. SACRED OBJECTS |
|
| DEPARTURE |
|
| DESCENDING FIGURE: 1. THE WANDERER |
|
| DESCENDING FIGURE: 2. THE SICK CHILD |
|
| DESCENDING FIGURE: 3. FOR MY SISTER |
|
| DROWNED CHILDREN |
|
| EARLY DARKNESS |
|
| EARLY DECEMBER IN CROTON-ON-HUDSON |
|
| EASTER SEASON |
|
| EGG |
|
| ELMS |
|
| EMBRACE |
|
| EMPTY GLASS |
|
| END OF SUMMER |
|
| END OF THE WORLD: 1. TERRA NOVA |
|
| END OF THE WORLD: 2. THE TRIBUTE |
|
| END OF THE WORLD: 3. THE END OF THE WORLD |
|
| END OF WINTER |
|
| EPITHALAMIUM |
|
| EROS |
|
| EURYDICE |
|
| EXALTED IMAGE |
|
| EXILE |
|
| FABLE |
|
| FANTASY |
|
| FIELD FLOWERS |
|
| FIRST MEMORY |
|
| FLOWERING PLUM |
|
| FOR JANE MYERS |
|
| FOR MY MOTHER |
|
| FORMAGGIO |
|
| FORTRESS |
|
| FROM THE JAPANESE |
|
| GARDEN |
|
| GARMENT |
|
| GEMINI |
|
| GOLD LILY |
|
| GRANDMOTHER IN THE GARDEN |
|
| GRETEL IN DARKNESS |
|
| HAPPINESS |
|
| HARVEST |
|
| HAWK'S SHADOW |
|
| HAWTHORN TREE |
|
| HERE ARE MY BLACK CLOTHES |
|
| HESITATE TO CALL |
|
| HORSE |
|
| HYACINTH |
|
| ILLUMINATIONS |
|
| IPOMOEA |
|
| ISLAND |
|
| ISLANDER |
|
| ITHACA |
|
| JAPONICA |
|
| JEANNE D'ARC |
|
| LABOR DAY |
|
| LADY IN THE SINGLE |
|
| LAMIUM |
|
| LANDSCAPE |
|
| LETTER FROM OUR MAN IN BLOSSOMTIME |
|
| LETTERS |
|
| LIBERATION |
|
| LOVE IN MOONLIGHT |
|
| LOVE POEM |
|
| LOVER OF FLOWERS |
|
| LULLABY |
|
| LULLABY |
|
| MAGI |
|
| MARATHON: 2. SONG OF THE RIVER |
|
| MARATHON: 3. THE ENCOUNTER |
|
| MARATHON: 5. NIGHT SONG |
|
| MARATHON: 6. THE BEGINNING |
|
| MARATHON: 8. SONG OF INVISIBLE BOUNDARIES |
|
| MARATHON: 9. MARATHON |
|
| MARINA |
|
| MATINS |
|
| MATINS |
|
| MATINS |
|
| MATINS: 1 |
|
| MATINS: 2 |
|
| MEADOWLANDS 1 |
|
| MEMO FROM THE CAVE |
|
| MEMOIR |
|
| METAMORPHOSIS: 2. METAMORPHOSIS |
|
| METAMORPHOSIS: 3 FOR MY FATHER |
|
| MIDNIGHT |
|
| MIDSUMMER |
|
| MOCK ORANGE |
|
| MOONLESS NIGHT |
|
| MOTHER AND CHILD |
|
| MOUNT ARARAT |
|
| MOUNTAIN |
|
| MY COUSIN IN APRIL |
|
| MY NEIGHBOR IN THE MIRROR |
|
| MYTHIC FRAGMENT |
|
| NATIVITY POEM |
|
| NEST |
|
| NEW LIFE |
|
| NIGHT PIECE |
|
| NORTHWOOD PATH |
|
| NOSTOS |
|
| NOVEL |
|
| ODYSSEUS' DECISION |
|
| OTIS |
|
| PALAIS DES ARTS |
|
| PARABLE OF FAITH |
|
| PARABLE OF FLIGHT |
|
| PARABLE OF THE BEAST |
|
| PARABLE OF THE DOVE |
|
| PARABLE OF THE HOSTAGES |
|
| PARABLE OF THE KING |
|
| PARABLE OF THE SWANS |
|
| PARABLE OF THE TRELLIS |
|
| PARADISE |
|
| PENELOPE'S SONG |
|
| PENELOPE'S STUBBORNNESS |
|
| PHENOMENAL SURVIVALS OF DEATH IN NANTUCKET |
|
| PICTURES OF THE PEOPLE IN THE WAR |
|
| PIETA |
|
| POEM |
|
| POMEGRANATE |
|
| POND |
|
| PORCELAIN BOWL |
|
| PORTRAIT |
|
| PURPLE BATHING SUIT |
|
| QUEEN OF CARTHAGE |
|
| QUIET EVENING |
|
| RACER'S WIDOW |
|
| RED POPPY |
|
| REPROACH |
|
| RETREATING WIND |
|
| RETURN |
|
| RETURNING A LOST CHILD |
|
| REUNION |
|
| RUSE |
|
| SAINT JOAN |
|
| SAINTSS |
|
| SCILLA |
|
| SCREENED PORCH |
|
| SEATED FIGURE |
|
| SENSUAL WORLD |
|
| SEVEN AGES |
|
| SHAD-BLOW TREE: 1. THE TREE |
|
| SHAD-BLOW TREE: 2. THE LATENT IMAGE |
|
| SILVER LILY |
|
| SILVER POINT |
|
| SIREN |
|
| SNOW |
|
| SNOWDROPS |
|
| STARS |
|
| SUMMER |
|
| SUMMER AT THE BEACH |
|
| SUMMER NIGHT |
|
| SWIMMER |
|
| TANGO |
|
| TELEMACHUS' BURDEN |
|
| TELEMACHUS' CONFESSION |
|
| TELEMACHUS' DETACHMENT |
|
| TELEMACHUS' DILEMMA |
|
| TELEMACHUS' FANTASY |
|
| TELEMACHUS' GUILT |
|
| TERMINAL RESEMBLANCE |
|
| THANKSGIVING |
|
| THE GARDEN |
|
| THE GIFT |
|
| THE SCHOOL CHILDREN |
|
| TIME |
|
| TO FLORIDA |
|
| TRIUMPH OF ACHILLES |
|
| UNDER TAURUS |
|
| UNDERTAKING |
|
| UNTRUSTWORTHY SPEAKER |
|
| UNWRITTEN LAW |
|
| VESPERS (1) |
|
| VESPERS (4) |
|
| VESPERS (5) |
|
| VESPERS (9) |
|
| VIOLETS |
|
| VITA NOVA |
|
| WHITE LILIES |
|
| WIDOWS |
|
| WILD IRIS |
|
| WINGED HORSE |
|
| WINTER MORNING |
|
| WISH |
|
| WITCHGRASS |
|
| WORLD BREAKING APART |
|
| WOUND |
|
| YOUTH |
|
SIDNEY GODOLPHIN: |
| A FAREWELL |
|
OLIVER GOLDSMITH: |
| AN ELEGY ON THE DEATH OF A MAD DOG |
|
| RETALIATION |
|
| THE DESERTED VILLAGE |
|
| THE DOUBLE TRANSFORMATION |
|
| THE HAUNCH OF VENISON |
|
ALEXANDER GORDON: |
| CAULD KAIL IN ABERDEEN |
|
ANNA ADREYEVNA GORENKO: |
| AH - YOU THOUGHT I'D BE THE TYPE |
|
| ALEXANDER AT THEBES |
|
| AND IN THE KIEVIAN CHURCH OF DIVINE WISDOM |
|
| BROAD GOLD |
|
| CLEOPATRA |
|
| CONFESSION (1) |
|
| CRUCIFIXION |
|
| DEATH OF SOPHOCLES |
|
| EPIGRAM |
|
| HOW CAN YOU LOOK AT THE NEVA |
|
| I DON'T KNOW IF YOU'RE ALIVE OR DEAD |
|
| I HEAR THE ORIOLE'S ALWAYS GRIEVING VOICE |
|
| I TAUGHT MYSELF TO LIVE SIMPLY AND WISELY |
|
| I WRUNG MY HANDS UNDER MY DARK VEIL |
|
| IN MEMORY OF MIKHAIL BULGAKOV |
|
| LONELINESS |
|
| LOT'S WIFE |
|
| LYING IN ME, AS THOUGH IT WERE A WHITE |
|
| MEMORY OF SUN SEEPS FROM THE HEART |
|
| MUSE |
|
| MUSE |
|
| POEMS OF AKHMATOVA: 35. MARCH ELEGY |
|
| REQUIEM |
|
| REQUIEM: 5 |
|
| REQUIEM: 6 |
|
| REQUIEM: 7. THE SENTENCE |
|
| REQUIEM: 8. TO DEATH |
|
| REQUIEM: EPILOGUE |
|
| UNDER HER DARK VEIL SHE CLENCHED HER HANDS |
|
| UPON THE HARD CREST. |
|
| WHITE NIGHT |
|
| WHY IS THIS AGE WORSE |
|
| WILLOW |
|
| YOU WILL HEAR THUNDER AND REMEMBER ME |
|
EDMUND WILLIAM GOSSE: |
| A NIGHT IN TIME OF WAR |
|
| AN EPISTLE TO DR. OLIVER WENDELL HOLMES; ON HIS 75TH BIRTHDAY |
|
| AUBREY DE VERE |
|
| BEATRICE |
|
| EUTHANASIA |
|
| IN POET'S CORNER |
|
| LECONTE DE LISLE; JULY 17, 1894 |
|
| MANES, THE HERETIC |
|
| THE BALLADE OF DEAD CITIES; TO ANDREW LANG |
|
| THE NEW ENDYMION |
|
JAMES GRAHAM (1612-1650): |
| EPITAPH ON KING CHARLES I |
|
| HEROIC LOVE |
|
| TOUCH |
|
DOUGAL GRAHAM: |
| JOHN HIGHLANDMAN'S REMARKS ON THE CITY OF GLASGOW |
|
| TURNIMSPIKE |
|
JORIE GRAHAM: |
| DREAM OF THE UNIFED FIELD |
|
| ERRANCY |
|
| GUARDIAN ANGEL OF THE SWARM |
|
| MANIFEST DESTINY |
|
| PRAYER |
|
| SAN SEPOLCRO |
|
| SELF-PORTRAIT AS HURRY AND DELAY |
|
| SURFACE |
|
| WHAT THE END IS FOR (GRAND FORKS, NORTH DAKOTA) |
|
ROBERT GRAHAM: |
| O TELL ME HOW TO WOO THEE |
|
ANNE GRANT: |
| ON A SPRIG OF HEATH |
|
ALFRED PERCEVAL GRAVES: |
| BROTHERS IN ARMS |
|
| FATHER O'FLYNN |
|
| FIXIN' THE DAY |
|
| HERRING IS KING |
|
| JENNY, I'M NOT JESTING' |
|
| O'FARRELL THE FIDDLER |
|
| SONG OF THE PRATEE |
|
| THE IRISH SPINNING-WHEEL |
|
| THE WRECK OF THE AIDEEN |
|
ROBERT RANKE GRAVES: |
| A BOY IN CHURCH |
|
| A CHILD'S NIGHTMARE |
|
| A PINCH OF SALT |
|
| BABYLON |
|
| COUNTING THE BEATS |
|
| FLYING CROOKED |
|
| FOX'S DINGLE |
|
| GOLIATH AND DAVID |
|
| I WONDER WHAT IT FEELS LIKE TO BE DROWNED |
|
| JOHN SKELTON |
|
| LOST LOVE |
|
| PYGMALION TO GALATEA |
|
| THE BARDS |
|
| THE MORNING BEFORE THE BATTLE |
|
| THE WHITE GODDESS |
|
| TWO FUSILIERS |
|
| WARNING TO CHILDREN |
|
| WHEN I'M KILLED |
|
DAVID GRAY (1836-1888): |
| SIR JOHN FRANKLIN AND HIS CREW |
|
| THE CROSS OF GOLD |
|
| TO J. H. (COL. JOHN HAY) |
|
DAVID GRAY (1838-1861): |
| CORN-CRAKE |
|
| GOLDENING PEACH ON THE ORCHARD WALL |
|
THOMAS GRAY: |
| ELEGY WRITTEN IN A COUNTRY CHURCHYARD |
|
| HYMN TO ADVERSITY |
|
| ODE ON A DISTANT PROSPECT OF ETON COLLEGE |
|
| ODE ON THE DEATH OF A FAVOURITE CAT, DROWNED IN A TUB |
|
DORA GREENWELL: |
| CHRISTINA |
|
| FIDELITY REWARDED |
|
| MADANA |
|
| SUN-FLOWER |
|
CHRISTOPHER MURRAY GRIEVE: |
| ANOTHER EPITAPH ON AN ARMY OF MERCENARIES; REPLY TO HOUSMAN |
|
| BRITISH LEFTISH POETRY, 1930-40 |
|
| GLASS OF PURE WATER |
|
| IN THE CHILDREN'S HOSPITAL |
|
GERALD JOSEPH GRIFFIN: |
| EILEEN AROON |
|
| INDOLENCE |
|
| ORANGE AND GREEN |
|
| THE BRIDAL OF MALAHIDE |
|
| THE INVASION: SONG. CEAD MILE FAILTE, ELIM! |
|
BARBARA GUEST: |
| ALL ELEGIES ARE BLACK AND WHITE |
|
EDGAR ALBERT GUEST: |
| HOME (2) |
|
| IT COULDN'T BE DONE |
|
THOMSON WILLIAM GUNN: |
| CONSIDERING THE SNAIL |
|
| DONAHUE'S SISTER |
|
| IN SANTA MARIA DEL POPOLO |
|
| MOLY |
|
| MY SAD CAPTAINS |
|
| ON THE MOVE |
|
| THE HUG |
|
| THE MAN WITH THE NIGHT SWEATS |
|
| THE MISSING |
|
| WOUND |
|
DANIEL HALL: |
| MANGOSTEENS |
|
DONALD HALL: |
| AFFIRMATION |
|
| EATING THE PIG |
|
| MAN IN THE DEAD MACHINE |
|
| MAPLE SYRUP |
|
| NAMES OF HORSES |
|
| OLD HOME WEEK |
|
| OX-CART MAN |
|
| THE ONE DAY |
|
| THE PAINTED BED |
|
FITZ-GREENE HALLECK: |
| ON THE DEATH OF JOSEPH RODMAN DRAKE |
|
WILLIAM HAMILTON OF BANGOUR: |
| THE DESPAIRING LOVER |
|
JOHN+(1) HAMILTON: |
| UP IN THE MORNIN' EARLY |
|
OF GILBERTFIELD WILLIAM HAMILTON: |
| WILLIE WAS A WANTON WAG |
|
M. P. HANDY: |
| ONLY A LITTLE THING |
|
THOMAS HARDY: |
| A KING'S SOLILOQUY (ON THE NIGHT OF HIS FUNERAL) |
|
| A POOR MAN AND A LADY |
|
| AFTERWARDS |
|
| AH, ARE YOU DIGGING ON MY GRAVE? |
|
| CHANNEL FIRING |
|
| DRUMMER HODGE |
|
| DURING WIND AND RAIN |
|
| GOD'S FUNERAL |
|
| I LOOK INTO MY GLASS |
|
| IN TIME OF 'THE BREAKING OF NATIONS' |
|
| NEUTRAL TONES |
|
| THE BLINDED BIRD |
|
| THE CONVERGENCE OF THE TWAIN; LINES ON LOSS OF THE TITANIC |
|
| THE CORONATION |
|
| THE DARKLING THRUSH |
|
| THE GOING |
|
| THE GOING OF THE BATTERY; WIVES' LAMENTS |
|
| THE MAN HE KILLED |
|
| THE OXEN |
|
| THE REMINDER |
|
| THE RUINED MAID |
|
| THE SELF-UNSEEING |
|
| THE VOICE |
|
CHARLES HARPUR: |
| ANDREW MARVELL |
|
JAMES HARRISON: |
| LETTERS TO YESENIN: 1; TO D.G. |
|
| RETURN TO YESENIN |
|
GWEN HARWOOD: |
| BARN OWL (FROM: FATHER AND CHILD) |
|
| CLAIR DE LUNE |
|
| IN THE PARK |
|
| MOTHER WHO GAVE ME LIFE |
|
| NIGHTFALL |
|
ROBERT HASS: |
| A STORY ABOUT THE BODY |
|
| AFTER THE GENTLE POET KOBAYASHI ISSA |
|
| BOOKBUYING IN THE TENDERLOIN |
|
| CHILD NAMING FLOWERS |
|
| EZRA POUND'S PROPOSITION |
|
| FAINT MUSIC |
|
| HEROIC SMILE |
|
| LETTER TO A POET |
|
| MEDITATION AT LAGUNITAS |
|
| PRIVILEGE OF BEING |
|
| RETURN OF ROBINSON JEFFERS |
|
| SHUNGA |
|
| SONG FOR A BRIDE |
|
| THE FAILURE OF BUFFALO TO LEVITATE |
|
| THE PROBLEM OF DESCRIBING TREES |
|
ROBERT STEPHEN HAWKER: |
| SONG OF THE CORNISH MEN |
|
NATHANIEL HAWTHORNE: |
| AUTUMNAL CHARACTERISTICS |
|
| BROOK FARM |
|
| CONSCIENCE |
|
| THE OCEAN |
|
| THE STAR OF CALVARY |
|
ROBERT EARL HAYDEN: |
| AUNT JEMIMA OF THE OCEAN WAVES |
|
| BALLAD OF NAT TURNER |
|
| EL-HAJJ MALIK EL-SHABAZZ |
|
| FREDERICK DOUGLASS |
|
| FULL MOON |
|
| JOHN BROWN |
|
| LETTER FROM PHILLIS WHEATLEY |
|
| MIDDLE PASSAGE |
|
| MONET'S WATERLILIES |
|
| MOURNING POEM FOR THE QUEEN OF SUNDAY |
|
| O DAEDALUS, FLY AWAY HOME |
|
| PAUL LAURENCE DUNBAR |
|
| PAUL LAURENCE DUNBAR |
|
| PERSEUS |
|
| PRISONERS |
|
| RICHARD HUNT'S 'ARACHNE' |
|
| RUNAGATE RUNAGATE |
|
| SOLEDAD |
|
| SPHINX |
|
| THE WHIPPING |
|
| THEME AND VARIATION |
|
| THOSE WINTER SUNDAYS |
|
| UNIDENTIFIED FLYING OBJECT |
|
| WITCH DOCTOR |
|
| ZEUS OVER REDEYE |
|
PAUL HAMILTON HAYNE: |
| A STORM IN THE DISTANCE (AMONG THE GEORGIAN HILLS) |
|
| CHARLOTTE BRONTE |
|
SEAMUS HEANEY: |
| CLEARANCES; IN MEMORIAM M.K.H., 1911-1984: 1 |
|
| DIGGING |
|
| FUNERAL RITES |
|
| GRAUBALLE MAN |
|
| THE TOLLUND MAN |
|
ANTHONY HECHT: |
| CURRICULUM VITAE |
|
| EXILE; FOR JOSEPH BRODSKY |
|
| MORE LIGHT! MORE LIGHT!' |
|
| THE DOVER BITCH; A CRITICISM OF LIFE |
|
| THE END OF THE WEEKEND |
|
| THE GHOST IN THE MARTINI |
|
| VOICE AT A SEANCE |
|
WILLIAM ERNEST HENLEY: |
| ECHOES: 4. INVICTUS |
|
| VILLON'S STRAIGHT TIP TO ALL CROSS COVES |
|
HENRY THE MINSTREL: |
| A DESCRIPTION OF WALLACE |
|
| LAMENT FOR THE GRAHAM |
|
ROBERT HENRYSON: |
| ROBIN [ROBENE OR ROBYN] AND MAKYNE [MAKIN] |
|
| THE BLUDY SERK |
|
| THE GARMENT [OR GARMOND] OF GOOD [OR GUD, OR FAIR] LADIES |
|
EDWARD HERBERT: |
| AN ODE UPON A QUESTION WHETHER LOVE SHOULD CONTINUE FOREVER |
|
| IN A GLASS WINDOW, FOR INCONSTANCY |
|
| SONNET OF BLACK BEAUTY |
|
GEORGE HERBERT: |
| A DIALOGUE ANTHEM |
|
| AARON |
|
| AFFLICTION (1) |
|
| AFFLICTION (4) |
|
| BITTER-SWEET |
|
| DENIAL [OR, DENIALL] |
|
| DISCIPLINE |
|
| EASTER WINGS |
|
| JORDAN (1) |
|
| JORDAN (2) |
|
| REDEMPTION |
|
| THE ALTAR |
|
| THE CHURCH WINDOWS |
|
| THE COLLAR |
|
| THE DAWNING |
|
| THE ELIXIR |
|
| THE FLOWER |
|
| THE FORERUNNERS |
|
| THE HOLDFAST |
|
| THE PEARL |
|
| THE PULLEY |
|
| THE QUIP |
|
| THE SACRIFICE |
|
| THE TEMPER (1) |
|
MARY SIDNEY HERBERT: |
| TO THE ANGEL SPIRIT OF THE MOST EXCELLENT SIR PHILIP SIDNEY |
|
ZBIGNIEW HERBERT: |
| ELEGY OF FORTINBRAS |
|
| ENVOY OF MR COGITO |
|
| MR. COGITO AND PURE THOUGHT |
|
| WHAT MR. COGITO THINKS ABOUT HELL |
|
ROBERT HERRICK: |
| A BUCOLICK BETWIXT TWO: LACON AND THYRSIS |
|
| A THANKSGIVING TO GOD [FOR HIS HOUSE] |
|
| CORINNA'S GOING A-MAYING |
|
| DELIGHT IN DISORDER |
|
| HIS FAREWELL TO SACK |
|
| THE ARGUMENT OF HIS BOOK |
|
| THE COUNTRY LIFE, TO THE HONOURED M. END. PORTER |
|
| THE HAG |
|
| THE HOCK-CART, OR HARVEST HOME |
|
| THE LITANY [TO THE HOLY SPIRIT] |
|
| THE MAD MAID'S SONG |
|
| THE VINE |
|
| TO ANTHEA [WHO MAY COMMAND HIM ANYTHING] |
|
| TO DAFFODILS |
|
| TO THE VIRGINS, TO MAKE MUCH OF TIME |
|
| UPON JULIA'S CLOTHES |
|
JOHN HEYWOOD: |
| A LADY PRAYETH THE RETURN OF HER LOVER ABIDING ON THE SEAS |
|
| A PRAISE OF HIS LADY |
|
GEOFFREY HILL: |
| LACHRIMAE: 5. PAVANA DOLOROSA |
|
EDWARD HIRSCH: |
| ON LOVE: FEDERICO GARCIA LORCA |
|
| ON LOVE: OSCAR WILDE |
|
| TRISTAN TZARA |
|
JANE HIRSHFIELD: |
| A BLESSING FOR A WEDDING |
|
| A DAY IS VAST |
|
| A SWEETENING ALL AROUND ME AS IT FALLS |
|
| ADAMANTINE PERFECTION OF DESIRE |
|
| AFTER LONG SILENCE |
|
| AFTER WORK |
|
| ALL THE DIFFICULT HOURS AND MINUTES |
|
| ARS POETICA |
|
| ASK MUCH, THE VOICE SUGGESTED |
|
| AT NIGHT |
|
| AT NIGHTFALL |
|
| AUTUMN |
|
| AUTUMN QUINCE |
|
| BONSAI |
|
| BREAKABLE SPELL |
|
| CONTRACT |
|
| COOK |
|
| DA CAPO |
|
| DARK-GRAINED, SURPRISINGLY HEAVY |
|
| DEAD DO NOT WANT US DEAD |
|
| DESIRE |
|
| DESTINATION |
|
| DOPPELGANGER |
|
| DOWNED BRANCH |
|
| EARTHLY BEAUTY |
|
| EMPEDOCLES' PHYSICS |
|
| FADO |
|
| FLOWERING VETCH |
|
| FOR A WEDDING ON MOUNT TAMALPAIS |
|
| FOR THE WOMEN OF POLAND: DECEMBER 1981 |
|
| FOR WHAT BINDS US |
|
| GODS ARE NOT LARGE |
|
| GREAT POWERS ONCE RAGED THROUGH YOUR BODY |
|
| GREEN-STRIPED MELONS |
|
| GROUNDFALL PEAR |
|
| HALF-SLEEPING |
|
| HAND |
|
| HEAT |
|
| HISTORY AS THE PAINTER BONNARD |
|
| HUNGRY GHOSTS |
|
| I HAVE NO USE FOR VIRGINS |
|
| I IMAGINE MYSELF IN TIME |
|
| IN SMOOTH WATER THE MOUNTAINS SUSPEND THEMSELVES |
|
| IT WAS LIKE THIS: YOU WERE HAPPY |
|
| LIKE THE SMALL HOLE BY THE PATH-SIDE SOMETHING LIVES IN |
|
| LIKE TWO NEGATIVE NUMBERS MULTIPLIED BY RAIN |
|
| LOVE OF AGED HORSES |
|
| MATHEMATICS |
|
| MEETING THE LIGHT COMPLETELY |
|
| MOUNTAIN |
|
| MULBERRIES |
|
| MY WEATHER |
|
| NOT MOVING EVEN ONE STEP |
|
| PERISHABLE, IT SAID |
|
| POEM WITH TWO ENDINGS |
|
| REBUS |
|
| SEAWATER STIFFENS CLOTH |
|
| SENTENCINGS |
|
| SONOMA FIRE |
|
| THE DECISION |
|
| THE ENVOY |
|
| THE PEAR |
|
| THE WOODPECKER KEEPS RETURNING |
|
| THINGS KEEP SORTING THEMSELVES |
|
| TO DRINK |
|
| TO JUDGMENT: AN ASSAY |
|
| TOWARD THE SOLSTICE |
|
| TREE |
|
| UNDER THE RIVER |
|
RALPH HODGSON: |
| EVE |
|
| SONG OF HONOUR |
|
| THE BELLS OF HEAVEN |
|
| THE BULL |
|
| THE MYSTERY |
|
| TIME, YOU OLD GIPSY MAN |
|
WILLIAM NOEL HODGSON: |
| BEFORE ACTION |
|
| ENGLAND TO HER SONS |
|
| GOD'S HILLS |
|
JAMES HOGG: |
| A BOY'S SONG |
|
| BAULDY FRASER |
|
| BRAES OF YARROW |
|
| CHERUB |
|
| JOCK JOHNSTONE, THE TINKLER |
|
| LOVE IS LIKE A DIZZINESS |
|
| MCLEAN'S WELCOME |
|
| MOON WAS A-WANING |
|
| QUEEN MARY'S RETURN TO SCOTLAND |
|
| THE BROKEN HEART |
|
| THE HIGHLAND WATCH |
|
| THE VILLAGE OF BALMAQUHAPPLE |
|
| THE WOMEN FO'K |
|
| WHEN THE KYE CAME HOME |
|
PENTII HOLAPPA: |
| POET FRANCOIS VILLON...... |
|
JOHN HOLLANDER: |
| FORGET HOW TO REMEMBER HOW TO FORGET |
|
| HISTORICAL REFLECTIONS |
|
| REFLECTIONS ON ESPIONAGE: 1/15 |
|
| SWAN AND SHADOW |
|
ANSELM HOLLO: |
| AFTER VERLAINE |
|
OLIVER WENDELL HOLMES: |
| OLD IRONSIDES |
|
| SUN AND SHADOW |
|
| THE CHAMBERED NAUTILUS |
|
| THE DEACON'S MASTERPIECE |
|
| THE HEIGHT OF THE RIDICULOUS |
|
| THE LAST LEAF |
|
| TO AN INSECT |
|
MIROSLAV HOLUB: |
| 1751 |
|
| ALPHABET |
|
| MEETING EZRA POUND |
|
| ZITO THE MAGICIAN |
|
GERARD MANLEY HOPKINS: |
| CARRION COMFORT |
|
| FELIX RANDAL |
|
| GOD'S GRANDEUR |
|
| INVERSNAID |
|
| PIED BEAUTY |
|
| SPRING AND FALL: TO A YOUNG CHILD |
|
| THE WINDHOVER: TO CHRIST OUR LORD |
|
NORA (CHESSON) HOPPER: |
| BEAUTY |
|
| HALLOWEEN |
|
| HERTHA |
|
| KING OF IRELAND'S SON |
|
| THE COLD WIND |
|
| THE DARK MAN |
|
| THE FAIRY FIDDLER |
|
| THE STRANGERS |
|
ALFRED EDWARD HOUSMAN: |
| A SHROPSHIRE LAD: 13 |
|
| A SHROPSHIRE LAD: 18 |
|
| A SHROPSHIRE LAD: 19. TO AN ATHLETE DYING YOUNG |
|
| A SHROPSHIRE LAD: 2 |
|
| A SHROPSHIRE LAD: 21. BREDON HILL |
|
| A SHROPSHIRE LAD: 27 |
|
| A SHROPSHIRE LAD: 29. THE LENT LILY |
|
| A SHROPSHIRE LAD: 3. THE RECRUIT |
|
| A SHROPSHIRE LAD: 31 |
|
| A SHROPSHIRE LAD: 47. THE CARPENTER'S SON |
|
| A SHROPSHIRE LAD: 54 |
|
| A SHROPSHIRE LAD: 62 |
|
RICHARD HOVEY: |
| ACCIDENT IN ART |
|
| TRANSCENDENCE |
|
| VERLAINE |
|
HENRY HOWARD: |
| DESCRIPTION OF SPRING |
|
| DESCRIPTION OF THE RESTLESS STATE OF A LOVER |
|
| IN PRAISE OF WYATT'S PSALMS |
|
| ON THE DEATH OF SIR THOMAS WYATT |
|
| PRISONED IN WINDSOR, HE RECOUNTETH HIS PLEASURE THERE PASSED |
|
| YOUTH AND AGE |
|
FANNY HOWE: |
| DOUBT |
|
| FOOTSTEPS |
|
| GOOD FRIDAY NIGHT |
|
| GOODBYE, POST OFFICE SQUARE |
|
| ICE |
|
| MY BROKEN HEART |
|
| NURSERY |
|
| O'CLOCK |
|
| OUTREMER |
|
| OXFORD |
|
JULIA WARD HOWE: |
| BATTLE HYMN OF THE REPUBLIC |
|
| FLAG |
|
| HAMLET AT THE BOSTON (TO EDWIN BOOTH) |
|
| LOST JEWEL |
|
WILLIAM DEAN HOWELLS: |
| A DOUBLE-BARRELLED SONNET TO MARK TWAIN: 1. FIRST BARREL |
|
| BLACK CROSS FARM |
|
| EQUALITY |
|
| GOOD SOCIETY |
|
| SOLITUDE |
|
| THOMAS BAILEY ALDRICH |
|
MARY HOWITT: |
| THE SALE OF THE PET LAMB |
|
| THE SPIDER AND THE FLY |
|
| THE USE OF FLOWERS |
|
EDWARD JAMES HUGHES: |
| CROW'S FALL |
|
| HARVEST MOON |
|
| HAWK ROOSTING |
|
| JAGUAR |
|
| OLD AGE GETS UP |
|
| PIKE |
|
| THE THOUGHT-FOX |
|
| THEOLOGY |
|
| TO PAINT A WATER LILY |
|
| WILFRED OWEN'S PHOTOGRAPHS |
|
| WIND |
|
| WOMAN UNCONSCIOUS |
|
JAMES LANGSTON HUGHES: |
| 125TH STREET |
|
| 50-50 |
|
| ADVICE |
|
| AMERICAN HEARTBREAK |
|
| APRIL RAIN SONG |
|
| AS I GREW OLDER |
|
| DANSE AFRICAINE |
|
| DAYBREAK IN ALABAMA |
|
| HARLEM |
|
| MOTHER TO SON |
|
| SONG FOR A DARK GIRL |
|
| SUICIDE'S NOTE |
|
| THE NEGRO SPEAKS OF RIVERS |
|
| THE WEARY BLUES |
|
VICTOR MARIE HUGO: |
| A COUP D'ETAT; AN INCIDENT IN THE NIGHT OF DECEMBER 4, 1851 |
|
| A SUNSET |
|
| AFTER THE BATTLE |
|
| COMPLETION |
|
| NAPOLEON |
|
| POLAND |
|
| THE BURGEOIS |
|
| THE CHILDREN OF THE POOR |
|
| THE COLOSSUS OF RHODES |
|
| WHERE YOU MAY REST |
|
ALEXANDER HUME: |
| MIDSUMMER DAY IN FRANCE |
|
| OF THE DAY ESTIVALL |
|
JAMES HENRY LEIGH HUNT: |
| ABOU BEN ADHEM |
|
| RONDEAU |
|
ANNE (HOME) HUNTER: |
| A PASTORAL SONG |
|
| NORTH AMERICAN DEATH SONG |
|
DOUGLAS HYDE: |
| COLD, SHARP LAMENTATION |
|
| COOLEEN |
|
| NELLY OF THE TOP-KNOTS |
|
| THE DRUID |
|
EDWARD HYDE: |
| AMICO SUO CHARISSIMO, INGENIOSISSIMO, T. RANDOLPHO |
|
DAVID IGNATOW: |
| ADOLESCENCE |
|
| AGAINST THE EVIDENCE |
|
| INVOCATION |
|
| IT'S MY LIFE |
|
| KADDISH |
|
| LIKE SMOKE |
|
| LIVES |
|
| LOVE POEM FOR THE FORTY-SECOND STREET LIBRARY |
|
| MYSTIQUE |
|
| THE BAGEL |
|
JEAN INGELOW: |
| DIVIDED |
|
| SHEPHERD LADY |
|
| SUPPER AT THE MILL |
|
| THE HIGH TIDE AT [OR, ON THE COAST OF] LINCOLNSHIRE |
|
JOHN KELLS INGRAM: |
| MEMORY OF THE IRISH DEAD |
|
| MONITION |
|
| SONNET ON READING THE SONNET BY R.C.D., IN MEMORIAM G.P.C. |
|
| TO A.J.: A MONODY |
|
VYACHESLAV IVANOVICH IVANOV: |
| AUTUMN |
|
| BEAUTY'S NOMADS |
|
| COMPLAINT |
|
| FOUNTAIN |
|
| FUNERAL |
|
| NARCISSUS: A POMPEIIAN BRONZE |
|
| THE CATCH |
|
| THE HOLY ROSE |
|
| THE ROAD TO EMMANUS |
|
| THE SEEKING OF SELF |
|
MAX JACOB: |
| IF GUILLAUME'S DEATH HAD BEEN CHRISTIAN |
|
NICHOLAS JAMES: |
| THE COMPLAINTS OF POVERTY, SELECTION |
|
ROBERT JAMIESON: |
| QUEEN LILT |
|
RANDALL JARRELL: |
| 90 NORTH |
|
| A CAMP IN THE PRUSSIAN FOREST |
|
| A COUNTRY LIFE |
|
| A GIRL IN A LIBRARY |
|
| A MAN MEETS A WOMAN IN THE STREET |
|
| A PILOT FROM THE CARRIER |
|
| A POEM FOR SOMEONE KILLED IN SPAIN |
|
| A SICK CHILD |
|
| A WAR |
|
| ABSENT WITH OFFICIAL LEAVE |
|
| AESTHETIC THEORIES ART |
|
| AN OFFICERS' PRISON CAMP SEEN FROM A TROOP-TRAIN |
|
| AUGSBURG ADORATION |
|
| BATS |
|
| BRONZE DAVID OF DONATELLO |
|
| CHILDREN SELECTING BOOKS IN A LIBRARY |
|
| CHILDREN'S ARMS |
|
| CINDERELLA |
|
| EIGHTH AIR FORCE |
|
| EINE KLEINE NACHTMUSIK |
|
| ELEMENTARY SCENE |
|
| END OF THE RAINBOW |
|
| GUNNER |
|
| HOPE |
|
| HOUSE IN THE WOOD |
|
| JEROME |
|
| LOSSES |
|
| MAIL CALL |
|
| NEXT DAY |
|
| NIGHT WITH LIONS |
|
| PROTOCOLS (BIRKENAU, ODESSA; THE CHILDREN SPEAK ALTERNATELY) |
|
| SECOND AIR FORCE |
|
| SEELE IN RAUM |
|
| THE BLACK SWAN |
|
| THE BREATH OF NIGHT |
|
| THE DEAD WINGMAN |
|
| THE DEATH OF THE BALL TURRET GUNNER |
|
| THE FACE |
|
| THE KNIGHT, DEATH, AND THE DEVIL |
|
| THE LOST WORLD |
|
| THE OLD AND THE NEW MASTERS |
|
| THE OLIVE GARDEN |
|
| THE ORIENT EXPRESS |
|
| THE PLAYER PIANO |
|
| THE REFUGEES |
|
| THE SICK NOUGHT |
|
| THE SNOW-LEOPARD |
|
| THE WOMAN AT THE WASHINGTON ZOO |
|
| THINKING OF THE LOST WORLD |
|
| WELL WATER |
|
ROBINSON JEFFERS: |
| BIRDS AND FISHES |
|
| CARMEL POINT |
|
| GHOST |
|
| HURT HAWKS |
|
| ROAN STALLION |
|
| ROCK AND HAWK |
|
| SHINE, PERISHING REPUBLIC |
|
| SHINE, REPUBLIC |
|
| TAMAR |
|
| THE BEAKS OF EAGLES |
|
| THE BROKEN BALANCE |
|
| THE DAY IS A POEM (SEPTEMBER 19, 1939) |
|
| THE DEER LAY DOWN THEIR BONES |
|
| THE EYE |
|
| THE PURSE-SEINE |
|
| TO THE STONE CUTTERS |
|
| TOWER BEYOND TRAGEDY |
|
| TRUCE AND THE PEACE (NOVEMBER, 1918) |
|
| VULTURE |
|
ELIZABETH JENNINGS: |
| ABSENCE |
|
| BEECH |
|
| DELAY |
|
| FOR EDWARD THOMAS |
|
| LETTER TO PETER LEVI |
|
| MEDITATION ON THE NATIVITY |
|
| ONE FLESH |
|
| SONG AT THE BEGINNING OF AUTUMN |
|
| SONG FOR A DEPARTURE |
|
JOHN OF THE CROSS: |
| O FLAME OF LIVING LOVE |
|
| THE OBSCURE NIGHT OF THE SOUL |
|
SAMUEL JOHNSON (1709-1784): |
| IDYLL |
|
| ON SOME LINES OF LOPE DE VEGA |
|
| PROLOGUE, SPOKEN BY MR. GARRICK AT ... THEATRE ROYALE, 1747 |
|
| THE VANITY OF HUMAN WISHES; THE 10TH SATIRE OF JUVENAL, IMITATED |
|
DENIS JOHNSON: |
| A POEM ABOUT BASEBALL |
|
| HEAT |
|
| THE CONFESSION OF ST. JIM-RALPH |
|
| THE WHITE FIRES OF VENUS |
|
| ULYSSES |
|
| VEIL |
|
| VESPERS |
|
EMILY PAULINE JOHNSON: |
| A CRY FROM AN INDIAN WIFE |
|
| IN THE SHADOWS |
|
| THE CATTLE THIEF |
|
| THE CORN HUSKER |
|
| THE SONG MY PADDLE SINGS |
|
GEORGIA DOUGLAS JOHNSON: |
| BLACK WOMAN |
|
| COMMON DUST |
|
| THE HEART OF A WOMAN |
|
HELENE JOHNSON: |
| BOTTLED |
|
| MAGALU |
|
LIONEL PIGOT JOHNSON: |
| A FRIEND |
|
| AGE OF A DREAM; TO CHRISTOPHER WHALL |
|
| BALLADE OF THE CAXTON HEAD |
|
| BELLS |
|
| BEYOND |
|
| BY THE STATUE OF KING CHARLES AT CHARING CROSS |
|
| CADGWITH |
|
| CELTIC SPEECH |
|
| CHRISTMAS AND IRELAND |
|
| CLASSICS |
|
| COLLINS |
|
| COMING OF WAR |
|
| DREAM OF YOUTH |
|
| IESU COR |
|
| IRELAND'S DEAD |
|
| LAMB |
|
| LAMBETH LYRIC |
|
| LONDON TOWN |
|
| LUCRETIUS |
|
| MAGIC |
|
| ORACLES |
|
| OUR LADY OF THE MAY |
|
| OXFORD |
|
| OXFORD NIGHTS |
|
| PARNELL |
|
| SERTORIUS |
|
| STRANGER; TO WILL ROTHENSTEIN |
|
| THE DARK ANGEL |
|
| THE LAST MUSIC |
|
| THE RED WIND |
|
| TO MORFYDD |
|
| TO MORFYDD DEAD |
|
| TROOPSHIP |
|
| UPON A DRAWING |
|
| WALES |
|
| WALTER PATER |
|
ROBERT UNDERWOOD JOHNSON: |
| TO RALPH WALDO EMERSON, ON THE DEATH OF GARFIELD, SEPTEMBER, 1881 |
|
HETTIE JONES: |
| SUBWAY POEM |
|
BEN JONSON: |
| A FIT OF RHYME AGAINST RHYME [OR, RIME] |
|
| A PINDARIC ODE |
|
| AN EXECRATION UPON VULCAN |
|
| EPIGRAM: 14. TO WILLIAM CAMDEN |
|
| EPIGRAM: 45. ON MY FIRST SON |
|
| EPITAPH ON S.P., A CHILD OF QUEEN ELIZABETH'S CHAPEL |
|
| ON THE FAMOUS VOYAGE |
|
| SEJANUS, HIS FALL |
|
| TO CELIA |
|
| TO HEAVEN |
|
| TO JOHN DONNE (1) |
|
| TO JOHN DONNE (2) |
|
| TO MY BOOK |
|
| TO PENSHURST |
|
| TO SIR ROBERT WROTH |
|
| TO THE AUTHOR |
|
| TO THE MEMORY OF MY BELOVED MASTER WILLIAM SHAKESPEARE |
|
DONALD JUSTICE: |
| ABOARD! ABOARD! |
|
| MEN AT FORTY |
|
| MRS. SNOW |
|
| ODE TO A DRESSMAKER'S DUMMY |
|
| THE ASSASSINATION |
|
ILYA KAMINSKY: |
| ELEGY FOR JOSEPH BRODSKY |
|
BOB KAUFMAN: |
| ABOMUNIST MANIFESTO |
|
| BAGEL SHOP JAZZ |
|
| MINGUS |
|
ROSE KAVANAGH: |
| LOUGH BRAY |
|
| NORTHERN BLACKWATER |
|
| ST. MICHAN'S CHURCHYARD |
|
JOHN KEATS: |
| A PROPHECY: TO GEORGE KEATS IN AMERICA |
|
| ENDYMION, A POETIC ROMANCE: BOOK 1 |
|
| LA BELLE DAME SANS MERCI |
|
| LAST SONNET (REVISED VERSION) |
|
| ODE ON A GRECIAN URN |
|
| ODE ON INDOLENCE |
|
| ODE ON MELANCHOLY |
|
| ODE TO A NIGHTINGALE |
|
| ODE TO PSYCHE |
|
| ON FIRST LOOKING INTO CHAPMAN'S HOMER |
|
| SONNET |
|
| THE EVE OF ST. AGNES |
|
| TO AUTUMN |
|
WELDON KEES: |
| 1926 |
|
| ASPECTS OF ROBINSON |
|
| FOR MY DAUGHTER |
|
| INTERREGNUM |
|
| JANUARY |
|
| ROBINSON |
|
| SARATOGA ENDING |
|
| SESTINA: TRAVEL NOTES |
|
| STATEMENT WITH RHYMES |
|
| THE COMING OF THE PLAGUE |
|
| THE SPEAKERS |
|
X. J. KENNEDY: |
| IN A PROMINENT BAR IN SECAUCUS ONE DAY |
|
| NUDE DESCENDING A STAIRCASE |
|
JANE KENYON: |
| BISCUIT |
|
| BRIEFLY IT ENTERS, AND BRIEFLY SPEAKS |
|
| FEBRUARY: THINKING OF FLOWERS |
|
| GETTYSBURG: JULY 1, 1863 |
|
| HAPPINESS |
|
| HAVING IT OUT WITH MELANCHOLY |
|
| LET EVENING COME |
|
| MOSAIC OF THE NATIVITY: SERBIA, WINTER, 1993 |
|
| NOTES FROM THE OTHER SIDE |
|
| OTHERWISE |
|
| TAKING DOWN THE TREE |
|
| THE BLUE BOWL |
|
| THINKING OF MADAME BOVARY |
|
CHARLES JOSEPH KICKHAM: |
| MYLES O'HEA |
|
| PATRICK SHEEHAN |
|
| ST. JOHN'S EVE |
|
| THE IRISH PEASANT GIRL |
|
ALFRED JOYCE KILMER: |
| TREES |
|
HENRY KING (1592-1669): |
| A CONTEMPLATION UPON FLOWERS |
|
| A RENUNCIATION |
|
| A SALUTATION OF HIS MAJESTY'S SHIP THE SOVEREIGN |
|
| ON THE EARL OF ESSEX |
|
| SONNET |
|
| THE EXEQUY [ON HIS WIFE] |
|
| THE SHORT WOOING |
|
| TO MY DEAR FRIEND BEN JONSON (DIED AUGUST 6, 1637) |
|
WILLIAM KING: |
| THE BEGGAR WOMAN |
|
RUDYARD KIPLING: |
| GUNGA DIN |
|
| IF |
|
| RECESSIONAL |
|
| THE WAY THROUGH THE WOODS |
|
JAMES KIRKUP: |
| VISIT TO BRONTELAND |
|
AUGUST KLEINZAHLER: |
| AUBADE ON EAST 12TH STREET |
|
| CHRISTMAS IN CHINATOWN |
|
| ENGLISH AS A SECOND LANGUAGE |
|
| GREEN SEES THINGS IN WAVES |
|
| HISTORY OF WESTERN MUSIC: CHAPTER 26 |
|
| INTERIOR DECORATOR ON SUNDAY |
|
| ON FIRST LOOKING INTO JOSEPH CORNELL'S DIARIES |
|
| SNOW IN NORTH JERSEY |
|
| THE HEREAFTER |
|
| THE STRANGE HOURS TRAVELERS KEEP |
|
ETHERIDGE KNIGHT: |
| A WASP WOMAN VISITS A BLACK JUNKIE IN PRISON |
|
| BELLY SONG (FOR THE DAYTOP FAMILY) |
|
| FEELING FUCKED UP |
|
| FOR BLACK POETS WHO THINK OF SUICIDE |
|
| HAIKU FOR THE HOMELESS |
|
| HARD ROCK RETURNS TO PRISON FROM THE HOSPITAL FOR THE CRIMINAL INSANE |
|
| IDEA OF ANCESTRY |
|
| JAZZ DRUMMER |
|
| THE SUN CAME |
|
KENNETH KOCH: |
| A MOMENTARY LONGING TO HEAR SAD ADVICE FROM ONE LONG DEAD |
|
| ALLEGORY OF SPRING |
|
| ART OF POETRY |
|
| BEL CANTO |
|
| BOILING WATER |
|
| FRESH AIR |
|
| LO, WHERE HAUSSMANN COMES, SEE WHERE HE COMES |
|
| ON HAPPINESS |
|
| ON THE GREAT ATLANTIC RAINWAY |
|
| ONE TRAIN MAY HIDE ANOTHER |
|
| POEM FOR MY TWENTIETH BIRTHDAY |
|
| SOME GENERAL INSTRUCTIONS |
|
| SUN OUT |
|
| TALKING TO PATRIZIA |
|
| THANK YOU |
|
| THE BRASSIERE FACTORY |
|
| THE CIRCUS (II) |
|
| THE HISTORY OF JAZZ |
|
| THE MAGIC OF NUMBERS |
|
| THEY SAY PRINCE HAMLET'S FOUND A SOUTHERN ISLAND |
|
| TO JEWISHNESS, PARIS, AMBITION, TREES, MY HEART, AND DESTINY |
|
| TO MY FATHER'S BUSINESS |
|
| TO MY FIFTIES |
|
| TO VARIOUS PERSONS TALKED TO ALL AT ONCE |
|
| TO YOU |
|
| VARIATIONS ON A THEME BY WILLIAM CARLOS WILLIAMS |
|
| YOU WANT A SOCIAL LIFE, WITH FRIENDS |
|
| YOU WERE WEARING |
|
YUSEF KOMUNYAKAA: |
| AFTER THE FALL OF SAIGON |
|
| APRIL'S ANARCHY |
|
| BACCHANALE |
|
| BANKING POTATOES |
|
| BLACKBERRIES |
|
| CAMOUFLAGING THE CHIMERA |
|
| CITADEL |
|
| DIA DE LOS MUERTOS |
|
| DOCTOR FEEL-GOOD |
|
| ELEGY FOR THELONIOUS |
|
| FACING IT |
|
| GRENADE |
|
| MY FATHER'S LOVELETTERS |
|
| ODE TO THE MAGGOT |
|
| SLAM, DUNK, & HOOK |
|
| STARLIGHT SCOPE MYOPIA |
|
| SUNDAY AFTERNOONS |
|
| THANKS |
|
| TU DO STREET |
|
| VENUS'S-FLYTRAPS |
|
| WHISTLE |
|
MAXINE W. KUMIN: |
| AFTER LOVE |
|
| HENRY MANLEY, LIVING ALONE, KEEPS TIME |
|
| HERMIT GOES UP ATTIC |
|
| HOW IT IS |
|
| JACK |
|
| LINES WRITTEN IN LIBRARY OF CONGRESS AFTER CLEANETH BROOKS |
|
| LIVING ALONE WITH JESUS |
|
| LONG APPROACH |
|
| MORNING SWIM |
|
| WOODCHUCKS |
|
STANLEY JASSPON KUNITZ: |
| AROUND PASTOR BONHOEFFER: NEXT TO LAST THINGS |
|
| AROUND PASTOR BONHOEFFER: THE EXTERMINATION CAMP |
|
| AROUND PASTOR BONHOEFFER: THE PLOT AGAINST HITLER |
|
| BORIS PASTERNAK |
|
| END OF SUMMER |
|
| FATHER AND SON |
|
| FIRST LOVE |
|
| LAYERS |
|
| LONG BOAT |
|
| PASSING THROUGH |
|
| ROBIN REDBREAST |
|
| ROUTE SIX |
|
| SNAKES OF SEPTEMBER |
|
| STATEMENT |
|
| TESTING-TREE |
|
| THE ABDUCTION |
|
| THE FLIGHT OF APOLLO |
|
| THE PORTRAIT |
|
| THE QUARREL |
|
| THE ROUND |
|
| THE WAR AGAINST THE TREES |
|
| THE WELLFLEET WHALE |
|
| THIS DAY THIS WORLD |
|
| TOUCH ME |
|
JOANNE KYGER: |
| ALL THIS EVERYDAY, SELS. |
|
| ANTHRO INFO |
|
| DESTRUCTION |
|
| THEY ARE ALIVE ALTHOUGH CELADON |
|
| TRIP OUT AND FALL BACK |
|
| WONDERFUL FOCUS OF YOU: 1977 |
|
FRANCIS KYNASTON: |
| CYNTHIADES: TO CYNTHIA ON HER BEING AN INCENDIARY |
|
| CYNTHIADES: TO CYNTHIA ON HER MOTHER'S DECEASE |
|
JEAN DE LA FONTAINE: |
| LOVE AND FOLLY |
|
| THE ASS CLOTHED IN THE LION'S SKIN |
|
| THE CASTLE-BUILDER |
|
| THE COBBLER AND THE RICH MAN |
|
| THE COCK AND THE FOX |
|
| THE COUNCIL HELD BY THE RATS (1) |
|
| THE CROW AND THE FOX |
|
| THE DONKEY LOADED WITH RELICS |
|
| THE GRASSHOPPER AND THE ANT |
|
| THE RAT WHO WITHDREW FROM THE WORLD |
|
| THE WOLF AND THE DOG |
|
GERARD LABRUNIE: |
| A FANTASY |
|
| A WOMAN |
|
| ARTEMIS |
|
| DELPHICA |
|
| EL DESDICHADO |
|
| FANTASY |
|
| HORUS |
|
| MYRTHO |
|
| THE BALLAD OF JEAN RENAUD |
|
| THE BLACK POINT |
|
| THE CYDALISES |
|
| THE DARK BLOT |
|
| THE GLORIFIED |
|
| UNE ALLEE DU LUXEMBOURG, |
|
WILLIAM LAIDLAW: |
| LUCY'S FLITTIN' |
|
ALEXANDER LAING: |
| JOCK, RAB AND TAM |
|
| STANDARD ON THE BRAES O' MAR |
|
PHILIP LAMANTIA: |
| POEM FOR ANDRE BRETON |
|
LETITIA ELIZABETH LANDON: |
| THE FEMALE CONVICT |
|
| THE GOLDEN VIOLET |
|
| THE GUERILLA CHIEF |
|
| THE IMPROVISATRICE: A MOORISH ROMANCE |
|
| THE MARRIAGE VOW |
|
| THE VISIONARY AND THE TRUE |
|
WALTER SAVAGE LANDOR: |
| COUNT JULIAN |
|
| DIRCE |
|
| GEBIR: 1 |
|
| IMMORTALITY [OR, VERSE] |
|
| REPENTANCE OF KING RODERIGO |
|
| ROSE AYLMER |
|
ANDREW LANG: |
| AESOP |
|
| ALMAE MATRES (ST. ANDREWS, 1862; OXFORD, 1865) |
|
| BALLADE OF AESTHETIC ADJECTIVES |
|
| BALLADE OF BLUE CHINA |
|
| BALLADE OF CHRISTMAS GHOSTS |
|
| BALLADE OF DEAD CITIES |
|
| BALLADE OF OLD PLAYS |
|
| CLEVEDON CHURCH |
|
| CULLODEN |
|
| DOUBLE BALLADE OF PRIMITIVE MAN |
|
| ENGLAND |
|
| FAIRYLAND |
|
| FRANCOIS VILLON, 1450 |
|
| GERARD DE NERVAL |
|
| GHOSTS IN A LIBRARY |
|
| LOST LOVE |
|
| MAN AND THE ASCIDIAN; A MORALITY |
|
| MELVILLE AND COGHILL (THE PLACE OF THE LITTLE HAND) |
|
| PISIDICE |
|
| PROEM: BALLADE OF THE BOOKWORM |
|
| SEEKERS FOR PHAEACIA |
|
| SONNETS TO POETS, SELS. |
|
| SYLVIE ET AURELIE |
|
| THE BARBAROUS BIRD-GODS: A SAVAGE PARABASIS |
|
| THE FORTUNATE ISLANDS; A DREAM IN JUNE |
|
| THE NEW MILLENNIUM; A VISION IN THE STRAND |
|
| TO THE GENTLE READER |
|
| TWILIGHT ON TWEED |
|
SIDNEY LANIER: |
| CORN |
|
| HYMNS OF THE MARSHES: THE MARSHES OF GLYNN |
|
| SONG OF THE CHATTAHOOCHEE |
|
| THE SYMPHONY |
|
LUCY LARCOM: |
| THE SINKING OF THE MERRIMAC [MAY 10, 1862] |
|
PHILIP LARKIN: |
| AN ARUNDEL TOMB |
|
| AUBADE |
|
| CHURCH GOING |
|
| HIGH WINDOWS |
|
| MR. BLEANEY |
|
| MYXOMATOSIS |
|
| TALKING IN BED |
|
| THE EXPLOSION |
|
| THE NORTH SHIP |
|
| THE WHITSUN WEDDINGS |
|
JAMES LAUGHLIN: |
| AKHMATOVA'S MUSE |
|
| AN ANGINAL EQUIVALENT |
|
| IN ANOTHER COUNTRY |
|
| MY AMBITION |
|
| THE SHAMEFUL PROFESSION |
|
THOMAS LAVELLE: |
| THE COUNTY OF MAYO |
|
EMILY LAWLESS: |
| AFTER AUGHRIM |
|
| AN EXILE'S MOTHER |
|
DAVID HERBERT LAWRENCE: |
| BAVARIAN GENTIANS |
|
| PIANO |
|
| SNAKE |
|
| THE SHIP OF DEATH |
|
EMMA LAZARUS: |
| THE NEW COLOSSUS |
|
MARY LEAPOR: |
| AN EPISTLE TO A LADY |
|
| AN ESSAY ON WOMAN |
|
| MAN THE MONARCH |
|
EDWARD LEAR: |
| THE OWL AND THE PUSSY CAT |
|
CHARLES MARIE RENE LECONTE DE LISLE: |
| A FESTIVAL |
|
| AFTER A THOUSAND YEARS |
|
| BLACK PANTHER |
|
| CAMEO |
|
| HIALMAR SPEAKS TO THE RAVEN |
|
| HIALMAR'S HEART |
|
| JAGUAR'S DREAM |
|
| MANCHY |
|
| NIGHT |
|
| NOON |
|
| SPRING |
|
| THE ELVES |
|
| THE LION'S DEATH |
|
| THE RAVINE OF SAINT-GILLES |
|
| THE SHOWMEN |
|
| THE SUPREME CONSUMATIN |
|
| TRE FILA D'ORO |
|
FRANCIS LEDWIDGE: |
| A LITTLE BOY IN THE MORNING |
|
| JUNE |
|
| LAMENT FOR THE POETS: 1916 |
|
| SOLILOQUY |
|
| THE DEAD KINGS |
|
| TO ONE DEAD |
|
DAVID LEHMAN: |
| WITH TENURE |
|
GIACOMO LEOPARDI: |
| TO HIMSELF |
|
DENISE LEVERTOV: |
| ABOUT MARRIAGE |
|
| ADVENT 1966 |
|
| AT THE JUSTICE DEPARTMENT NOVEMBER 15, 1969 |
|
| CAEDMON |
|
| CLARITAS |
|
| GOODBYE TO TOLERANCE |
|
| PEOPLE AT NIGHT (DERIVED FROM RILKE) |
|
| PRAYER FOR REVOLUTIONARY LOVE |
|
| PRISONERS |
|
| PSALM PRAISING THE HAIR OF MAN'S BODY |
|
| THE CRACK |
|
| THE ILLUSTRATION?ÇÖA FOOTNOTE |
|
| THE WEALTH OF THE DESTITUTE |
|
| THE WELL |
|
| TO R.D., MARCH 4TH 1988 |
|
PHILIP LEVINE: |
| AN ABANDONED FACTORY, DETROIT |
|
| AN ORDINARY MORNING |
|
| ANIMALS ARE PASSING FROM OUR LIVES |
|
| BABY VILLON |
|
| BELLE ISLE, 1949 |
|
| COMING HOME, DETROIT, 1968 |
|
| DETROIT, TOMORROW |
|
| M. DEGAS TEACHES ART & SCIENCE AT DURFEE INTERMEDIATE SCHOOL, DETROIT 1942 |
|
| MERCY |
|
| ON THE MEETING OF GARCIA LORCA AND HART CRANE |
|
| THE DEATH OF SAUL |
|
| THE SIMPLE TRUTH |
|
| THE SWEETNESS OF BOBBY HEFKA |
|
| THEY FEED THEY LION |
|
| WHAT WORK IS |
|
| YOU CAN HAVE IT |
|
| ZAYDEE |
|
LARRY LEVIS: |
| READINGS IN FRENCH |
|
LI PO: |
| THE RIVER-MERCHANT'S WIFE: A LETTER |
|
ANNE LINDSAY: |
| AULD ROBIN GRAY |
|
NICHOLAS VACHEL LINDSAY: |
| THE KNIGHT IN DISGUISE |
|
DOROTHY LIVESAY: |
| FOR FEDERICO GARCIA LORCA |
|
JOHN GIBSON LOCKHART: |
| BROADSWORDS OF SCOTLAND |
|
| CAPTAIN PATON'S LAMENT |
|
JOHN LOGAN (1748-1788): |
| THE BRAES OF YARROW |
|
HENRY WADSWORTH LONGFELLOW: |
| A PSALM OF LIFE |
|
| MY LOST YOUTH |
|
| TALES OF A WAYSIDE INN: THE FIRST DAY: PAUL REVERE'S RIDE [APRIL 1775] |
|
| TALES OF A WAYSIDE INN: THE FIRST DAY: ROBERT OF SICILY |
|
| THE ARROW AND THE SONG |
|
| THE CHILDREN'S HOUR |
|
| THE SONG OF HIAWATHA: INTRODUCTION |
|
| THE VILLAGE BLACKSMITH |
|
MICHAEL LONGLEY: |
| EMILY DICKINSON |
|
FELIX LOPE DE VEGA CARPIO: |
| O NAVIS |
|
| THE GOOD SHEPHERD |
|
| TOMORROW |
|
| WHISPERING PALMS |
|
AUDRE LORDE: |
| A SONG FOR MANY MOVEMENTS |
|
| A WOMAN SPEAKS |
|
| AFTERIMAGES |
|
| AMERICAN CANCER SOCIETY OR THERE IS MORE THAN ONE WAY |
|
| AND WHAT ABOUT THE CHILDREN |
|
| AS I GROW UP AGAIN |
|
| BALLAD FROM CHILDHOOD |
|
| BARREN |
|
| BEES |
|
| BIRTHDAY MEMORIAL TO SEVENTH STREET |
|
| BLACK MOTHER WOMAN |
|
| BLACKSTUDIES |
|
| BLOODBIRTH |
|
| BRIDGE THROUGH MY WINDOWS |
|
| BROTHER ALVIN |
|
| BROWN MENACE OR POEM TO THE SURVIVAL OF ROACHES |
|
| CABLES TO RAGE OR I'VE BEEN TALKING ON THIS STREET CORNER |
|
| CHANGE OF SEASON |
|
| COAL |
|
| CONCLUSION |
|
| CONIAGUI WOMEN |
|
| CONVERSATION IN CRISIS |
|
| DEAR TONI INSTEAD OF A LETTER OF CONGRATULATION ON BOOK |
|
| DOZENS |
|
| DREAMS BITE |
|
| ECHO |
|
| EQUINOX |
|
| ETHIOPIA |
|
| EVENING NEWS |
|
| FAMILY RESEMBLANCE |
|
| FANTASY AND CONVERSATION |
|
| FATHER SON AND HOLY GHOST |
|
| FATHER THE YEAR HAS FALLEN |
|
| FOR EACH OF YOU |
|
| FROM THE HOUSE OF YEMANJA |
|
| GEMINI |
|
| GENERATION |
|
| GENERATION II |
|
| GOOD MIRRORS ARE NOT CHEAP |
|
| HANGING FIRE |
|
| HARD LOVE ROCK |
|
| HARD LOVE ROCK #II |
|
| HARRIET |
|
| IF YOU COULD COME SOFTLY |
|
| INHERITANCE -- HIS |
|
| KEYFOOD |
|
| KITCHEN LINOLEUM |
|
| LOVE POEM |
|
| LOVE, MAYBE |
|
| MAIDEN |
|
| MAKING LOVE TO CONCRETE |
|
| MARTHA |
|
| MEMORIAL I |
|
| MEMORIAL II |
|
| MENTOR |
|
| MOVEMENT SONG |
|
| MOVING OUT OR THE END OF COOPERATIVE LIVING |
|
| MY FIFTH TRIP TO WASHINGTON ENDED IN NORTHEAST DELAWARE |
|
| NEIGHBORS |
|
| NEVER TO DREAM OF SPIDERS |
|
| NEW YEAR'S DAY |
|
| NEW YORK CITY 1970 |
|
| NOW |
|
| NOW THAT I AM FOREVER WITH CHILD |
|
| OAXACA |
|
| OCTOBER |
|
| OYA |
|
| PIROUETTE (1) |
|
| POEM FOR WOMEN IN RAGE |
|
| PROGRESS REPORT |
|
| QUESTION OF CLIMATE |
|
| RECREATION |
|
| RELEASE TIME |
|
| RELEVANT IS DIFFERENT POINTS ON THE CIRCLE |
|
| RETURN |
|
| RITES OF PASSAGE; TO MLK JR. |
|
| ROOMING HOUSES ARE OLD WOMEN |
|
| SACRIFICE |
|
| SEPARATION |
|
| SEQUELAE |
|
| SEVENTH SENSE |
|
| SEWERPLANT GROWS IN HARLEM OR I'M A STRANGER HERE MYSELF |
|
| SIGNS |
|
| SISTER OUTSIDER |
|
| SISTERS IN ARMS |
|
| SONG FOR A THIN SISTER |
|
| SOWING |
|
| SPRING PEOPLE |
|
| STORY BOOKS ON A KITCHEN TABLE (1976) |
|
| SUFFER THE CHILDREN |
|
| SUMMER ORACLE |
|
| SUSPENSION |
|
| TEACHER |
|
| THE BLACK UNICORN |
|
| THE DAY THEY EULOGIZED MAHALIA |
|
| THE ELECTRIC SLIDE BOOGIE |
|
| TO MY DAUGHTER THE JUNKIE ON A TRAIN |
|
| TO THE GIRL WHO LIVES IN A TREE |
|
| TO THE POET WHO HAPPENS TO BE BLACK AND THE BLACK POET WHO HAPPENS... |
|
| TRIP ON THE STATEN ISLAND FERRY |
|
| VIET-NAM ADDENDA |
|
| VISIT TO A CITY OUT OF TIME |
|
| WHAT MY CHILD LEARNS OF THE SEA |
|
| WHEN THE SAINTS COME MARCHING IN |
|
| WHO SAID IT WAS SIMPLE |
|
| WINDS OF ORISHA |
|
| WOMAN THING |
|
| WOMAN/DIRGE FOR WASTED CHILDREN (1978) |
|
| WORKERS ROSE ON MAY DAY OR POSTSCRIPT TO KARL MARX |
|
| ZA KI TAN KE PARLAY LOT |
|
RICHARD LOVELACE: |
| CALLING LUCASTA FROM HER RETIREMENT |
|
| THE GRASSHOPPER; TO MY NOBLE FRIEND MR. CHARLES COTTON |
|
| THE ROSE |
|
| THE SCRUTINY; SONG |
|
| TO ALTHEA, FROM PRISON |
|
| TO CHLOE, COURTING HER FOR HIS FRIEND |
|
| TO LUCASTA, FROM PRISON |
|
| TO LUCASTA, [ON] GOING BEYOND THE SEAS |
|
| TO LUCASTA, [ON] GOING TO THE WARS |
|
SAMUEL LOVER: |
| CROOKED STICK |
|
| FATHER LAND AND MOTHER TONGUE |
|
| FATHER MOLLOY; OR, THE CONFESSION |
|
| FATHER ROACH |
|
| QUAKER'S MEETING |
|
| RORY O'MORE; OR, ALL FOR GOOD LUCK |
|
| THE BIRTH OF SAINT PATRICK |
|
| WIDOW MACHREE |
|
AMY LOWELL: |
| A DECADE |
|
| DECADE |
|
| MADONNA OF THE EVENING FLOWERS |
|
| PATTERNS |
|
| THE LETTER |
|
| THE PLEIADES |
|
JAMES RUSSELL LOWELL: |
| COMMEMORATION ODE READ AT HARVARD UNIVERSITY |
|
| THE BIGLOW PAPERS. 2D SERIES. THE COURTIN' |
|
| THE ORIGIN OF DIDACTIC POETRY |
|
| THE PRESENT CRISIS |
|
| THE VISION OF SIR LAUNFAL |
|
| UNDER THE OLD ELM; READ AT CAMBRIDGE ON 100TH ANNIVERSAY ... |
|
ROBERT LOWELL: |
| BEYOND THE ALPS (ON THE TRAIN FROM ROME TO PARIS, 1950) |
|
| EPILOGUE |
|
| EZRA POUND |
|
| FOR THE UNION DEAD |
|
| HOME AFTER THREE MONTHS AWAY |
|
| MY LAST AFTERNOON WITH UNCLE DEVEREUX WINSLOW |
|
| SKUNK HOUR; FOR ELIZABETH BISHOP |
|
| THE QUAKER GRAVEYARD IN NANTUCKET |
|
MINA LOY: |
| APOLOGY OF A GENIUS |
|
| BRANCUSI'S GOLDEN BIRD |
|
| DER BLINDE JUNGE |
|
| GERTRUDE STEIN |
|
| LUNAR BAEDEKER |
|
| PARTURITION |
|
| STARRY SKY OF WYNDHAM LEWIS |
|
| VIRGINS PLUS CURTAINS MINUS DOTS |
|
THOMAS LYLE: |
| KELVIN GROVE |
|
DAVID LYNDSAY: |
| ANE SATIRE OF THE THREE ESTAITIS: OPPRESSION BETRAYS THEFT |
|
| PROLOG TO THE DREME |
|
| THE HOPE OF IMMORTALITY |
|
| THE TESTAMENT AND COMPLAYNT OF THE PAPINGO, SELECTION |
|
GEORGE MACDONALD: |
| A BOOK OF DREAMS |
|
| A MEMORIAL OF AFRICA |
|
| GENERAL GORDON |
|
| LEGEND OF THE CORRIEVRECHAN |
|
| LIGHT |
|
| MAMMON MARRIAGE |
|
| MERMAID |
|
| PHANTASIES |
|
| SIR LARK AND KING SUN; A PARABLE |
|
| SONGS OF THE DAYS AND NIGHTS: SONGS OF THE AUTUMN DAYS |
|
| THE DISCIPLE |
|
| THE EARL O' QUARTERDECK |
|
| VIOLIN SONGS: HOPE DEFERRED |
|
| WAESOME CARL |
|
| WITHIN AND WITHOUT |
|
RONALD CAMPBELL MACFIE: |
| DYING DAY OF DEATH |
|
| IN MEMORIAM: JOHN DAVIDSON |
|
ANTONIO MACHADO RUIZ: |
| CHILDHOOD MEMORY |
|
| IF I WERE A POET |
|
| IN OUR SOULS EVERYTHING |
|
| LAND OF ALVARGONZALEZ |
|
| LAND OF ALVARGONZALEZ: EARTH |
|
| LAND OF ALVARGONZALEZ: OTHER DAYS |
|
| LAND OF ALVARGONZALEZ: PUNISHMENT |
|
| LAND OF ALVARGONZALEZ: THE HOUSE |
|
| LAND OF ALVARGONZALEZ: THE RETURNED EMIGRANT |
|
| LAND OF ALVARGONZALEZ: THE TRAVELER |
|
| PERHAPS THE HAND IN DREAMING |
|
| PROVERBS AND TINY SONGS: 7 |
|
| SPANISH FOLK SONG |
|
| TORN CLOUD, THE RAINBOW |
|
| TRANQUIL AFTERNOON, ALMOST |
|
DONALD A. MACKENZIE: |
| BLUE MEN OF THE MINCH |
|
ARCHIBALD MACLEISH: |
| ARS POETICA |
|
| CONQUISTADOR: PROLOGUE |
|
| EINSTEIN |
|
| SOME ASPECTS OF IMMORTALITY |
|
| THE SNOWFLAKE WHICH IS NOW AND HENCE FOREVER |
|
| THE YOUNG DEAD SOLDIERS |
|
| YOU, ANDREW MARVELL |
|
FREDERICK LOUIS MACNEICE: |
| AUTOBIOGRAPHY |
|
| BAGPIPE MUSIC |
|
| BROTHER FIRE |
|
| DUBLIN |
|
| JUNE THUNDER |
|
| MEETING-POINT |
|
| PRAYER BEFORE BIRTH |
|
| SNOW |
|
| SOAP SUDS |
|
| STAR-GAZER |
|
| SUNDAY MORNING |
|
| THE BRITISH MUSEUM READING ROOM |
|
HECTOR MACNEILL: |
| COME UNDER MY PLAIDIE |
|
JAMES MACPHERSON: |
| OSSIAN'S SONG OF SORROW |
|
NAOMI LONG (WITHERSPOON) MADGETT: |
| BLACK WOMAN |
|
| HER STORY |
|
| THE SUN DO MOVE' |
|
WILLIAM KIRKPATRICK MAGEE: |
| ACCEPTATION |
|
RICHARD MAITLAND: |
| AGAINST [OR, AGANIS] THE THIEVES OF LIDDESDALE |
|
| SATIRE ON THE TOUN LADIES |
|
STEPHANE MALLARME: |
| A FRAGMENT |
|
| A THROW OF THE DICE NEVER WILL ABOLISH CHANCE |
|
| AFTERNOON OF A FAUN: ECLOGUE |
|
| ANGUISH |
|
| APPARITION |
|
| AT GAUTIER'S GRAVE |
|
| BESTOWAL OF THE POEM |
|
| CHARLES BAUDELAIRE'S TOMB |
|
| FUTILE PETITION |
|
| HERODIADE |
|
| HYMN FOR DES ESSEINTES |
|
| LINES |
|
| LITTLE AIR: 1 |
|
| LITTLE AIR: 2 |
|
| NEGRESS |
|
| OLD-CLOTHES WOMAN |
|
| SAINT |
|
| SEA BREEZE |
|
| SIGH |
|
| SONNET |
|
| SUMMER SADNESS |
|
| THE AFTERNOON OF A FAUN |
|
| THE AZURE |
|
| THE CHASTENED CLOWN |
|
| THE TOMB OF EDGAR POE |
|
| TOAST |
|
| TOMB (OF PAUL VERLAINE) |
|
| WIND FROM THE SEA |
|
| WINDOWS (VERSION A) |
|
DAVID MALLET: |
| EDWIN AND EMMA |
|
| WILLIAM AND MARGARET |
|
OSIP EMILYEVICH MANDELSTAM: |
| 385 |
|
| AGE |
|
| BATYUSHKOV |
|
| BREAD IS POISONED |
|
| CHARLIE CHAPLIN POEM |
|
| CONCERT AT THE STATION |
|
| FINDER OF A HORSESHOE |
|
| I DRINK TO MILITARY ASTERS, TO ALL THAT I'M CENSURED ABOUT |
|
| I HATE THE LIGHT |
|
| I MUST READ ONLY CHILDREN'S BOOKS |
|
| IMPRESSIONISM |
|
| JOYFUL CRETE |
|
| LENINGRAD |
|
| MAYBE THIS IS THE BEGINNING OF MADNESS |
|
| THE STALIN EPIGRAM |
|
| TRISTIA |
|
| WHERE CAN I HIDE IN JANUARY |
|
JAMES CLARENCE MANGAN: |
| A VISION OF CONNAUGHT IN THE THIRTEENTH CENTURY |
|
| CEAN-SALLA |
|
| DYING ENTHUSIAST TO HIS FRIEND |
|
| EXPEDITION AND DEATH OF KING DATHY |
|
| FAMINE |
|
| FUNERALS |
|
| HUNDRED-LEAFED ROSE |
|
| IRISH LANGUAGE |
|
| LAMENT OVER THE RUINS OF THE ABBEY OF TEACH MOLOGA |
|
| O MARIA, REGINA MISERICORDIAE |
|
| OUR FIRST NUMBER |
|
| SIBERIA |
|
| SOUL AND COUNTRY |
|
| THE KARAMANIAN EXILE |
|
| THE NAMELESS ONE; BALLAD |
|
| THE ONE MYSTERY |
|
| THE RUINS OF DONEGAL CASRLE |
|
| TO MY NATIVE LAND |
|
| TWENTY GOLDEN YEARS AGO |
|
| VOICE OF ENCOURAGEMENT |
|
KATHERINE MANN: |
| CHATEAU DE MONTHIERS |
|
| FROM THE VIRGINS |
|
MARGARET OF ANGOULEME: |
| DIZAIN TO CLEMENT MAROT |
|
CHRISTOPHER MARLOWE: |
| BALLAD OF FAUSTUS; JUDGMENT OF GOD SHOWED UPON JOHN FAUSTUS |
|
| EDWARD THE SECOND |
|
| HERO AND LEANDER |
|
| TAMBURLAINE THE GREAT: PART 1 |
|
| TAMBURLAINE THE GREAT: PART 2 |
|
| THE JEW OF MALTA |
|
| THE PASSIONATE SHEPHERD TO HIS LOVE |
|
| THE TRAGICAL HISTORY OF THE LIFE AND DEATH OF DOCTOR FAUSTUS |
|
CLEMENT MAROT: |
| A LOVE-LESSON |
|
| BALLADE OF A FRIAR |
|
| BALLADE OF MAYE AND VIRTUE |
|
| EPIGRAM: 85. OF THE ABBOT AND HIS VALET |
|
| MAROT'S LOVE |
|
| THE POSY RING |
|
| TO DIANE DE POITIERS |
|
| TO THE KING OF NAVARRE |
|
JOSE MARTI: |
| I DREAM AWAKE |
|
| OPPOSITE OF ORNATE AND RHETORICAL POETRY |
|
| SIMPLE VERSES: 45 |
|
ANDREW MARVELL: |
| A DROP OF DEW |
|
| A POEM UPON THE DEATH OF OLIVER CROMWELL, THE LORD PROTECTOR |
|
| AN HORATIAN ODE UPON CROMWELL'S RETURN FROM IRELAND |
|
| BERMUDAS |
|
| ON MILTON'S PARADISE LOST |
|
| THE CHARACTER OF HOLLAND |
|
| THE CORONET |
|
| THE DEFINITION OF LOVE |
|
| THE GALLERY |
|
| THE GARDEN |
|
| THE LOYAL SCOT |
|
| THE MOWER AGAINST GARDENS |
|
| THE MOWER TO THE GLOW-WORMS |
|
| THE MOWER'S SONG |
|
| THE NYMPH COMPLAINING FOR THE DEATH OF HER FAUN [OR, FAWN] |
|
| THE PICTURE OF LITTLE T.C. IN A PROSPECT OF FLOWERS |
|
| THE UNFORTUNATE LOVER |
|
| TO HIS COY MISTRESS |
|
JOHN MASEFIELD: |
| A BALLAD OF JOHN SILVER |
|
| A PRAYER FOR A BEGINNING REIGN |
|
| A PRAYER FOR THE KING'S MAJESTY |
|
| BEAUTY |
|
| CARGOES |
|
| EAST COKER |
|
| JOHN FITZGERALD KENNEDY |
|
| ON GROWING OLD |
|
| SEA-FEVER |
|
| SONNET |
|
| TEWKESBURY ROAD |
|
| THE CHOICE |
|
| THE ISLAND OF SKYROS; SONNET |
|
| THE LEMMINGS |
|
| THE SEEKERS |
|
| THE TARRY BUCCANEER |
|
| THE WEST WIND |
|
ANNIE MATHESON: |
| THOMAS CARLYLE |
|
WILLIAM MATTHEWS: |
| DRIZZLE |
|
| IN MEMORY OF W.H. AUDEN |
|
JASPER MAYNE: |
| ON DR. DONNES DEATH |
|
JOHN MAYNE: |
| HALLOWEEN |
|
JOHN LUCKEY MCCREERY: |
| THERE IS NO DEATH |
|
THOMAS D'ARCY MCGEE: |
| INFELIX FELIX |
|
| THE RIVER BOYNE |
|
PHYLLIS MCGINLEY: |
| DIDO OF TUNISIA |
|
| IN PRAISE OF DIVERSITY |
|
| LANCELOT WITH BICYCLE |
|
| LENDING LIBRARY |
|
| SPRING COMES TO THE SUBURBS |
|
| SQUEEZE PLAY |
|
WILLIAM MCGONAGALL: |
| LINES IN PRAISE OF PROFESSOR BLACKIE |
|
| THE TAY BRIDGE DISEASTER |
|
THOMAS MCGRATH: |
| A WARRANT FOR PABLO NERUDA |
|
STEPHEN MEATS: |
| SEEING MY FATHER AGAIN |
|
HERMAN MELVILLE: |
| A DIRGE FOR MCPHERSON; KILLED IN FRONT OF ATLANTA |
|
| THE BERG (A DREAM) |
|
| THE COLLEGE COLONEL |
|
| THE MALDIVE SHARK |
|
| THE PORTENT |
|
| THE RAVAGED VILLA |
|
| THE TUFT OF KELP |
|
GEORGE MEREDITH: |
| A FAITH ON TRAIL |
|
| A PREACHING FROM A SPANISH BALLAD |
|
| DIRGE IN WOODS |
|
| LOVE IN THE VALLEY (VERSION A) |
|
| THE DAY OF THE DAUGHTER OF HADES |
|
| THE LARK ASCENDING |
|
| THE NUPTIALS OF ATTILA |
|
WILLIAM MEREDITH: |
| CARRIER |
|
| CHEER |
|
| LOVE LETTER FROM AN IMPOSSIBLE LAND |
|
| THE ILLITERATE |
|
| THE WRECK OF THE THRESHER |
|
| VIEW OF THE BROOKLYN BRIDGE |
|
| WHORLS |
|
EVE MERRIAM: |
| CATCH A LITTLE RHYME |
|
| FOR A SOLDIER'S BIRTHDAY |
|
| PECULIAR |
|
JAMES INGRAM MERRILL: |
| 18 WEST 11TH STREET (HOUSE EXPLODED BY 'WEATHERMEN' .. 1970) |
|
| ANNIE HILL'S GRAVE |
|
| BLACK SWAN |
|
| DAYS OF 1935 |
|
| EDWARD LIEBERMAN, ENTREPRENEUR, FOUR YEARS AFTER THE BURNING |
|
| EPITHALAMIUM |
|
| LOST IN TRANSLATION; FOR RICHARD HOWARD |
|
| MATINEES |
|
| MIRABELL'S BOOK OF NUMBERS |
|
| TENANCY |
|
| THE BROKEN HOME |
|
| THE COUNTRY OF A THOUSAND YEARS OF PEACE |
|
| THE VICTOR DOG |
|
| THOUSAND AND SECOND NIGHT |
|
| URBAN CONVALESCENCE |
|
| VOICES FROM THE OTHER WORLD |
|
WILLIAM STANLEY MERWIN: |
| AIR |
|
| ANOTHER RIVER |
|
| ANOTHER YEAR COME |
|
| BALLAD OF JOHN CABLE AND THREE GENTLEMEN |
|
| BLIND SEER OF AMBON |
|
| CHORD |
|
| DACHAU SHOE |
|
| DECEMBER NIGHT |
|
| DO NOT DIE |
|
| DOOR (4) |
|
| DRUNK IN THE FURNACE |
|
| ECHOING LIGHT |
|
| END OF A DAY |
|
| FEAST DAY |
|
| FOR A COMING EXTINCTION |
|
| FOR THE ANNIVERSARY OF MY DEATH |
|
| FORGOTTEN STREAMS |
|
| FRANCOIS DE MAYNARD 1582-1645 |
|
| GREEN FIELDS |
|
| HISTORY |
|
| IT IS MARCH |
|
| JUST NOW |
|
| LAST ONE |
|
| LEMUEL'S BLESSING |
|
| LOSING A LANGUAGE |
|
| MY FRIENDS |
|
| NOAH'S RAVEN |
|
| ODYSSEUS; FOR GEORGE KIRSTEIN |
|
| OVERTONE |
|
| PLEA FOR A CAPTIVE |
|
| REMEMBERING |
|
| RIVER OF BEES |
|
| SEPARATION |
|
| SHIPS ARE MADE READY IN SILENCE |
|
| SMALL WOMAN ON SWALLOW STREET |
|
| SOME LAST QUESTIONS |
|
| SONG OF THREE SMILES |
|
| SOUND OF THE LIGHT |
|
| SPEED OF LIGHT |
|
| TERM |
|
| THE ASIANS DYING |
|
| THE DRUNK IN THE FURNACE |
|
| THE LAST ONE |
|
| THE STRANGER; AFTER A GUARANI LEGEND RECORDED BY ERNESTO MORALES |
|
| TO MYSELF |
|
| TO THE CONSOLATIONS OF PHILOSOPHY |
|
| VARIATION ON A LINE BY EMERSON |
|
| VEHICLES |
|
| VIXEN |
|
| WAVES IN AUGUST |
|
| WE CONTINUE |
|
| WHEN YOU GO AWAY |
|
| WHENEVER I GO THERE |
|
| WISH |
|
| YESTERDAY |
|
CHARLOTTE MEW: |
| CALL |
|
| CENOTAPH; SEPTEMBER 1919 |
|
| CHANGELING |
|
| FOREST ROAD |
|
| IN NUNHEAD CEMETERY |
|
| MADELEINE IN CHURCH |
|
| ROAD TO KERITY |
|
| THE FARMER'S BRIDE |
|
| TREES ARE DOWN |
|
ALICE MEYNELL: |
| FREE WILL |
|
| IN FEBRUARY |
|
| REFLEXIONS: 3. IN TWO POETS |
|
| RENOUNCEMENT |
|
| THE LADY POVERTY |
|
| THE SHEPHERDESS |
|
| TO A DAISY |
|
ROBERT MEZEY: |
| TO PHILIP LEVINE, ON THE DAY OF ATONEMENT |
|
EDNA ST. VINCENT MILLAY: |
| ARMENONVILLE |
|
| DIRGE WITHOUT MUSIC |
|
| ELEGY BEFORE DEATH |
|
| FIRST FIG |
|
| JUSTICE DENIED IN MASSACHUSETTS |
|
| RECUERDO |
|
| RENASCENCE |
|
| SECOND FIG |
|
| SONNET: 1 |
|
| SONNET: 11 |
|
| SONNET: 2 |
|
| SONNET: 3 |
|
| SONNET: 4 |
|
| SONNET: 41 |
|
| SONNET: 5 |
|
| THE PHILOSOPHER |
|
VASSAR MILLER: |
| END AND THE BEGINNING |
|
RICHARD ALFRED MILLIKIN: |
| THE GROVES OF BLARNEY |
|
CZESLAW MILOSZ: |
| DEDICATION |
|
JOHN MILTON: |
| ARCADES |
|
| AT A SOLEMN MUSIC |
|
| COMUS |
|
| EPITAPH ON THE ADMIRABLE DRAMATIC POET, WILLIAM SHAKESPEARE |
|
| IL PENSEROSO |
|
| L'ALLEGRO |
|
| LYCIDAS |
|
| ON HIS BEING [OR, HAVING] ARRIVED AT THE AGE OF TWENTY-THREE |
|
| ON THE MORNING OF CHRIST'S NATIVITY |
|
| ON THE NEW FORCES OF CONSCIENCE UNDER THE LONG PARLIAMENT |
|
| ON THE PLATONIC IDEA, AS IT WAS UNDERSTOOD BY ARISTOTLE |
|
| ON THE UNIVERSITY CARRIER |
|
| ON TIME |
|
| PARADISE LOST (COMPLETE) |
|
| PARADISE LOST: BOOK 1 |
|
| PARADISE REGAINED |
|
| SAMSON AGONISTES |
|
| SONNET: 10. TO THE LADY MARGARET LEY |
|
| SONNET: 11. ON THE DETRACTION FOLLOWED MY WRITING TREATISES |
|
| SONNET: 12. ON THE DETRACTION FOLLOWED MY WRITING TREATISES (2) |
|
| SONNET: 13. TO MR. H. LAWES, ON HIS AIRS |
|
| SONNET: 14. ON THE RELIGIOUS MEMORY OF CATHERINE THOMASON |
|
| SONNET: 15. TO THE LORD GENERAL FAIRFAX |
|
| SONNET: 16. TO THE LORD GENERAL CROMWELL, MAY 1652 |
|
| SONNET: 18. ON THE LATE MASSACRE IN PIEDMONT |
|
| SONNET: 19. ON HIS BLINDNESS |
|
| SONNET: 21. TO CYRIACK SKINNER |
|
| SONNET: 23. ON HIS DECEASED WIFE |
|
| SONNET: 8. WHEN THE ASSAULT WAS INTENDED TO THE CITY |
|
| SONNET: 9. TO A VIRTUOUS YOUNG LADY |
|
MOLIERE: |
| AVARICE |
|
| TO MONSIEUR DE LA MOTHE LE VAYER, UPON THE DEATH OF HIS SON |
|
ALEXANDER MONTGOMERIE: |
| ADIEU TO HIS MISTRESS |
|
| ADMONITION TO YOUNG LASSES |
|
| AWAY VANE WORLD |
|
| BANKIS OF HELICON |
|
| MAY-MORN AND CUPID, FR. THE CHERRY AND THE SLAE |
|
| THE NIGHT [NICHT] IS NEAR [NIGH] GONE |
|
| TO HENRY CONSTABLE AND HENRY KEIR |
|
| TO HIS MAISTRES |
|
JAMES MONTGOMERY: |
| ARNOLD [VON] WINKELRIED |
|
| FALLING LEAF |
|
| IN THE HOUR OF TRIAL |
|
| INDIAN MOTHER ABOUT TO DESTROY HER CHILD |
|
| MORAVIAN MISSIONS |
|
| MY COUNTRY |
|
| NATIVITY |
|
| SONNET |
|
| THE COMMON LOT |
|
| THE LUST OF GOLD |
|
| THE SOWER |
|
WILLIAM VAUGHN MOODY: |
| AN ODE IN TIME OF HESITATION |
|
| GLOUCESTER MOORS |
|
| ON A SOLDIER FALLEN IN THE PHILIPPINES |
|
| THE DAGUERREOTYPE |
|
AUGUSTUS M. MOORE: |
| A BALLADE OF BALLADE-MONGERS; AFTER THE MANNER OF VILLON OF PARIS |
|
GEORGE MACDONALD MOORE: |
| SAN JUAN |
|
MARIANNE MOORE: |
| A GRAVE |
|
| A JELLYFISH |
|
| AN OCTOPUS |
|
| BIRD-WITTED |
|
| JERBOA |
|
| MARRIAGE |
|
| NEVERTHELESS |
|
| POETRY |
|
| SILENCE |
|
| THE FISH |
|
| THE LION IN LOVE (FABLES OF LA FONTAINE, BOOK 4, 1) |
|
| THE MIND IS AN ENCHANTING THING |
|
| THE STEEPLE-JACK |
|
| TO A SNAIL |
|
| WHAT ARE YEARS? |
|
THOMAS MOORE: |
| A VISION OF PHILOSOPHY |
|
| AFTER THE BATTLE (OF AUGHRIM) |
|
| ALONE IN CROWDS TO WANDER ON |
|
| ANACREONTIC |
|
| ANACREONTIC TO A PLUMASSIER |
|
| ATALANTA |
|
| AVENGING AND BRIGHT |
|
| BELIEVE ME, IF ALL THOSE ENDEARING YOUNG CHARMS |
|
| BUT WHO SHALL SEE |
|
| CASE OF LIBEL |
|
| CORRUPTION; AN EPISTLE |
|
| DRINK OF THIS CUP |
|
| ELLEN OF ROSNA HALL |
|
| ERIN, O ERIN! |
|
| FROM THE HON. HENRY - TO LADY EMMA |
|
| GO, LET ME WEEP |
|
| HAT VS. WIG |
|
| HYMN OF A VIRGIN OF DELPHI AT THE TOMB OF HER MOTHER |
|
| INTOLERANCE; A SATIRE |
|
| LALLA ROOKH: PARADISE AND THE PERI |
|
| LALLA ROOKH: THE FIRE-WORSHIPPERS |
|
| LALLA ROOKH: THE LIGHT OF THE HARAM |
|
| LALLA ROOKH: THE VEILED PROPHET OF KHORASSAN |
|
| LINES ON THE DEATH OF SHERIDAN |
|
| LOVE AND MARRIAGE |
|
| LOVE AND REASON |
|
| MARCHIONESS DOWAGER OF D--LL; FROM BERMUDA, JANUARY, 1804 |
|
| MORALITY, A FAMILIAR EPISTLE |
|
| O THE SHAMROCK! |
|
| OH! BLAME NOT THE BARD |
|
| ON FACTOTUM NED |
|
| PETITION OF THE ORANGEMEN OF IRELAND |
|
| REASON, FOLLY AND BEAUTY |
|
| REINFORCEMENTS FOR LORD WELLINGTON |
|
| SOVEREIGN WOMAN |
|
| SWEET INNISFALLEN |
|
| THE BIRTH OF PORTRAITURE |
|
| THE GRECIAN GIRL'S DREAM OF THE BLESSED ISLANDS; TO HER LOVER |
|
| THE HARP |
|
| THE LAST ROSE OF SUMMER |
|
| THE LIGHT OF OTHER DAYS |
|
| THE MEETING OF THE WATERS |
|
| THE MINSTREL BOY |
|
| THE PHILOSOPHER ARISTIPPUS TO A LAMP WHICH WAS GIVEN HIM BY LAIS |
|
| THE RING |
|
| THE TELL-TALE LYRE |
|
| TO CARA, AFTER AN INTERVAL OF ABSENCE |
|
| TO THE BOSTON FRIGATE, ON LEAVING HALIFAX FOR ENGLAND, 1804 |
|
| TORCH OF LIBERTY |
|
| WHILE HISTORY'S MUSE |
|
THOMAS STURGE MOORE: |
| BEAUTY |
|
| BLACK AND TAN REPRAISALS |
|
| CENTAUR'S BOOTY |
|
| DANAE |
|
| HOME RULE |
|
| KINDNESS |
|
| RENASCENCE |
|
| SEA IS KIND (THE GOATHERD AND SHEPHERD) |
|
| SEA IS KIND (THE NYMPHS) |
|
THOMAS MORE: |
| A LAMENTATION OF QUEEN ELIZABETH |
|
| AN ARGUMENT |
|
| THE KISS |
|
CHRISTOPHER DARLINGTON MORLEY: |
| A CHARM; FOR OUR NEW FIREPLACE TO STOP ITS SMOKING |
|
HILDA MORLEY: |
| HANUKKAH |
|
| NEW YORK SUBWAY |
|
WILLIAM MORRIS (1834-1896): |
| A DEATH SONG |
|
| A GOOD KNIGHT IN PRISON |
|
| CHAPEL IN LYONESS |
|
| CONCERNING GEFFRAY TESTE NOIRE |
|
| DEATH OF PARIS |
|
| EARTHLY PARADISE |
|
| FOR THE BRIAR ROSE |
|
| GOLDEN WINGS |
|
| LOVE IS ENOUGH |
|
| THE BLUE CLOSET |
|
| THE DAY IS COMING |
|
| THE DEFENCE OF GUENEVERE |
|
| THE HAYSTACK IN THE FLOODS |
|
| THE MESSAGE OF THE MARCH WIND |
|
| THE TUNE OF SEVEN TOWERS |
|
| TWO RED ROSES ACROSS THE MOON |
|
| VOICE OF TOIL |
|
DARREN MORRIS: |
| WATCHING JARRELL ALMOST READ A POEM |
|
JOHN CAMERON AUDRIEU BINGHAM MORTON: |
| ANOTHER CANTO |
|
THYLIAS MOSS: |
| ACCESSIBLE HEAVEN |
|
| ALL IS NOT LOST WHEN DREAMS ARE |
|
| AN ANOINTING |
|
| BACK TO THE HYENA |
|
| BEST OF THE BODY |
|
| DEVELOPMENT OF AN ADULT NIGHTMARE |
|
| HOT TIME IN A SMALL TOWN |
|
| INTERPRETATION OF A POEM BY FROST |
|
| LESSONS FROM A MIRROR |
|
| ONE FOR ALL NEWBORNS |
|
| RAISING A HUMID FLAG |
|
| SHE'S FLORIDA MISSOURI BUT SHE WAS BORN IN VALHERMOSA |
|
| SPILLED SUGAR |
|
| THE CONTINENT OF REENA AND MARCUS' MARRIAGE |
|
| THE CULTURE OF GLASS |
|
| THE RAPTURE OF DRY ICE BURNING OFF SKIN AS THE MOMENT OF THE SOUL'S APOTHEOSIS |
|
| THE UNDERTAKER'S DAUGHTER FEELS NEGLECT |
|
| THE WRECKAGE ON THE WALL OF EGGS |
|
| THIS DID NOT HAPPEN |
|
| THOUGHTS ABOUT THE CARIBOU'S VELVET |
|
| TORNADOS |
|
WILLIAM MOTHERWELL: |
| JEANIE MORRISON |
|
| SUPERSTITION |
|
| THE BATTLE FLAG OF SIGURD |
|
| THE CAVALIER'S SONG |
|
| THE SWORD CHANT OF THORSTEIN RAUDI |
|
| THE WITCHES' JOYS |
|
| ZARA |
|
ANDREW MOTION: |
| 2000: ZERO GRAVITY |
|
| A GLASS OF WINE |
|
| ANNE FRANK HUIS |
|
| BETTER LIFE |
|
| DIVING |
|
| HOLY ISLAND |
|
| ICE |
|
| ON THE TABLE |
|
| SPARROW |
|
| THE BRITISH GALLERIES |
|
| THE CHARGE OF OF THE LIGHT BRIGADE |
|
| THE LAST CALL |
|
| THE WATER TOWER |
|
| THE YOUNGER SISTER |
|
| TO NELSON MANDELA: A TRIBUTE |
|
| VETERAN |
|
| YOU HELPED GIVE A SHAPE TO SLIPSTREAMING TIME WITH A WAVE OF YOUR HAND' |
|
JAMES MUIRHEAD: |
| BESS THE GAWKIE |
|
PAUL MULDOON: |
| HAY |
|
| MEETING THE BRITISH |
|
| MULES |
|
| YARROW |
|
ROSA MULHOLLAND: |
| A WEATHER-DREAM |
|
| DREAD |
|
| LOST BABIES |
|
| POVERTY |
|
| SISTER MARY OF THE LOVE OF GOD |
|
| THE WILD GEESE |
|
NEIL MUNRO: |
| FIDDLE |
|
| TO EXILES |
|
CHARLES MURRAY: |
| THE WHISTLE |
|
GEORGE+(1) MURRAY: |
| AULD KIRK OF SCOTLAND |
|
JOHN FISHER MURRAY: |
| TO THE MEMORY OF THOMAS DAVIS |
|
ROBERT FULLER MURRAY: |
| ANDREW M'CRIE |
|
ALFRED DE MUSSET: |
| A DEAD WOMAN |
|
| BALLAD TO THE MOON |
|
| CONSOLATION |
|
| COQUETRY |
|
| DEJECTION |
|
| FORGET ME NOT |
|
| FORTUNIO'S SONG |
|
| JUANA |
|
| MY NEIGHBOUR'S CURTAINS |
|
| ON A DEAD GIRL |
|
| REMEMBRANCE |
|
| SONNET |
|
| THE DEATH OF ROLLA |
|
| THE MUSE'S WOOING |
|
| TO NINON |
|
EILEEN MYLES: |
| CHOKE |
|
| FIFTY-THREE |
|
| JOAN |
|
| MILK |
|
| MOVIE |
|
| PEANUT BUTTER |
|
| ROTTING SYMBOLS |
|
| SMILE |
|
| SNAKES |
|
| THE HONEY BEAR |
|
| TWILIGHT TRAIN |
|
| WATERFALL |
|
| WILLIAM DAWES |
|
| WORST SEAT IN THE HOUSE |
|
CONSTANCE CAROLINE WOODHILL NADEN: |
| SONNET: ANDREW MARVELL'S 'DEFINITION OF LOVE' |
|
SAROJINI NAIDU: |
| A CHALLENGE TO FATE |
|
| AN ANTHEM OF LOVE |
|
| CHAMPAK BLOSSOMS |
|
| IN REMEMBRANCE (VIOLET CLARKE - DIED MARCH 21, 1909) |
|
| POET TO DEATH |
|
| THE CALL OF SPRING |
|
| VASANT PANCHAMI (LILAVATI'S LAMENT AT THE FEAST OF SPRING) |
|
CAROLINA OLIPHANT NAIRNE: |
| CALLER HERRIN' |
|
| CHARLIE IS MY DARLING |
|
| HEAVENWARD |
|
| HUNDRED PIPERS |
|
| JOHN TOD |
|
| THE AULD HOUSE |
|
| THE LAIRD O' COCKPEN |
|
| THE LAND O' THE LEAL |
|
| THE PLOUGHMAN |
|
| THE ROWAN TREE |
|
| WHA'LL BE KING BUT CHARLIE? |
|
| WILL YE NO COME BACK AGAIN? |
|
OGDEN NASH: |
| ADVENTURES OF ISABEL |
|
| CELERY |
|
| COLUMBUS |
|
| GERM |
|
| INTROSPECTIVE REFLECTION |
|
| KIND OF AN ODE TO DUTY |
|
| LAMA |
|
| MARRIAGE: A WORD TO HUSBANDS |
|
| PEOPLE UPSTAIRS |
|
| PURIST |
|
| REFLECTIONS ON ICE-BREAKING |
|
| SONG OF THE OPEN ROAD |
|
| THE COW |
|
| THE OCTOPUS |
|
| THE PANTHER |
|
| THIS IS GOING TO HURT JUST A LITTLE BIT |
|
THOMAS NASHE: |
| SUMMER'S LAST WILL AND TESTAMENT: SPRING |
|
CHARLES NEAVES: |
| HOW TO MAKE A NOVEL |
|
| STUART MILL ON MIND AND MATTER |
|
MARILYN NELSON: |
| CANTICLE FOR ABBA JACOB |
|
| DIVERNE'S HOUSE |
|
| EMILY DICKINSON'S DEFUNCT |
|
| FORTUNATE SPILL |
|
| INTERMEZZO |
|
| JUNETEENTH |
|
| MINOR MIRACLE |
|
| SOLITUDE IN SOWETO |
|
| STRANGE BEAUTIFUL WOMAN |
|
HOWARD NEMEROV: |
| A PRIMER OF THE DAILY ROUND |
|
| BECAUSE YOU ASKED ABOUT THE LINE BETWEEN PROSE AND POETRY |
|
| CONSENT |
|
| GUIDE TO THE RUINS |
|
| LEARNING BY DOING |
|
| THE BLUE SWALLOWS |
|
| THE GOOSE FISH |
|
| THE VACUUM |
|
| THE WAR IN THE AIR |
|
EDITH BLAND NESBIT: |
| INVOCATION |
|
| SLEEP, MY TREASURE |
|
| ST. VALENTINE'S DAY |
|
AGOSTINHO NETO: |
| AFRICAN POEM |
|
| GRIEVED LANDS |
|
JOHN NEWTON: |
| FAITH'S REVIEW AND EXPECTATION |
|
| THE NAME OF JESUS |
|
THICH NHAT-HANH: |
| CONDEMNATION |
|
JOHN NICHOL: |
| CONTRASTS |
|
| LOVE ENDURES |
|
| MARE MEDITERRANEAN |
|
| THE CORNISH COAST |
|
ALEXANDER NICHOLSON: |
| SKYE |
|
JAMES NICOL: |
| WHERE QUAIR RINS SWEET AMANG THE FLOWERS |
|
ALEXANDER NICOLSON: |
| RUSH TO THE BAR |
|
FRIEDRICH WILHELM NIETZSCHE: |
| THUS SPAKE ZARATHUSTRA: NOTES |
|
JOHN FREDERICK NIMS: |
| ISAIAH'S COAL |
|
| ISHTAR |
|
| LOVE POEM |
|
| NATIONE NON MORIBUS (1265-1321) |
|
| OCCASIONS OF GRACE AT A POETRY READING |
|
| VERSE TRANSLATOR |
|
ANNA ELISABETH MATHIEU DE NOAILLES: |
| I FIGHT AGAINST YOU |
|
| I WRITE TO TELL |
|
| IT WILL BE LIGHT THIS EVENING |
|
| REGRETS |
|
| THE KISS |
|
ALICE NOTLEY: |
| ...I THOUGHT SHE WAS GOING TO BE A GHOST STORY |
|
| APRIL NOT AN INVENTORY BUT A BLIZZARD |
|
| DARK THOUGHT |
|
| HOW SPRING COMES |
|
| I THE PEOPLE |
|
| JACK WOULD SPEAK THROUGH THE IMPERFECT MEDIUM OF ALICE |
|
| LADY POVERTY |
|
| LANA TURNER AT VERSAILLES |
|
| MACHO DAISY DUCK |
|
ALFRED NOYES: |
| THE HIGHWAYMAN |
|
NAOMI SHIHAB NYE: |
| ARABIC COFFEE |
|
| BURNING |
|
| CROSS THAT LINE |
|
| DIFFERENT WAYS TO PRAY |
|
| FAMOUS |
|
| GATE A-4 |
|
| JERUSALEM (1) |
|
| KINDNESS |
|
| ONE BOY TOLD ME |
|
| PAKISTAN WITH OPEN ARMS |
|
| RED BROCADE |
|
| THE ART OF DISAPPEARING |
|
FRANK O'HARA (1926-1966): |
| POEM (TO JAMES SCHUYLER) |
|
| THE DAY LADY DIED |
|
ELLEN O'LEARY: |
| TO GOD AND IRELAND TRUE |
|
EGAN O'RAHILLY: |
| LAMENT FOR BANBA |
|
WILLIAM HENRY OGILVIE: |
| CALL TO THE COW PONIES |
|
| GOODBYE, AUSTRALIANS |
|
| ON A ROMAN HELMET |
|
| RAIDERS |
|
| THE DEATH OF BEN HALL |
|
| THE LAST MUSTER |
|
BULAT OKUJAVA: |
| FRANCOIS VILLON |
|
SHARON OLDS: |
| I GO BACK TO MAY 1937 |
|
| SEX WITHOUT LOVE |
|
| THE SUMMER-CANP BUS PULLS AWAY FROM THE CURB |
|
THE YOUNGER CAROLINE OLIPHANT: |
| OH, NEVER! NO, NEVER! |
|
MARY OLIVER: |
| A DREAM OF TREES |
|
| A LETTER FROM HOME |
|
| A VISITOR |
|
| AT BLACK RIVER |
|
| AT BLACKWATER POND |
|
| AT GREAT POND |
|
| AUGUST |
|
| AUNT LEAF |
|
| BEYOND THE SNOW BELT |
|
| BLACK OAKS |
|
| BLOSSOM |
|
| BUDDHA'S LAST INSTRUCTION |
|
| CATBIRD |
|
| COLD POEM |
|
| DAISIES |
|
| DOGFISH |
|
| EGRETS |
|
| FAMILY |
|
| FINCHES |
|
| FISH |
|
| FLARE |
|
| FOXES IN WINTER |
|
| GANNETS |
|
| HAPPINESS |
|
| HAVE YOU EVER TRIED TO ENTER THE LONG BLACK BRANCHES |
|
| HONEY AT THE TABLE |
|
| HUMMINGBIRD PAUSES AT THE TRUMPET VINE |
|
| HUMPBACKS |
|
| IN BLACKWATER WOODS |
|
| KNIFE |
|
| KOOKABURRAS |
|
| LILIES |
|
| LITTLE OWL WHO LIVES IN THE ORCHARD |
|
| LITTLE SUMMER POEM TOUCHING THE SUBJECT OF FAITH |
|
| MARENGO |
|
| MEETING |
|
| MOCCASIN FLOWERS |
|
| MORNING |
|
| MORNING GLORIES |
|
| MORNING POEM |
|
| MUSHROOMS |
|
| NEXT TIME |
|
| ON WINTER'S MARGIN |
|
| PEONIES |
|
| PICKING BLUEBERRIES, AUSTERLITZ, NEW YORK, 1957 |
|
| POEM |
|
| RAPTURE |
|
| SAND DABS, FIVE |
|
| SKUNK CABBAGE |
|
| SLEEPING IN THE FOREST |
|
| SONG OF THE BUILDERS |
|
| STANLEY KUNITZ |
|
| STARLINGS IN WINTER |
|
| SUNRISE |
|
| THAT SWEET FLUTE JOHN CLARE |
|
| THE CHANCE TO LOVE EVERYTHING |
|
| THE JOURNEY |
|
| THE KINGFISHER |
|
| THE MOTHS |
|
| THE SUMMER DAY |
|
| THE SUN |
|
| THE SWAN |
|
| TRURO BEAR |
|
| TURTLE |
|
| TWO KINDS OF DELIVERANCE |
|
| WALKING TO OAK-HEAD POND, AND THINKING OF THE PONDS I WILL VISIT IN THE NEXT DAYS AND WEEKS |
|
| WHEN DEATH COMES |
|
| WHERE DOES THE DANCE BEGIN, WHERE DOES IT END? |
|
| WHITE NIGHT |
|
| WHITE-EYES |
|
| WHY I WAKE EARLY |
|
| WILD GEESE |
|
| WRITING POEMS |
|
| YES! NO! |
|
MICHAEL ONDAATJE: |
| BEARHUG |
|
| ELIZABETH |
|
| LIGHT |
|
| THE CINNAMON PEELER |
|
| THE FIRST RULE OF SINHALESE ARCHITECTURE |
|
| THE GREAT TREE |
|
| THE SIYABASLAKARA |
|
| THE TIME AROUND SCARS |
|
| TO A SAD DAUGHTER |
|
| TO ANURADHAPURA |
|
GEORGE OPPEN: |
| ANNIVERSARY POEM |
|
| EXODUS |
|
| FROM A PHOTOGRAPH |
|
| IF IT ALL WENT UP IN SMOKE |
|
| IMAGE OF THE ENGINE |
|
| MYTH OF THE BLAZE |
|
| POPULIST |
|
| PSALM |
|
| RETURN |
|
| SOME SAN FRANCISCO POEMS: 3 |
|
| SONG, THE WINDS OF DOWNHILL |
|
| THE FORMS OF LOVE |
|
| TIME OF THE MISSILE |
|
| TOWN, A TOWN |
|
| VULCAN |
|
| WHO SHALL DOUBT |
|
JOEL OPPENHEIMER: |
| FOR LOUIS ZUKOFSKY 1904-1978 |
|
GEORGE OUTRAM: |
| FRAGMENT |
|
| THE ANNUITY |
|
WILFRED OWEN: |
| ANTHEM FOR DOOMED YOUTH |
|
| DULCE ET DECORUM EST |
|
| STRANGE MEETING |
|
| THE END |
|
PALMER. MICHAEL: |
| TOMB OF BAUDELAIRE |
|
JOHN PARK: |
| WHERE GADIE RINS |
|
THOMAS PARNELL: |
| A NIGHT-PIECE ON DEATH |
|
| ALLEGORY ON MAN |
|
| BOOKWORM |
|
| HEALTH: AN ECLOGUE |
|
| ON A LADY WITH FOUL BREATH |
|
| THE HERMIT |
|
| TO MR. POPE |
|
LINDA PASTAN: |
| EMILY DICKINSON |
|
BORIS LEONIDOVICH PASTERNAK: |
| DEFINITION OF CREATIVENESS |
|
| DO NOT TOUCH |
|
| DROWSY GARDEN |
|
| IMPROVISATION |
|
| IN EVERYTHING I SEEK TO GRASP |
|
| NOBEL PRIZE |
|
| ON EARLY TRAINS |
|
| OUT OF SUPERSTITION |
|
| SUMMER DAY |
|
| THE PROXY |
|
| TO A FRIEND |
|
| WAVES: 1 |
|
| WE'RE FEW |
|
JOSEPH NOEL PATON: |
| THE LAST OF THE EURYDICE |
|
| THERE IS A WAIL IN THE WIND TONIGHT |
|
| TIMOR MORTIS CONTURBAT ME |
|
THOMAS PATTISON: |
| ISLESMAN'S HOME |
|
OCTAVIO PAZ: |
| ACROSS [A TRAVES] |
|
| ALONG GALEANA STREET [POR LA CALLE DE GALEANA] |
|
| AS ONE LISTENS TO THE RAIN |
|
| AXIS [EJE] |
|
| BETWEEN GOING AND STAYING |
|
| BETWEEN WHAT I SEE AND WHAT I SAY |
|
| BEYOND LOVE |
|
| BRIDGE [EL PUENTE] |
|
| BROTHERHOOD [HERMANDAD] |
|
| COSANTE |
|
| COUNTERPARTS |
|
| DAWN [MADRUGADA] |
|
| FLAME, SPEECH |
|
| FOR THE PAINTER SWAMINATHAN [AL PINTOR SWAMINATHAN] |
|
| GOLDEN LOTUSES: 2 |
|
| KEY OF WATER |
|
| LAKE |
|
| LIGHTNING AT REST |
|
| MOTION |
|
| NIGHTFALL [UN ANOCHECER] |
|
| OBJECTS & APPARITIONS [OBJETOS Y APARICIONES] |
|
| PASSAGE; |
|
| PROEM |
|
| SUMMIT AND GRAVITY |
|
| TOUCH [PALPAR] |
|
| TWO BODIES |
|
| USTICA |
|
| WHERE WITHOUT A WHO [DONDE SIN QUIEN] |
|
MOLLY PEACOCK: |
| A HOT DAY IN AGRIGENTO |
|
| LIFE OF LEON BONVIN |
|
| SAY YOU LOVE ME |
|
| THE HAPPY DIARY |
|
| VOGUE VISTA |
|
THOMAS LOVE PEACOCK: |
| LOVE AND AGE |
|
WILLIAM ALEXANDER PERCY: |
| AN EPISTLE FROM CORINTH |
|
| FARMERS |
|
| LONGING |
|
| PHAON IN HADES |
|
| THE LOST HERITAGE |
|
| THE QUESTION |
|
PETRARCH: |
| SONNETS TO LAURA IN LIFE: 109 |
|
| SONNETS TO LAURA IN LIFE: 156 |
|
KATHERINE PHILIPS: |
| A COUNTRY LIFE |
|
| ON ROSANIA'S APOSTASY, AND LUCASIA'S FRIENDSHIP |
|
| ON THE NUMEROUS ACCESSE OF THE ENGLISH TO WAITE |
|
| TO MY ANTENOR, MARCH 16, 1661/2 |
|
PHILOSTRATUS: |
| SONG: TO CELIA |
|
MARGE PIERCY: |
| A WORK OF ARTIFACE |
|
| ATTACK OF THE SQUASH PEOPLE |
|
| BARBIE DOLL |
|
| COMMON LIVING DIRT |
|
| FOR THE YOUNG WHO WANT TO |
|
| INTERSPECIES |
|
| LOVING THE CRONE |
|
| RETURNING TO THE CEMETERY IN THE OLD PRAGUE GHETTO |
|
| SEXUAL SELECTION AMONG BIRDS |
|
| THE ART OF BLESSING THE DAY |
|
| THE CHUPPAH |
|
| THE SECRETARY CHANT |
|
| TO BE OF USE |
|
| TO HAVE WITHOUT HOLDING |
|
| TRAVELING DREAM |
|
| WHAT ARE BIG GIRLS MADE OF? |
|
| WHAT'S THAT SMELL IN THE KITCHEN |
|
| YOUR FATHER'S FOURTH HEART ATTACK |
|
JOHN PIERPONT: |
| THE FUGITIVE SLAVE'S APOSTROPHE TO THE NORTH STAR |
|
| THE PILGRIM FATHERS |
|
ROBERT PINSKY: |
| 1. FLIGHT |
|
| 2. THE STARGAZERS |
|
| AN EXPLANATION OF AMERICA |
|
| AT PLEASURE BAY |
|
| BIOGRAPHY |
|
| CEREMONY FOR ANY BEGINNING |
|
| CITY ELEGIES |
|
| CITY ELEGIES: 4. STREET MUSIC |
|
| DECEMBER BLUES |
|
| DISCRETIONS OF ALCIBIADES |
|
| DOCTOR FROLIC |
|
| ESSAY ON PSYCHIATRISTS |
|
| ESSAY ON PSYCHIATRISTS: 11. THEIR PHILISTINISM CONSIDERED |
|
| ESSAY ON PSYCHIATRISTS: 12. THEIR PHILISTINISM DISMISSED |
|
| ESSAY ON PSYCHIATRISTS: 14. THEIR SPEECH, COMPARED WITH WISDOM..... |
|
| ESSAY ON PSYCHIATRISTS: 16. GENERALIZING, JUST AND UNJUST |
|
| ESSAY ON PSYCHIATRISTS: 5. PHYSICAL COMPARISON WITH PROFESSORS AND.... |
|
| ESSAY ON PSYCHIATRISTS: 6. THEIR SERIOUSNESS, WITH FURTHER |
|
| FIRST THINGS TO HAND |
|
| GINZA SAMBA |
|
| GLORY |
|
| GULF MUSIC |
|
| IMPOSSIBLE TO TELL |
|
| ISAAC LEYBUSH PERETZ |
|
| JERSEY RAIN |
|
| ODE TO MEANING |
|
| PASCHAL |
|
| POEM ABOUT PEOPLE |
|
| POEM WITH REFRAINS |
|
| SAMURAI SONG |
|
| SHIRT |
|
| SONG OF REASONS |
|
| STUPID MEDITATION ON PEACE |
|
| THE CITY DARK |
|
| THE FIGURED WHEEL |
|
| THE GREEN PIANO |
|
| THE HEARTS |
|
| THE NIGHT GAME |
|
| THE REFINERY |
|
| THE WANT BONE |
|
| TO TELEVISION |
|
| VESSEL |
|
VICTOR GUSTAVE PLARR: |
| ANAMNESIS AND NOSTALGIA; TO LIONEL JOHNSON |
|
SYLVIA PLATH: |
| A BIRTHDAY PRESENT |
|
| A LESSON IN VENGEANCE |
|
| A LIFE |
|
| A SORCERER BIDS FAREWELL TO SEEM |
|
| A WINTER SHIP |
|
| ABOVE THE OXBOW |
|
| ADMONITION |
|
| AERIALIST |
|
| AFTERMATH |
|
| ALICANTE LULLABY |
|
| ALL THE DEAD DEARS |
|
| AMNESIAC |
|
| AMONG THE NARCISSI |
|
| AN APPEARANCE |
|
| APPREHENSIONS |
|
| APRIL AUBADE |
|
| AQUATIC NOCTURNE |
|
| ARIEL |
|
| BALOONS |
|
| BARREN WOMAN |
|
| BATTLE-SCENE; FROM THE COMIC OPERATIC FANTASY THE SEAFARER |
|
| BERCK - PLAGE |
|
| BITTER STRAWBERRIES |
|
| BLACK PINE TREE IN AN ORANGE LIGHT |
|
| BLACK ROOK IN RAINY WEATHER |
|
| BLACKBERRYING |
|
| BLUE MOLES |
|
| BLUEBEARD |
|
| BRASILIA |
|
| BUCOLICS |
|
| BURNNG THE LETTERS |
|
| BY CANDELIGHT |
|
| CANDLES |
|
| CHANNEL CROSSING |
|
| CHILD |
|
| CHILD'S PARK STONES |
|
| CHILDLESS WOMAN |
|
| CINDERELLA |
|
| CONTUSION |
|
| CONVERSATION AMONG THE RUINS |
|
| CROSSING THE WATER |
|
| CRYSTAL GAZER |
|
| CUT |
|
| DADDY |
|
| DARK HOUSE |
|
| DARK WOOD, DARK WATER |
|
| DEATH & CO. |
|
| DENOUEMENT |
|
| DEPARTURE |
|
| DIALOGUE BETWEEN GHOST AND PRIEST |
|
| DIRGE FOR A JOKER |
|
| DOOM OF EXILES |
|
| DOOMSDAY |
|
| EDGE |
|
| ELECTRA ON AZALEA PATH |
|
| ELM; FOR RUTH FAINLIGHT |
|
| EVENT |
|
| FACE LIFT |
|
| FAMILY REUNION |
|
| FAUN |
|
| FEMALE AUTHOR |
|
| FEVER 103 DEGREES |
|
| FIESTA MELONS |
|
| FINISTERRE |
|
| FIRESONG |
|
| FLUTE NOTES FROM A REEDY POND |
|
| FOR A FATHERLESS SON |
|
| FROG AUTUMN |
|
| FULL FATHOM FIVE |
|
| GETTING THERE |
|
| GIGOLO |
|
| GOATSUCKER |
|
| GOLD MOUTHS CRY |
|
| GULLIVER |
|
| HARDCASTLE CRAGS |
|
| I AM VERTICAL |
|
| I WANT, I WANT |
|
| IN PLASTER |
|
| INCOMMUNICADO |
|
| INSOMNIAC |
|
| JILTED |
|
| KINDNESS |
|
| LADY LAZARUS |
|
| LAMENT |
|
| LANDOWNERS |
|
| LAST WORDS |
|
| LEAVING EARLY |
|
| LESBOS |
|
| LETTER IN NOVEMBER |
|
| LETTER TO A PURIST |
|
| LITTLE FUGUE |
|
| LORELEI |
|
| LOVE IS A PARALLAX |
|
| LOVE LETTER |
|
| LYONNESSE |
|
| MAD GIRL'S LOVE SONG |
|
| MAENAD |
|
| MAGI |
|
| MAGNOLIA SHOALS |
|
| MAN IN BLACK |
|
| MARY'S SONG |
|
| MEDALLION |
|
| METAPHORS |
|
| MIRROR |
|
| MISS DRAKE PROCEEDS TG SUPPER |
|
| MONOLOGUE AT 3 AM |
|
| MOONRISE |
|
| MORNING SONG |
|
| MUSHROOMS |
|
| MUSSEL HUNTER AT ROCK HARBOR |
|
| MYSTIC |
|
| NATURAL HISTORY |
|
| NEVER TRY TO TRICK ME WITH A KISS |
|
| NEW YEAR ON DARTMOOR |
|
| NICK AND THE CANDLESTICK |
|
| NIGHT SHIFT |
|
| NOTES TO A NEOPHYTE |
|
| ODE FOR TED |
|
| OLD LADIES' HOME |
|
| ON DECK |
|
| ON LOOKING INTO THE EYES OF A DEMON LOVE |
|
| OUIJA |
|
| OWL |
|
| PARALYTIC |
|
| PARLIAMENT HILL FIELDS |
|
| PERSEUS |
|
| PHEASANT |
|
| POEMS, POTATOES |
|
| POINT SHIRLEY |
|
| POLLY'S TREE |
|
| POPPIES IN JULY |
|
| POPPIES IN OCTOBER |
|
| PRIVATE GROUND |
|
| PROLOGUE TO SPRING |
|
| PROSPECT |
|
| PURDAH |
|
| PURSUIT |
|
| RECANTATION |
|
| RESOLVE |
|
| RHYME |
|
| SCULPTOR |
|
| SECRET! A SECRET! / HOW SUPERIOR |
|
| SHEEP IN FOG |
|
| SLEEP IN THE MOJAVE DESERT |
|
| SNAKECHARMER |
|
| SOLILOQUY OF THE SOLIPSIST |
|
| SONG FOR A SUMMER'S DAY |
|
| SONNET TO SATAN |
|
| SONNET: TO EVA |
|
| SOUTHERN SURPRISE |
|
| SOW |
|
| SPINSTER |
|
| STILLBORN |
|
| STINGS |
|
| STRUMPET SONG |
|
| SUICIDE OFF EGG ROCK |
|
| TALE OF A TUB |
|
| TERMINAL |
|
| THALIDOMIDE |
|
| THE APPLICANT |
|
| THE ARRIVAL OF THE BEE BOX |
|
| THE BABYSITTERS |
|
| THE BEAST |
|
| THE BEE MEETING |
|
| THE BEEKEEPER'S DAUGHTER |
|
| THE BULL OF BENDYLAW |
|
| THE BURNT-OUT SPA |
|
| THE COLOSSUS |
|
| THE COMPANIONABLE ILLS |
|
| THE COURIERS |
|
| THE DEAD |
|
| THE DEATH OF MYTH-MAKING |
|
| THE DISQUIETING MUSES |
|
| THE EVERLASTING MONDAY |
|
| THE EYE-MOTE |
|
| THE FEARFUL |
|
| THE GHOST'S LEAVETAKING |
|
| THE GLUTTON |
|
| THE GORING |
|
| THE GREAT CARBUNCLE |
|
| THE HANGING MAN |
|
| THE HERMIT AT OUTERMOST HOUSE |
|
| THE MANOR GARDEN |
|
| THE MOON AND THE YEW TREE |
|
| THE MUNICH MANNEQUINS |
|
| THE NIGHT DANCES |
|
| THE OTHER |
|
| THE OTHER TWO |
|
| THE QUEEN'S COMPLAINT |
|
| THE RAVAGED FACE |
|
| THE RIVAL |
|
| THE SHRIKE |
|
| THE SLEEPERS |
|
| THE STONES |
|
| THE SURGEON AT 2 A.M. |
|
| THE SWARM |
|
| THE THIN PEOP;E |
|
| THE TIMES ARE TIDY |
|
| THE TRIAL OF MAN |
|
| TO A JILTED LOVER |
|
| TO EVA DESCENDING THE STAIR |
|
| TOTEM |
|
| TOUCH-AND-GO |
|
| TULIPS |
|
| TWO CAMPERS IN CLOUD COUNTRY |
|
| TWO LOVERS AND A BEACHCMBER BY THE RED SEA |
|
| TWO SISTERS OF PERSEPHONE |
|
| TWO VIEWS OF A CADAVER ROOM: 1 |
|
| TWO VIEWS OF A CADAVER ROOM: 2 |
|
| VANITY FAIR |
|
| VERBAL CALISTHENICS |
|
| VIRGIN IN A TREE |
|
| WAKNG IN WINTER |
|
| WATERCOLOR OF GRANTCHESTER MEADOWS |
|
| WHITENESS I REMEMBER |
|
| WHITSUN |
|
| WHO |
|
| WIDOW' |
|
| WINTER LANDSCAPE, WITH ROOKS |
|
| WINTER TREES |
|
| WINTERING |
|
| WITCH BURNING |
|
| WORDS |
|
| WORDS HEARD, BY ACCIDENT, OVER THE PHONE |
|
| YADDO: THE GRAND MANOR |
|
| YADWIGHA, ON A RED COUCH, AMONG LILLIES |
|
| YEARS |
|
| YOU'RE |
|
STANLEY PLUMLY: |
| AFTER WHISTLER |
|
| AGAINST STARLINGS |
|
| AUTUMNAL |
|
| COMMELINA VIRGINICA |
|
| CONSTABLE'S CLOUDS FOR KEATS |
|
| FARRAGUT NORTH |
|
| GLENN GOULD |
|
| INFIDELITY |
|
| SUMMER CELESTIAL |
|
| WHITE BIBLE |
|
EDWARD JOHN MORETON DRAX PLUNKETT: |
| A.E. (GEORGE WILLIAM RUSSELL) |
|
PO CHU-YI: |
| A DREAM OF MOUNTAINEERING |
|
EDGAR ALLAN POE: |
| A DREAM WITHIN A DREAM |
|
| ANNABEL LEE |
|
| THE CITY IN THE SEA |
|
| THE RAVEN |
|
| TO HELEN (1) |
|
| TO HELEN (2) |
|
VASKO POPA: |
| ST. SAVA'S JOURNEY |
|
ALEXANDER POPE: |
| AN ESSAY ON CRITICISM |
|
| AN ESSAY ON MAN |
|
| ELEGY TO THE MEMORY OF AN UNFORTUNATE LADY |
|
| ELOISA TO ABELARD |
|
| EPIGRAM. OZELL'S TRANSLATION OF BOILEAU'S LUTRIN |
|
| EPISTLE TO DR. ARBUTHNOT |
|
| EPISTLE TO MISS TERESA BLOUNT, ON HER LEAVING THE TOWN |
|
| EPISTLE TO MR. JERVAS, WITH FRESNOY'S ART OF PAINTING |
|
| INSCRIPTION ON A GROTTO OF SHELLS AT CRUX-EASTON |
|
| MORAL ESSAYS: EPISTLE 1. TO RICHARD TEMPLE, VISCOUNT COBHAM |
|
| MORAL ESSAYS: EPISTLE 2. TO A LADY: OF THE CHARACTERS OF WOMEN |
|
| MORAL ESSAYS: EPISTLE 3. TO ALLEN LORD BATHURST |
|
| MORAL ESSAYS: EPISTLE 4. TO RICHARD BOYLE, EARL BURLINGTON |
|
| ODE ON SOLITUDE (FINAL PRINTED VERSION) |
|
| ON A CERTAIN LADY AT COURT |
|
| THE DUNCIAD |
|
| THE RAPE OF THE LOCK |
|
| WINDSOR FOREST |
|
EZRA POUND: |
| 1915: FEBRUARY |
|
| A BALLAD OF THE MULBERRY ROAD |
|
| A GIRL |
|
| A PACT |
|
| A SONG OF THE DEGREES |
|
| A VILLONAUD: BALLAD OF THE GIBBET |
|
| A VIRGINAL |
|
| ABU SALAMMAMM - A SONG OF EMPIRE |
|
| ADDENDUM FOR CANTO 100 |
|
| AFTER CH'U YUAN |
|
| ALBA |
|
| ALBATRE |
|
| AMITIES |
|
| AN IMMORALITY |
|
| AN OBJECT |
|
| ANCIENT MUSIC |
|
| ANCIENT WISDOM, RATHER COSMIC |
|
| ANCORA |
|
| AND THE DAYS ARE NOT FULL ENOUGH |
|
| AND THUS IN NINEVEH |
|
| APPARUIT |
|
| APRIL |
|
| ARIDES |
|
| AU JARDIN |
|
| AU SALON |
|
| BALLAD FOR GLOOM |
|
| BALLAD OF THE GOODLY FERE |
|
| BALLATETTA |
|
| BEFORE SLEEP |
|
| BLACK SLIPPERS: BELLOTTI |
|
| CANTICO DEL SOLE |
|
| CANTO 1 |
|
| CANTO 1 (1917) |
|
| CANTO 10 |
|
| CANTO 115 |
|
| CANTO 13 |
|
| CANTO 16 |
|
| CANTO 2 (1917) |
|
| CANTO 3 |
|
| CANTO 3 (1917) |
|
| CANTO 4 |
|
| CANTO 45 |
|
| CANTUS PLANUS |
|
| CAUSA |
|
| CINO; ITALIAN CAMPAGNA 1309, THE OPEN ROAD |
|
| CLASSIC ANTHOLOGY AS DEFINED BY CONFUCIUS: ALBA |
|
| CODA |
|
| COITUS |
|
| COMMISSION |
|
| DANCE FIGURE; FOR THE MARRIAGE IN CANA OF GALILEE |
|
| DE AEGYPTO |
|
| DOGMATIC STATEMENT CONCERNING THE GAME OF CHESS: THEME FOR A SERIES OF PICTURES |
|
| DORIA |
|
| DUM CAPITOLIUM SCANDET |
|
| ENVOI |
|
| EPILOGUE |
|
| EPITAPH |
|
| EPITAPH: FU I |
|
| EPITAPH: LI PO |
|
| ERAT HORA |
|
| FAMAM LIBROSQUE CANO |
|
| FAN-PIECE, FOR HER IMPERIAL LORD |
|
| FISH AND THE SHADOW |
|
| FOR E. MCC. |
|
| FOR THE TRIUMPH OF THE ARTS |
|
| FRAGMENT TO W.C.W.'S ROMANCE |
|
| FRANCESCA |
|
| FRATRES MINORES |
|
| FURTHER INSTRUCTIONS |
|
| GENTILDONNA |
|
| GUIDO INVITES YOU THUS |
|
| HEATHER |
|
| HOMAGE TO QUINTUS SEPTIMIUS FLORENTIS CHRISTIANUS |
|
| HOMAGE TO SEXTUS PROPERTIUS: 1 |
|
| HOMAGE TO SEXTUS PROPERTIUS: 10 |
|
| HOMAGE TO SEXTUS PROPERTIUS: 11 |
|
| HOMAGE TO SEXTUS PROPERTIUS: 12 |
|
| HOMAGE TO SEXTUS PROPERTIUS: 2 |
|
| HOMAGE TO SEXTUS PROPERTIUS: 3 |
|
| HOMAGE TO SEXTUS PROPERTIUS: 4. DIFFERENCE OF OPINION WITH LYGDAMUS |
|
| HOMAGE TO SEXTUS PROPERTIUS: 5 |
|
| HOMAGE TO SEXTUS PROPERTIUS: 6 |
|
| HOMAGE TO SEXTUS PROPERTIUS: 7 |
|
| HOMAGE TO SEXTUS PROPERTIUS: 8 |
|
| HOMAGE TO SEXTUS PROPERTIUS: 9 |
|
| HORAE BEATAE INSCRIPTIO |
|
| HUGH SELWYN MAUBERLEY: 1. E.P. ODE POUR L'ELECTION DE SON SEPULCHRE |
|
| I WAIT |
|
| IKON |
|
| IMAGE FROM D'ORLEANS |
|
| IMPRESSIONS OF FRANCOIS-MARIE AROUET (DE VOLTAIRE) |
|
| IN A STATION OF THE METRO |
|
| IN DURANCE (1907) |
|
| IN EXITUM CUIUSDAM; ON A CERTAIN ONE'S DEPARTURE |
|
| ITE |
|
| L'ART, 1910 |
|
| LADIES |
|
| LANGUE D'OC: ALBA |
|
| LANGUE D'OC: AVRIL |
|
| LANGUE D'OC: COMPLEYNT OF A GENTLEMAN WHO HAS BEEN WAITING OUTSIDE .. |
|
| LANGUE D'OC: DESCANT ON A THEME BY CERCLAMON |
|
| LANGUE D'OC: VERGIER |
|
| LES MILLWIN |
|
| LIU CH'E |
|
| MARVOIL |
|
| MEDITATIO |
|
| MIDDLE-AGED; A STUDY IN EMOTION |
|
| MOEURS CONTEMPORARIES |
|
| MONUMENTUM AERE, ETC. |
|
| MR. HOUSMAN'S MESSAGE |
|
| N.Y. |
|
| NA AUDIART |
|
| NEAR PERIGORD |
|
| NICHARCHUS UPON PHIDON HIS DOCTOR |
|
| NIGHT LITANY (1) |
|
| NOTES FOR CANTO 117 ET SEQ. |
|
| NOTES FOR CANTO 120 |
|
| O ATTHIS |
|
| OF JACOPO DEL SELLAIO |
|
| OLD IDEA OF CHOAN BY ROSORIU |
|
| ON HIS OWN FACE IN A GLASS |
|
| ORTUS |
|
| OUR CONTEMPORARIES |
|
| PAGANI'S, NOVEMBER 8 |
|
| PAN IS DEAD |
|
| PAPYRUS |
|
| PARACELSUS IN EXCELSIS |
|
| PHANOPOEIA: CONCAVA VALLIS |
|
| PHANOPOEIA: ROSE WHITE, YELLOW, SILVER |
|
| PHANOPOEIA: SALTUS |
|
| PHYLLIDULA |
|
| PICCADILLY |
|
| PIERE VIDAL OLD |
|
| PLANH FOR THE YOUNG ENGLISH KING |
|
| PORTRAIT D'UNE FEMME |
|
| POST MORTEM CONSPECTU |
|
| PRAISE OF YSOLT |
|
| PREFERENCE |
|
| PROVINCIA DESERTA |
|
| QUIES |
|
| SALUTATION |
|
| SALUTATION THE SECOND |
|
| SALUTATION THE THIRD |
|
| SALVATIONISTS |
|
| SATIEMUS |
|
| SENNIN POEM BY KAKUHAKU |
|
| SESTINA: ALTAFORTE |
|
| SHOP GIRL |
|
| SILET |
|
| SIMULACRA |
|
| SOCIETY |
|
| SPEECH FOR PSYCHE IN THE GOLDEN BOOK OF APULEIUS |
|
| SUB MARE |
|
| SURGIT FAMA |
|
| TAME CAT |
|
| TEMPORA |
|
| TENZONE |
|
| THE ALCHEMIST |
|
| THE ALTAR |
|
| THE BATH TUB |
|
| THE BELLAIRES |
|
| THE CHARGE OF THE BREAD BRIGADE |
|
| THE CLOAK |
|
| THE COMING OF WAR: ACTAEON |
|
| THE CONDOLENCE |
|
| THE ENCOUNTER |
|
| THE EYES |
|
| THE FAUN |
|
| THE FLAME |
|
| THE GAME OF CHESS |
|
| THE GARDEN |
|
| THE GARRET |
|
| THE GREAT DIGEST OF CONFUCIUS |
|
| THE GYPSY |
|
| THE HOUSE OF SPLENDOUR |
|
| THE LAKE ISLE |
|
| THE NEEDLE |
|
| THE NEW CAKE OF SOAP |
|
| THE PATTERNS |
|
| THE PICTURE (VENUS RECLINING) |
|
| THE PLUNGE |
|
| THE REST |
|
| THE RETURN |
|
| THE SEAFARER |
|
| THE SEEING EYE |
|
| THE SOCIAL ORDER |
|
| THE SPRING |
|
| THE STUDY IN AESTHETICS |
|
| THE TEA SHOP |
|
| THE TEMPERAMENTS |
|
| THE THREE POETS |
|
| THE TOMB AT AKR CAAR |
|
| THE TREE |
|
| THE WHITE STAG |
|
| THRENOS |
|
| TO A FRIEND WRITING ON CABARET DANCERS |
|
| TO DIVES |
|
| TO FORMIANUS' YOUNG LADY FRIEND; AFTER VALERIUS CATULLUS |
|
| TO KALON |
|
| TO WHISTLER, AMERICAN; ON LOAN EXHIBIT OF PAINTINGS AT TATE GALLERY |
|
| TO-EM-MEI'S 'THE UNMOVING CLOUD' |
|
| TRANSLATOR TO TRANSLATED |
|
| TS'AI CHI'H |
|
| VILLANELLE: THE PSYCHOLOGICAL HOUR |
|
| VILLONAUD FOR THIS YULE |
|
| VORTEX.POUND |
|
| WAR SONG |
|
| WAR VERSE (1914) |
|
| WOMEN BEFORE A SHOP |
|
JOHN COWPER POWYS: |
| A DANIEL COME TO JUDGMENT |
|
| AFTER READING WILLIAM BLAKE |
|
| BLASPHEMY |
|
| CORPUS, CAMBRIDGE |
|
| DAFFODILS |
|
| EARTH-WORSHIP |
|
| EUTHANASIA |
|
| METAPHYSIC |
|
| ODE TO PROSERPINE |
|
| RENAISSANCE |
|
| REQUIESCAT IN PACE |
|
| THE NEW MAGDALENE |
|
ANNA MARIA PRATT: |
| A MORTIFYING MISTAKE |
|
JACK PRELUTSKY: |
| A VALENTINE FOR MY TEACHER |
|
| AS SOON AS FRED GETS OUT OF BED |
|
| BE GLAD YOUR NOSE IS ON YOUR FACE |
|
| BLEEZER'S ICE CREAM |
|
| IT'S HALLOWEEN |
|
JACQUES PREVERT: |
| ALICANTE |
|
| AT THE FLORIST'S |
|
| AUTUMN |
|
| BARBARA |
|
| BREAKFAST |
|
| DESPAIR IS SEATED ON A BENCH |
|
| DUNCE |
|
| FAMILY PORTRAIT |
|
| FOR YOU MY LOVE |
|
| GARDEN |
|
| IMMENSE AND RED |
|
| INTO MY HOUSE |
|
| OSIRIS, OR THE FLIGHT IN EGYPT |
|
| PARIS AT NIGHT |
|
| PICASSO'S PROMENADE |
|
| QUARTIER LIBRE |
|
| SONG |
|
| SONG OF THE JAILER |
|
| SUNDAY |
|
| THE LAST SUPPER |
|
| THIS LOVE |
|
| TO MAKE THE PORTRAIT OF A BIRD |
|
| VINCENT'S LAMENT |
|
FRANK TEMPLETON PRINCE: |
| AT A PARADE |
|
| BABIAANTJE |
|
| CHAKA |
|
| EPISTLE TO A PATRON |
|
| SOLDIERS BATHING |
|
| STRAFFORD |
|
| THE TEARS OF A MUSE IN AMERICA |
|
THOMAS PRINGLE: |
| DEAREST LOVE! BELIEVE ME |
|
| EMIGRANT'S FAREWELL |
|
| LION-HUNT |
|
| SONG OF THE WILD BUSHMEN |
|
MATTHEW PRIOR: |
| A BETTER ANSWER (TO CHLOE JEALOUS) |
|
| A FABLE |
|
| A LETTER TO LADY [MISS] MARGARET-CAVANDISH-HOLLES-HARLEY, WHEN A CHILD |
|
| A LOVER'S ANGER |
|
| AN ENGLISH PADLOCK |
|
| CUPID AND GANYMEDE |
|
| HANS CARVEL |
|
| ON MY BIRTHDAY, JULY 21 |
|
| THE COUNTESS DOWAGER OF DEVONSHIRE |
|
| THE DOVE |
|
| THE FEMALE PHAETON |
|
| THE GARLAND |
|
| THE LADLE |
|
| THE LADY'S LOOKING-GLASS |
|
| THE OLD GENTRY |
|
| THE SECRETARY; WRITTEN AT THE HAGUE, 1696 |
|
| THE THIEF AND THE CORDELIER |
|
| THE TURTLE AND SPARROW |
|
| TO A YOUNG GENTLEMAN IN LOVE |
|
| TO MR HARLEY, WOUNDED BY GUISCARD |
|
ADELAIDE ANNE PROCTER: |
| A LEGEND OF PROVENCE |
|
| A WOMAN'S QUESTION |
|
| CLEANSING FIRES |
|
| HOMELESS |
|
| MY WILL |
|
| THE ANGEL'S STORY |
|
| THE LOST CHORD |
|
HENRY JAMES PYE: |
| AEROPHORION: THE AIR BALLOON |
|
| FOR THE KING'S BIRTHDAY 1794 |
|
| FOR THE NEW YEAR 1791 |
|
| FOR THE NEW YEAR 1806 |
|
| PROLOGUE INTENDED FOR 'VORTIGERN' |
|
FRANCIS QUARLES: |
| EMBLEM: 3 |
|
| THE VANITY OF THE WORLD |
|
FRANCISCO GOMEZ DE QUEVEDO Y VILLEGAS: |
| HE POINTS OUT THE BREVITY OF LIFE |
|
| LETRILLA: THE LORD OF DOLLARS |
|
| LOVE CONSTANT BEYOND DEATH |
|
| MADRIGAL: THE RESTLESS LOVER |
|
| ON A CHAPLAIN'S NOSE |
|
| ROME BURIED IN HER RUINS |
|
| THE FLY |
|
| TO ROME; BURIED IN ITS RUINS |
|
| TOOTHPULLER WHO WANTED TO TURN A MOUTH INTO A GRINDING MACHINE |
|
WALTER RALEIGH: |
| A POEM ENTREATING OF SORROW |
|
| FAREWELL TO THE COURT |
|
| HIS PETITION TO QUEEN ANNE OF DENMARK (1618) |
|
| IN COMMENDATION OF GEORGE GASCOIGNE'S STEEL GLASS (1576) |
|
| ON THE SNUFF OF A CANDLE, THE NIGHT BEFORE HE DIED |
|
| THE AUTHOR'S EPITAPH, MADE BY HIMSELF |
|
| THE LIE |
|
| THE NYMPH'S REPLY TO THE SHEPHERD |
|
| THE PASSIONATE MAN'S PILGRIMAGE |
|
| TO HIS MISTRESS |
|
| WALSINGHAM |
|
ALLAN RAMSAY: |
| AN ODE TO MR. FORBES |
|
| GENEROUS GENTLEMAN |
|
| LOCHABER NO MORE |
|
| POET'S WISH; AN ODE |
|
| THE YOUNG LAIRD AND EDINBURGH KATY |
|
THOMAS RANDOLPH: |
| A COMPLAINT AGAINST CUPID, THAT HE NEVER MADE HIM IN LOVE |
|
| A PASTORAL COURTSHIP |
|
| AN ANSWER TO BEN JONSON'S ODE, TO PERSUADE HIM NOT TO LEAVE THE STAGE |
|
| IN PRAISE OF WOMEN IN GENERAL |
|
| TO MASTER JAMES SHIRLEY ON HIS GRATEFUL SERVANT |
|
WILLIAM BRIGHTY RANDS: |
| THE PEDDLER'S CARAVAN |
|
CLAUDIA RANKINE: |
| A FATHER TELLS HIS SON |
|
| AFTER DAVID HAMMONS |
|
| CAST AWAY MOAN (1) |
|
| CAST AWAY MOAN (2) |
|
| CAST AWAY MOAN (3) |
|
| DIRTIED UP (1) |
|
| DIRTIED UP (3) |
|
| DON'T LET ME BE LONELY (1) |
|
| DON'T LET ME BE LONELY (2) |
|
| DON'T LET ME BE LONELY, SELS |
|
| HIM |
|
| PROXIMITY OF CLOCK TO LOCK |
|
| VERY CLOSE TO MY WORLD |
|
JOHN CROWE RANSOM: |
| BELLS FOR JOHN WHITESIDE'S DAUGHTER |
|
| PIAZZA PIECE |
|
STEPHEN RATCLIFFE: |
| POSTSCRIPT, ON A NAME |
|
DAVID RAY: |
| CROSS IN NEW ZEALAND |
|
| THANKS, ROBERT FROST |
|
| VOYAGE OUT: LIVERPOOL TO PORT CHALMERS, N.Z., 1863 |
|
| WALKING ON SHORE: VILLANELLE |
|
| YOUNG STANLEY |
|
HENRIETTA CORDELIA RAY: |
| IN MEMORIAM: PAUL LAURENCE DUNBAR |
|
THOMAS BUCHANAN READ: |
| VENICE |
|
RICHARD REALF: |
| THE DEFENSE OF LAWRENCE [SEPTEMBER 14, 1856] |
|
HENRY REED: |
| LESSONS OF THE WAR: 1. NAMING OF PARTS |
|
| LESSONS OF THE WAR: 2. JUDGING DISTANCES |
|
| LESSONS OF THE WAR: 3. UNARMED COMBAT |
|
SADANAND REGE: |
| OLD LEAVES FROM THE CHINESE EARTH |
|
KENNETH REXROTH: |
| A LETTER TO WILLIAM CARLOS WILLIAMS |
|
| ASPEN MEADOWS |
|
| AUTUMN IN CALIFORNIA |
|
| LOVE POEMS OF MARICHIKO (COMPLETE) |
|
| MISSISSIPPI RIVER |
|
| ON WHAT PLANET |
|
| REQUIEM FOR THE SPANISH DEAD [OR, THE DEAD IN SPAIN] |
|
| THE BAD OLD DAYS |
|
| THE HEART'S GARDEN, THE GARDEN'S HEART (COMPLETE) |
|
| THE PHOENIX AND THE TORTOISE |
|
| THE SIGNATURE OF ALL THINGS |
|
| WHEN WE WITH SAPPHO |
|
NEFTALI RICARDO REYES BASUALTO: |
| BULL |
|
| CRISTOBAL MIRANDA (STEVEDORE, TOCOPILLA) |
|
| DEAD GALLOP |
|
| DEATH ALONE |
|
| DOG HAS DIED |
|
| FOR EVERYONE |
|
| HERE I LOVE YOU |
|
| HOUSE OF ODES |
|
| I EXPLAIN SOME THINGS |
|
| LEMON [ODA AL LIMON] |
|
| ODE TO MY SOCKS |
|
| ONE HUNDRED LOVE SONNETS: 17 |
|
| ONE HUNDRED LOVE SONNETS: 33 |
|
| ONE HUNDRED LOVE SONNETS: 79 |
|
| ONE HUNDRED LOVE SONNETS: 83 |
|
| PARTHENOGENESIS [PARTENOGENSIS] |
|
| POET [EL POETA] |
|
| RESIDENCE II: ENTRANCE TO WOOD [ENTRADA A LA MADERA] |
|
| SLEEPING ASSASSIN [UN ASEINO DUERME] |
|
| THE WIDOWER'S TANGO |
|
| TO WASH A CHILD [PARA LAVAR A UN NINO] |
|
| TRIANGLES |
|
| TURTLE [LA TORTUGA] |
|
| TWENTY POEMS OF LOVE AND ONE POEM OF DESPAIR: 6 |
|
| UNITED FRUIT CO |
|
| VERB |
|
| WHAT SPAIN WAS LIKE |
|
GEORGE NUGENT REYNOLDS: |
| KATHLEEN O'MORE |
|
CHARLES REZNIKOFF: |
| BY THE WELL OF LIVING AND SEEING (1 - 28) |
|
| I SAW HIM WALKING ALONE SLOWLY AT NIGHT |
|
| JERUSALEM THE GOLDEN (1) |
|
| MASSACRES |
|
| NEW NATION |
|
| NIGHT-PIECE |
|
| SLAVE TRADE: NEW ORLEANS |
|
| TE DEUM |
|
| THE BREAD HAS BECOME MOLDY |
|
ADRIENNE CECILE RICH: |
| A VALEDICTION FORBIDDING MOURNING |
|
| A WOMAN MOURNED BY DAUGHTERS |
|
| ABNEGATION |
|
| ALTERNATING CURRENT |
|
| AN ATLAS OF THE DIFFICULT WORLD: 13 (DEDICATIONS) |
|
| ANNOTATION FOR AN EPITAPH |
|
| ARTIFICIAL INTELLIGENCE |
|
| AT A BACH CONCERT |
|
| AT THE JEWISH NEW YEAR |
|
| ATLAS OF THE DIFFICULT WORLD: 1 |
|
| AUNT JENNIFER'S TIGERS |
|
| BURNING OF PAPER INSTEAD OF CHILDREN |
|
| BURNING ONESELF IN |
|
| BURNING ONESELF OUT |
|
| BY NO MEANS NATIVE |
|
| CARTOGRAPHIES OF SILENCE |
|
| DIVING INTO THE WRECK |
|
| DOUBLE MONOLOGUE |
|
| FINAL NOTATIONS |
|
| FOR ETHEL ROSENBERG |
|
| FOR THE DEAD |
|
| FOR THE RECORD |
|
| FOR THIS |
|
| FOX |
|
| FROM A SURVIVOR |
|
| I DREAM I'M THE DEATH OF ORPHEUS |
|
| IMPLOSIONS |
|
| IN A CLASSROOM |
|
| IN THE EVENING |
|
| IN THE WAKE OF HOME |
|
| IN THOSE YEARS |
|
| INSCRIPTIONS (FIVE: VOICES) |
|
| INSUSCEPTIBLES |
|
| INTEGRITY |
|
| LIVING IN SIN |
|
| LUCIFER IN THE TRAIN |
|
| MIDNIGHT SALVAGE: 1 |
|
| MIDNIGHT SALVAGE: 2 |
|
| MIDNIGHT SALVAGE: 3 |
|
| MIDNIGHT SALVAGE: 4 |
|
| MIDNIGHT SALVAGE: 5 |
|
| MIDNIGHT SALVAGE: 6 |
|
| MIDNIGHT SALVAGE: 7 |
|
| MIDNIGHT SALVAGE: 8 |
|
| MIRACLE ICE CREAM |
|
| MOVING IN WINTER |
|
| ON EDGES |
|
| ORIGINS AND HISTORY OF CONSCIOUSNESS |
|
| ORION |
|
| OUR WHOLE LIFE |
|
| PEELING ONIONS |
|
| PHANTASIA FOR ELVIRA SHATAYEV |
|
| PLANETARIUM |
|
| POWER |
|
| PROSPECTIVE IMMIGRANTS PLEASE NOTE |
|
| RAPE |
|
| RURAL REFLECTIONS |
|
| SCHOOL AMONG THE RUINS |
|
| SHATTERED HEAD |
|
| SNAPSHOTS OF A DAUGHTER-IN-LAW |
|
| SPLITTINGS |
|
| STEPPING BACKWARD |
|
| STORM WARNINGS |
|
| THE DEMON LOVER |
|
| THE LOSER |
|
| THE MIDDLE-AGED |
|
| THE NINTH SYMPHONY OF BEETHOVEN UNDERSTOOD .. SEXUAL MESSAGE |
|
| THE TOURIST AND THE TOWN (SAN MINIATO AL MONTE) |
|
| TO THE DAYS |
|
| TOWARD THE SOLSTICE |
|
| TRANSCENDENTAL ETUDE |
|
| TRANSLATIONS |
|
| TRYING TO TALK WITH A MAN |
|
| TWENTY-ONE LOVE POEMS: 1 |
|
| TWENTY-ONE LOVE POEMS: 10 |
|
| TWENTY-ONE LOVE POEMS: 11 |
|
| TWENTY-ONE LOVE POEMS: 12 |
|
| TWENTY-ONE LOVE POEMS: 13 |
|
| TWENTY-ONE LOVE POEMS: 14 |
|
| TWENTY-ONE LOVE POEMS: 15 |
|
| TWENTY-ONE LOVE POEMS: 16 |
|
| TWENTY-ONE LOVE POEMS: 17 |
|
| TWENTY-ONE LOVE POEMS: 18 |
|
| TWENTY-ONE LOVE POEMS: 19 |
|
| TWENTY-ONE LOVE POEMS: 2 |
|
| TWENTY-ONE LOVE POEMS: 20 |
|
| TWENTY-ONE LOVE POEMS: 21 |
|
| TWENTY-ONE LOVE POEMS: 3 |
|
| TWENTY-ONE LOVE POEMS: 4 |
|
| TWENTY-ONE LOVE POEMS: 5 |
|
| TWENTY-ONE LOVE POEMS: 6 |
|
| TWENTY-ONE LOVE POEMS: 7 |
|
| TWENTY-ONE LOVE POEMS: 8 |
|
| TWENTY-ONE LOVE POEMS: 9 |
|
| TWENTY-ONE LOVE POEMS: THE FLOATING POEM, UNNUMBERED |
|
| TWO SONGS |
|
| UPPER BROADWAY |
|
| VERSAILLES |
|
| VICTORY |
|
| VISION (THINKING OF SIMONE WEIL) |
|
| WALK BY THE CHARLES |
|
| WHAT KIND OF TIMES ARE THESE WHAT KIND OF TIMES ARE THESE |
|
| WHEN WE DEAD AWAKEN |
|
| WILL TO CHANGE: 1. |
|
| WOMEN |
|
| YOM KIPPUR 1984 |
|
HENRY SCOTT RIDDELL: |
| DOWIE DENS O' YARROW |
|
| OUR MARY |
|
| SCOTLAND YET |
|
LAURA RIDING: |
| IN DUE FORM |
|
| PRISMS |
|
| QUIDS |
|
| WITH THE FACE |
|
RAINER MARIA RILKE: |
| ARCHAIC TORSO OF APOLLO |
|
| AS ONCE THE WINGED ENERGY OF DELIGHT |
|
| AUTUMN |
|
| AUTUMN DAY |
|
| BE NOT AFRAID, GOD |
|
| BLACK CAT |
|
| BLUE HYDRANGEAS |
|
| BUDDHA IN GLORY |
|
| DAS BUCH DER BILDER: SOLEMN HOUR |
|
| DUINO ELEGIES: 2 |
|
| DUINO ELEGIES: 4 |
|
| DUINO ELEGIES: 9 |
|
| EXPOSED ON THE CLIFFS OF THE HEART. LOOK, HOW TINY ... |
|
| GLIMPSE OF A CHILDHOOD |
|
| GROWING BLIND |
|
| INTERIOR PORTRAIT |
|
| MAIDEN MELANCHOLY |
|
| NARCISSUS |
|
| PEOPLE AT NIGHT |
|
| PIETA |
|
| PORTRAIT OF MY FATHER AS A YOUNG MAN |
|
| PRESAGING |
|
| QUAI DU ROSAIRE: BRUGES |
|
| REMEMBRANCE |
|
| SONNETS TO ORPHEUS: FIRST PART, 1 |
|
| SONNETS TO ORPHEUS: FIRST PART, 10 |
|
| SONNETS TO ORPHEUS: FIRST PART, 36 |
|
| SONNETS TO ORPHEUS: FIRST PART, 4 |
|
| SONNETS TO ORPHEUS: SECOND PART, 1 |
|
| SONNETS TO ORPHEUS: SECOND PART, 6 |
|
| SONNETS TO ORPHEUS: SECOND PART, 75 |
|
| SPANISH DANCER |
|
| THE CAROUSEL; JARDIN DE LUXEMBOURG |
|
| THE DUINO ELEGIES: 1 |
|
| THE LAST SUPPER |
|
| THE OLD WOMAN |
|
| THE YOUTH DREAMS |
|
| TWO POEMS TO HANS THOMA ON HIS SIXIETH BIRTHDAY: 1. MOONLIGHT NIGHT |
|
| TWO POEMS TO HANS THOMA ON HIS SIXIETH BIRTHDAY: 2. THE KNIGHT |
|
| VOICES: THE SONG OF THE WIDOW |
|
| WALK |
|
| WE ARE ALL WORKMEN |
|
| WHAT SURVIVES |
|
| WHAT WILL YOU DO, GOD? |
|
| YOU WHO NEVER ARRIVED |
|
| YOU, NEIGHBOR GOD |
|
ARTHUR RIMBAUD: |
| A SEASON IN HELL, SELECTION |
|
| A SEASON IN HELL: ILL WILL; MAUVAIS SANG |
|
| A SEASON IN HELL: THE ALCHEMY OF WORDS |
|
| ANTIQUE |
|
| BALLY |
|
| BEING BEAUTEOUS |
|
| BRILLIANT VICTORY OF SAAREBRUCK |
|
| BRUSSELS |
|
| CITIES |
|
| COMEDY OF THIRST |
|
| DEPARTURE |
|
| ETERNITY |
|
| EVENINGS |
|
| EVIL |
|
| FLOWERS |
|
| MARINE |
|
| MICHAEL AND CHRISTINE |
|
| MY BOHEMIA |
|
| OPHELIA |
|
| ORDINARY NOCTURNE |
|
| POETS SEVEN YEARS OLD |
|
| PROMONTORY |
|
| ROYALTY |
|
| SENSATION |
|
| SIDEBOARD |
|
| SONG OF THE HIGHEST TOWER |
|
| SUN AND FLESH |
|
| TEAR |
|
| THE DRUNKEN BOAT |
|
| THE LICE SEEKERS |
|
| THE POOR MAN THINKS |
|
| THE SLEEPER OF THE VALLEY |
|
| WORKERS |
|
| YOUNG COUPLE |
|
ALBERTO ALVARO RIOS: |
| MADRE SOFIA |
|
JAMES LOGIE ROBERTSON: |
| HUGHIE REFUSES TO EMIGRATE |
|
| OCHIL FARMER |
|
| SCHULE LADDIE'S LAMENT ON THE LATENESS O' THE SEASON |
|
AGNES MARY F. ROBINSON: |
| A BALLAD OF ORLEANS (1429) |
|
| ETRUSCAN TOMBS |
|
EDWIN ARLINGTON ROBINSON: |
| LUKE HAVERGAL |
|
| MINIVER CHEEVY |
|
| MR. FLOOD'S PARTY |
|
| RICHARD CORY |
|
| VERLAINE |
|
MARY DARBY ROBINSON: |
| THE HAUNTED BEACH |
|
| THE LADY OF THE BLACK TOWER |
|
ALEXANDER RODGER: |
| ROBIN TAMSON'S SMIDDY |
|
SELDEN RODMAN: |
| V-LETTER TO KARL SHAPIRO IN AUSTRALIA |
|
THEODORE ROETHKE: |
| A WHEEZE FOR WYSTAN |
|
| AGAINST DISASTER |
|
| BIG WIND |
|
| BOUND |
|
| CHILD ON TOP OF A GREENHOUSE |
|
| DOLOR |
|
| ELEGY FOR JANE |
|
| FOR AN AMOROUS LADY |
|
| FRAU BAUMAN, FRAU SCHMIDT, AND FRAU SCHWARTZE |
|
| FUGITIVE |
|
| I KNEW A WOMAN |
|
| IN A DARK TIME |
|
| INFIRMITY |
|
| LONG LIVE THE WEEDS |
|
| MY PAPA'S WALTZ |
|
| NIGHT JOURNEY |
|
| ORCHIDS |
|
| PICKLE BELT |
|
| ROOT CELLAR |
|
| SONG FOR THE SQUEEZE BOX |
|
| THE ALLIGATOR |
|
| THE BAT |
|
| THE CHAIR |
|
| THE DREAM |
|
| THE HERON |
|
| THE HIPPO |
|
| THE LIZARD |
|
| THE LOST SON |
|
| THE MINIMAL |
|
| THE REMINDER |
|
| THE SLOTH |
|
| THE SMALL |
|
| THE SNAKE |
|
| THE STORM |
|
| THE VISITANT |
|
| THE WAKING |
|
| TRANSPLANTING |
|
| WEED PULLER |
|
| WISH FOR A YOUNG WIFE |
|
THOMAS WILLIAM ROLLESTON: |
| NIGHT |
|
| NOON-DAY |
|
| SONG OF MAELDUIN |
|
| THE GRAVE OF RURY |
|
MICHAEL J. ROSEN: |
| CONSENTING: ON WILLIAM MEREDITH |
|
ISAAC ROSENBERG: |
| A BALLAD OF WHITECHAPEL |
|
| BREAK OF DAY IN THE TRENCHES |
|
| DEAD MAN'S DUMP |
|
ALEXANDER ROSS: |
| WOO'D AND MARRIED AND A' (1) |
|
J. ALLYN ROSSER: |
| DREAM OF EZRA POUND |
|
CHRISTINA GEORGINA ROSSETTI: |
| A BIRTHDAY |
|
| A CHRISTMAS CAROL (1) |
|
| A FISHER'S-WIFE |
|
| A LIFE'S PARALLELS |
|
| A ROYAL PRINCESS |
|
| ADVENT SUNDAY |
|
| AN APPLE GATHERING |
|
| AN ECHO FROM WILLOW-WOOD |
|
| COUSIN KATE |
|
| DREAM LAND |
|
| GOBLIN MARKET |
|
| HOPE IN GRIEF |
|
| HOPE IS THE COUNTERPOISE OF FEAR |
|
| IN AN ARTIST'S STUDIO |
|
| MAY (1) |
|
| MIRRORS OF LIFE AND DEATH |
|
| REMEMBER |
|
| REST |
|
| RESURGAM |
|
| SONG (10) |
|
| THE BOURNE |
|
| THE WORLD |
|
| TWICE |
|
| UP-HILL |
|
| WINTER: MY SECRET |
|
DANTE GABRIEL ROSSETTI: |
| SISTER HELEN |
|
| THE BLESSED DAMOZEL |
|
| THE HOUSE OF LIFE: JENNY |
|
| THE KING'S TRAGEDY |
|
| THE STREAM'S SECRET |
|
EDMOND ROSTAND: |
| CHANTICLEER |
|
| CYRANO DE BERGERAC |
|
| CYRANO TO HIS CHIDING FRIENDS |
|
| THE DRUMMER |
|
| TO SARAH BERNHARDT |
|
ELIZABETH SINGER ROWE: |
| A LAPLANDER'S SONG TO HIS MISTRESS |
|
| UPON THE DEATH OF HER HUSBAND |
|
NICHOLAS ROWE: |
| COLIN'S COMPLAINT |
|
| FOR THE KING'S BIRTHDAY 1718 |
|
| FOR THE NEW YEAR 1716 |
|
| THE CONTENTED SHEPHERD |
|
GIBBONS RUARK: |
| ROBERT FROST TO EZRA POUND'S DAUGHTER FROM HIS DEATHBED |
|
MARY RUEFLE: |
| LAST ON EARTH |
|
GEORGE WILLIAM RUSSELL: |
| AGE AND YOUTH |
|
| ALTER EGO |
|
| AN IRISH FACE |
|
| APHRODITE |
|
| APOCALYPTIC, 1915 |
|
| ARES |
|
| BABYLON |
|
| BATTLE ARDOUR |
|
| BROTHERHOOD |
|
| CARROWMORE |
|
| CHILDREN OF LIR |
|
| CONTINUITY |
|
| DANA |
|
| DAWN SONG |
|
| DIVINE VISITATION |
|
| DREAM OF DEFEATED BEAUTY |
|
| DUALITY; FROM ME SPRING GOOD AND EVIL |
|
| ENDURANCE |
|
| FAITH |
|
| FOREBODING |
|
| FORGIVENESS |
|
| FREEDOM |
|
| GERMINAL |
|
| GLORY AND SHADOW |
|
| GODS OF WAR, 1914 |
|
| HOPE IN FAILURE |
|
| IMMORTALITY |
|
| IN AS MUCH ... |
|
| INHERITANCE |
|
| IRELAND, 1924 |
|
| JANUS |
|
| KINSHIP |
|
| KRISHNA |
|
| LOVE |
|
| MAGIC; AFTER READING THE UPANISHADS |
|
| MICHAEL |
|
| MYSTERY |
|
| NATURAL MAGIC (1) |
|
| NEW YORK |
|
| OM; A MEMORY |
|
| ON BEHALF OF SOME IRISHMEN NOT FOLLOWERS OF TRADITION |
|
| OUR THRONES DECAY |
|
| OUTCAST |
|
| PITY |
|
| PRISONER |
|
| PROMISE |
|
| SACRIFICE |
|
| SELF-DISCIPLINE |
|
| SHADOWS AND LIGHTS |
|
| STAR TEACHERS |
|
| STATESMEN |
|
| SYMBOLISM |
|
| THE BREATH OF LIGHT |
|
| THE CALL OF THE SIDHE |
|
| THE CHILD OF DESTINY |
|
| THE CITY |
|
| THE DAWN OF DARKNESS |
|
| THE DIVINE VISION |
|
| THE DREAM OF THE CHILDREN |
|
| THE EVERLASTING BATTLE |
|
| THE FEAST OF AGE |
|
| THE FOUNTAIN OF SHADOWY BEAUTY; A DREAM |
|
| THE GOLDEN AGE |
|
| THE HEROES |
|
| THE HOUR OF THE KING |
|
| THE IRON AGE |
|
| THE MAN TO THE ANGEL |
|
| THE MASTER SINGER |
|
| THE NUTS OF KNOWLEDGE |
|
| THE PARTING OF WAYS |
|
| THE ROBING OF THE KING |
|
| THE SEER |
|
| THE SILENCE OF LOVE |
|
| THE SINGING SILENCES |
|
| THE THREE COUNSELLORS |
|
| THE TWILIGHT OF EARTH |
|
| THE VESTURE OF THE SOUL |
|
| THE VOICE OF THE WATERS |
|
| THE WEAVER OF SOULS |
|
| TO ONE CONSECRATED |
|
| TO PADRAIC COLUM |
|
| TO THE NEW GODS |
|
| TRAGEDY |
|
| TRANSCIENCE |
|
| TRANSFORMATIONS |
|
| TWILIGHT BY THE CABIN |
|
| WAITING |
|
| WARNING |
|
| WHOM WE WORSHIP |
|
CARROLL RYAN: |
| ABERCROMBIE'S GRAVE |
|
KAY RYAN: |
| BLANDEUR |
|
| FLAMINGO WATCHING |
|
| HOME TO ROOST |
|
| NIAGARA RIVER |
|
| PAIRED THINGS |
|
| SHARKS' TEETH |
|
| SONNET TO SPRING |
|
| THE EDGES OF TIME |
|
| TURTLE |
|
FRANCIS SALTUS SALTUS: |
| GRAVES |
|
SONIA SANCHEZ: |
| A LOVE POEM WRITTEN FOR STERLING BROWN |
|
| A PRAISE POEM FOR NINA SIMONE |
|
| A/COLTRANE/POEM |
|
| BLACK MAGIC |
|
| DEPRESSION |
|
| HOMECOMING |
|
| POEM FOR SOME WOMEN |
|
| SOUTH AFRICAN TANKA |
|
| THIS IS NOT A SMALL VOICE |
|
| TO ANITA |
|
| WOUNDED IN THE HOUSE OF A FRIEND |
|
CARL SANDBURG: |
| CHICAGO |
|
| FOG |
|
| HAWTHORNE |
|
GEORGE SANDYS: |
| DEO OPT. MAX |
|
GEORGE SANTAYANA: |
| MODERN PARAPHRASE OF SHAKESPEARE'S SONNET 29 |
|
| ON THE THREE PHILOSOPHICAL POETS |
|
| SONNET (3) |
|
SIEGFRIED SASSOON: |
| A LETTER HOME (TO ROBERT GRAVES) |
|
FREDERIC SAUSER: |
| HOMAGE TO GUILLAUME APOLLINAIRE |
|
JOHN GODFREY SAXE: |
| THE VANITY OF HUMAN WISHES |
|
JOHANN CHRISTOPH FRIEDRICH VON SCHILLER: |
| THE GLOVE |
|
JAMES SCHUYLER: |
| FEBRUARY |
|
| HYMN TO LIFE |
|
| KOREAN MUMS |
|
| MORNING OF THE POEM |
|
| NEW YORKER |
|
| PAYNE WHITNEY POEMS: ARCHES |
|
| PAYNE WHITNEY POEMS: BACK |
|
| PAYNE WHITNEY POEMS: HEATHER AND CALENDULAS |
|
| RED BRICK AND BROWN STONE |
|
| SALUTE |
|
| STONE KNIFE |
|
| SWEET ROUMANIAN TONGUE |
|
| THE CRYSTAL LITHIUM |
|
DELMORE SCHWARTZ: |
| ABRAHAM |
|
| BAUDELAIRE |
|
| CALMLY WE WALK THROUGH THIS APRIL'S DAY |
|
| CHAPLIN UPON THE CLIFF, DINING ALONE |
|
| DURING DECEMBER'S DEATH |
|
| FAR ROCKAWAY |
|
| IN THE NAKED BED, IN PLATO'S CAVE |
|
| THE BALLAD OF THE CHILDREN OF THE CZAR |
|
ALEXANDER SCOTT (1520-1590): |
| A RONDEL OF LUVE [LOVE] |
|
| WHA IS PERFYTE |
|
LADY JOHN SCOTT: |
| COMIN' O' THE SPRING |
|
| ETTRICK |
|
WALTER SCOTT: |
| AT FLODDEN; A FRAGMENT |
|
| BALLAD |
|
| BORDER BALLAD [OR MARCH, OR SONG], FR. THE MONASTERY |
|
| CADYOW CASTLE |
|
| CARLE, NOW THE KING'S COME (BEING NEW WORDS TO AULD SPRING) |
|
| GATHERING SONG OF DONALD [OR, DONUI DHU] THE BLACK |
|
| HELVELLYN |
|
| HIS FIRST LINES (PRESERVED BY HIS MOTHER) |
|
| JOCK OF HAZELDEAN |
|
| LIFE IN THE FOREST |
|
| MACGREGOR'S GATHERING |
|
| MARMION: CANTO 1. INTRODUCTION |
|
| MARMION: CANTO 3. INTRODUCTION |
|
| PROUD MAISIE, FR. THE HEART OF MIDLOTHIAN |
|
| THE BARD'S INCANTATION (WRITTEN UNDER THREAT OF INVASION) |
|
| THE BOOK OF BOOKS |
|
| THE DEATH OF KEELDAR (SUGGESTED BY COOPER'S PAINTING) |
|
| THE EVE OF SAINT JOHN |
|
| THE FIRE-KING |
|
| THE MAID OF NEIDPATH |
|
| THE VISION OF DON RODERICK |
|
WILLIAM BELL SCOTT: |
| DEATH |
|
| GLENKINDIE |
|
| MUSIC |
|
| PARTED LOVE |
|
| PYGMALION |
|
| RHYME OF THE SUN-DIAL |
|
| SEA-SHORE |
|
| THE NORNS WATERING YGGDRASILL (FOR A PICTURE) |
|
| THE WITCH'S BALLAD |
|
| YOUTH AND AGE |
|
ROBERT SEMPILL: |
| LIFE AND DEATH OF HABBIE SIMSON, THE PIPER OF KILBARCHAN |
|
ROBERT WILLIAM SERVICE: |
| THE CALL OF THE WILD |
|
| THE CREMATION OF SAM MCGEE |
|
| THE LAW OF THE YUKON |
|
| THE SHOOTING OF DAN MCGREW |
|
| THE SONG OF THE WAGE-SLAVE |
|
| THE SPELL OF THE YUKON |
|
ANNE SEXTON: |
| CINDERELLA |
|
| FOR MY LOVER, RETURNING TO HIS WIFE |
|
| HER KIND |
|
| RINGING THE BELLS |
|
| SYLVIA'S DEATH |
|
| THE ABORTION |
|
| THE STARRY NIGHT |
|
| THE TRUTH THE DEAD KNOW |
|
| WANTING TO DIE |
|
THOMAS SHADWELL: |
| FOR QUEEN MARY'S BIRTHDAY 1691 |
|
| ON HIS MAJESTY'S CONQUESTS IN IRELAND |
|
| SONG |
|
| THE LANCASHIRE WITCHES |
|
JOHN CAMPBELL SHAIRP: |
| CAILLEACH BEIN-Y-VREICH |
|
| REMEMBRANCE |
|
| THE BUSH ABOON TRAQUAIR |
|
| THE CLEARANCE SONG |
|
WILLIAM SHAKESPEARE: |
| SONNET: 1 |
|
| SONNET: 106 |
|
| SONNET: 107 |
|
| SONNET: 116 |
|
| SONNET: 12 |
|
| SONNET: 127 |
|
| SONNET: 129 |
|
| SONNET: 130 |
|
| SONNET: 138 |
|
| SONNET: 141 |
|
| SONNET: 144 |
|
| SONNET: 146 |
|
| SONNET: 147 |
|
| SONNET: 148 |
|
| SONNET: 18 |
|
| SONNET: 20 |
|
| SONNET: 29 |
|
| SONNET: 30 |
|
| SONNET: 55 |
|
| SONNET: 65 |
|
| SONNET: 71 |
|
| SONNET: 73 |
|
| SONNET: 76 |
|
| SONNET: 94 |
|
KARL SHAPIRO: |
| AN ANNIVERSARY FOR F. O. MATTHIESSEN |
|
| AT AUDEN'S GRAVE |
|
| ATTENTION OF HYMEN |
|
| AUTO WRECK |
|
| BOURGEOIS POET |
|
| ELEGY FOR A DEAD SOLDIER |
|
| EMILY DICKINSON AND KATHERINE ANNE PORTER |
|
| FRENCH POETRY |
|
| ON READING KEATS IN WAR TIME |
|
| SOUTHERNER |
|
| SUNDAY: NEW GUINEA |
|
| TENNYSON |
|
| THE CONSCIENTIOUS OBJECTOR |
|
| THE INTELLECTUAL |
|
| THE OLD HORSEFLY |
|
| UNIVERSITY |
|
| V-LETTER |
|
| VIETNAM MEMORIAL |
|
PERCY BYSSHE SHELLEY: |
| ADONAIS; AN ELEGY ON THE DEATH OF JOHN KEATS |
|
| ENGLAND IN 1819 |
|
| LOVE'S PHILOSOPHY |
|
| ODE TO THE WEST WIND |
|
| OZYMANDIAS |
|
| STANZAS WRITTEN IN DEJECTION, NEAR NAPLES |
|
| THE MASK OF ANARCHY; WRITTEN ON OCCASION OF MASSACRE AT MANCHESTER |
|
| TO - (1) |
|
| TO A SKYLARK |
|
HELEN SELINA SHERIDAN: |
| LAMENT OF THE IRISH EMIGRANT |
|
| MOTHER'S LAMENT |
|
MERLE KULOW SHERRILL: |
| THE FAILURE |
|
JAMES SHIRLEY: |
| A SONG OF NUNS |
|
| CUPID UNGODDED |
|
| DEATH THE LEVELLER, FR. THE CONTENTION OF AJAX AND ULYSSES |
|
| LOVE'S HUE AND CRY |
|
DORA SIGERSON SHORTER: |
| A BALLAD OF THE WAILING GHOST |
|
| A BIRD FROM THE WEST |
|
| A CATHOLIC TO HIS ULSTER BROTHER |
|
| A CRY IN THE WORLD |
|
| A LITTLE DOG |
|
| A RECOMPENSE |
|
| A SINGING BIRD IN THE CITY |
|
| A TRAGI-COMEDY |
|
| A VAGRANT HEART |
|
| ALL SOULS' EVE |
|
| AN EASTERN GOD |
|
| AT POMPEII |
|
| BUT FOR THE TEARS |
|
| CEAN DUV DEELISH |
|
| DEATH OF GORMLAITH |
|
| DESERTED LOVER |
|
| DONACHA RUA |
|
| EARL RODERICK'S BRIDE |
|
| EMPIRE BUILDING |
|
| FAITH |
|
| FALSE DEARVORGIL |
|
| HAUNTED |
|
| I AM THE WORLD |
|
| IN ANY GARDEN |
|
| IN THE CARLYLE HOUSE, CHELSEA |
|
| IN THE YEARS OF SARSFIELD |
|
| IRELAND |
|
| JEANNE BRAS; A BALLAD OF SORROW |
|
| KATHLEEN'S CHARITY |
|
| LOUD SHOUT THE FLAMING TONGUES OF WAR |
|
| LOVE IN DISGUISE |
|
| MY LADY'S SLIPPER; A TRUE STORY |
|
| NEAR THE FORUM OF TRAJAN |
|
| OURSELVES ALONE |
|
| PRE-EXISTENCE |
|
| REMORSE |
|
| SANCTUARY |
|
| SICK I AM AND SORROWFUL |
|
| SISTER MARIE; A LEGEND OF TYROL |
|
| THE BALLAD OF THE LITTLE BLACK HOUND |
|
| THE BANSHEE |
|
| THE BARD OF BREFFNEY |
|
| THE BEGGAR MAID |
|
| THE BEGGAR-MAN |
|
| THE BRIDAL OF LADY AIDEEN |
|
| THE CALLING MOTHERLAND |
|
| THE CHOICE |
|
| THE DEAD WIFE |
|
| THE DEAN OF SANTIAGO |
|
| THE DEER-STONE; A LEGEND OF GLENDALOUGH |
|
| THE FAIR LITTLE MAIDEN |
|
| THE FAIRY CHANGELING |
|
| THE FAIRY THORN-TREE |
|
| THE FETCH |
|
| THE FOOLISH OLD MAN |
|
| THE FREEBORN |
|
| THE GUARDIAN ANGELS |
|
| THE HERETIC IN THE TEMPLE |
|
| THE KINE OF MY FATHER |
|
| THE LAST COACH |
|
| THE LEPER'S BETROTHED |
|
| THE LONE OF SOUL |
|
| THE MAN WHO TROD ON SLEEPING GRASS |
|
| THE OLD PROFESSOR |
|
| THE OLD VIOLON |
|
| THE ONE FORGOTTEN |
|
| THE PAUPER |
|
| THE POISONED ARROW |
|
| THE ROAD TO CABINTEELY |
|
| THE SEEKING OF THE CONTENT |
|
| THE SIX SORROWS |
|
| THE STORY WITHOUT END |
|
| THE SUICIDE'S GRAVE |
|
| THE TROUBADOUR |
|
| THE WANDERERS |
|
| THE WHITE WITCH |
|
| THE WILD GEESE |
|
| THE WOLF AND THE LAMB |
|
| THE WOMAN WHO WENT TO HELL; AN IRISH LEGEND |
|
| THE WREATH |
|
| THE YOUNG VOLUNTEER |
|
| UNREST IN AUTUMN |
|
| WHEN I SHALL RISE |
|
| WHO IS HE? |
|
| YOUNG UNA |
|
PHILIP SIDNEY: |
| ARCADIA: CORRELATIVE VERSE |
|
| ARCADIA: SESTINA |
|
| ARCADIA: SOLITARINESS |
|
| ARCADIA: THE BARGAIN |
|
| ASTROPHEL AND STELLA: 1 |
|
| KYNGE DAVID, HYS LAMENTE OVER THE BODYES OF KYNGE SAUL OF ISRAEL |
|
| SONNET: 1 |
|
| SONNET: 16. IN ANSWER TO SIR EDWARD DYER |
|
| SONNET: 30 |
|
| THE NIGHTINGALE |
|
LYDIA HUNTLEY SIGOURNEY: |
| DEATH OF AN INFANT |
|
| FEMALE EDUCATION; ADDRESSED TO A SOUTH AMERICAN POET |
|
| INDIAN NAMES |
|
| MEETING OF THE SUSQUEHANNA WITH THE LACKAWANA |
|
| NIAGARA |
|
| THE BRIDE |
|
| THE HEART OF THE BRUCE |
|
| THE INDIAN'S WELCOME TO THE PILGRIM FATHERS |
|
SHELBY SILVERSTEIN: |
| ICKLE ME, PICKLE ME, TICKLE ME TOO |
|
| LISTEN TO THE MUSTN'TS |
|
| SARAH CYNTHIA SYLVIA STOUT WOULD NOT TAKE THE GARBAGE OUT |
|
| SICK |
|
| UNICORN |
|
| VOICE |
|
| WHERE THE SIDEWALK ENDS |
|
CHARLES SIMIC: |
| EMPIRE OF DREAMS |
|
| FORK |
|
| MIRRORS AT 4 A.M. |
|
| STONE |
|
| THE WHITE ROOM |
|
| WATERMELONS |
|
| WORLD DOESN'T END, SELS. |
|
WILLIAM GILMORE SIMMS: |
| ODE: OUR CITY BY THE SEA |
|
| SWEET SOUTH |
|
| THE BATTLE OF EUTAW [SPRINGS] |
|
| THE SWAMP FOX |
|
LOUIS SIMPSON: |
| AKHMATOVA'S HUSBAND |
|
| AMERICAN POETRY |
|
| IN THE SUBURBS |
|
| LIBERATED CHARACTERS' BALL |
|
| MEMORIES OF A LOST WAR |
|
| MY FATHER IN THE NIGHT COMMANDING NO |
|
| STUMPFOOT ON 42ND STREET |
|
| THE APPOINTMENT |
|
| THE BATTLE |
|
| WALT WHITMAN AT BEAR MOUNTAIN |
|
| WORKING LATE |
|
JOHN SKELTON: |
| A PRAYER TO THE FATHER OF HEAVEN |
|
| BALLADE OF THE SCOTTYSHE KINGE |
|
| LULLAY, LULLAY |
|
| MAGNYFYCENCE: PART 1 |
|
| MAGNYFYCENCE: PART 2 |
|
| MANNERLY MARGERY, MILK AND ALE |
|
| THE AUNCIENT ACQUAINTANCE, MADAM |
|
| THE GIFT OF A SKULL |
|
JOHN SKINNER: |
| TULLOCHGORUM |
|
ALEXANDER SMART: |
| HERD LADDIE |
|
| STILL SMALL VOICE |
|
CHRISTOPHER SMART: |
| A SONG TO DAVID |
|
| JUBILATE AGNO, SELS. |
|
THOMAS SMIBERT: |
| SCOTTISH WIDOW'S LAMENT |
|
ALEXANDER SMITH: |
| BALAKLAVA |
|
| BARBARA |
|
| EDINBURGH |
|
| GLASGOW |
|
| LADY BARBARA |
|
| THE NIGHT BEFORE THE WEDDING; OR, TEN YEARS AFTER |
|
| TO - |
|
CHARLOTTE SMITH: |
| BEACHY HEAD |
|
| ELEGIAC SONNET: 39. TO NIGHT |
|
| LOVE AND FOLLY; FROM THE FABLES OF LA FONTAINE |
|
| THE EMIGRANTS |
|
FLORENCE MARGARET SMITH: |
| NOT WAVING BUT DROWNING |
|
| THE CELTS |
|
| THE FROG PRINCE |
|
| THOUGHTS ABOUT THE PERSON FROM PORLOCK |
|
GARY SMITH: |
| EMILY DICKINSON |
|
WALTER CHALMERS SMITH: |
| GOD, ALL IN ALL |
|
| MISS PENELOPE LEITH |
|
| THE SELF-EXILED |
|
TOBIAS GEORGE SMOLLETT: |
| INDEPENDENCE |
|
| THE TEARS OF SCOTLAND |
|
| TO LEVEN WATER |
|
WILLIAM DEWITT SNODGRASS: |
| AFTER EXPERIENCE TAUGHT ME |
|
| APRIL INVENTORY |
|
| CAMPUS ON THE HILL |
|
| DE/COMPOSING ANIMAL |
|
| FATHER'S ST. VITUS' DANCE |
|
| HEART'S NEEDLE |
|
| JAUFRE RUDEL: LAN QUAN LI JORN |
|
| LOCKED HOUSE |
|
| MIDNIGHT CARNIVAL: TUNNEL OF ROMANCE |
|
| OLD APPLE TREES |
|
| POET RIDICULED BY HYSTERICAL ACADEMICS |
|
| VALEDICTION |
|
GARY SNYDER: |
| AXE HANDLES |
|
| BENEATH MY HAND AND EYE THE DISTANT HILLS. YOUR BODY |
|
| CALL OF THE WILD |
|
| FOR ALL |
|
| HAY FOR THE HORSES |
|
| MID-AUGUST AT SOURDOUGH MOUNTAIN LOOKOUT |
|
| NIGHT SONG OF THE LOS ANGELES BASIN |
|
| PIUTE CREEK |
|
| RIPRAP |
|
| THE TRAIL IS NOT A TRAIL |
|
GARY SOTO: |
| BLACK HAIR |
|
| HEAVEN |
|
| SHOPPING FOR A WOMAN |
|
| THE ELEMENTS OF SAN JOAQUIN: FIELD |
|
| THE ELEMENTS OF SAN JOAQUIN: SUN |
|
| THE ELEMENTS OF SAN JOAQUIN: WIND |
|
PHILIPPE SOUPAULT: |
| HORIZON; TO TRISTAN TZARA |
|
CAROLINE ANNE BOWLES SOUTHEY: |
| THE YOUNG GRAY HEAD |
|
ROBERT SOUTHEY: |
| A BALLAD, SHEWING HOW AN OLD WOMAN RODE DOUBLE AND WHO RODE BEFORE HER |
|
| BALLAD OF YOUNG MAN THAT WOULD READ UNLAWFUL BOOKS & HOW HE WAS PUNISH |
|
| BISHOP HATTO [AND THE RATS] |
|
| DEDICATORY SONNET TO HIS WIFE |
|
| FIRST LANDING OF THE PILGRIMS |
|
| FUNERAL SONG FOR THE PRINCESS CHARLOTTE OF WALES |
|
| KING CHARLEMAGNE |
|
| ODE TO A PIG WHILE HIS NOSE WAS BEING ROASTED |
|
| SONNET TO A PAINTER ATTEMPTING DELIA'S PORTRAIT |
|
| THE BATTLE OF BLENHEIM |
|
| THE CATARACT OF LODORE |
|
| THE COMPLAINTS OF THE POOR |
|
| THE HOLLY TREE |
|
| THE INCHCAPE ROCK |
|
| THE LIBRARY |
|
| THE OLD MAN'S COMFORTS AND HOW HE GAINED THEM |
|
| THE RETROSPECT |
|
| THE SAILOR WHO SERVED IN THE SLAVE-TRADE |
|
| THE SOLDIER'S WIFE |
|
| TO MARY WOLSTONECRAFT |
|
ROBERT SOUTHWELL: |
| A CHILD MY CHOICE |
|
| NEW HEAVEN, NEW WAR |
|
| THE BURNING BABE |
|
WOLE SOYINKA: |
| FUNERAL SERMON, SOWETO |
|
| TELEPHONE CONVERSATION |
|
STEPHEN SPENDER: |
| EPILOGUE TO A HUMAN DRAMA |
|
| FUNERAL |
|
| PYLONS |
|
| THE EXPRESS |
|
| THE LANDSCAPE NEAR AN AERODROME |
|
| THE TRULY GREAT |
|
| WORD |
|
EDMUND SPENSER: |
| AMORETTI: 30 |
|
LEONORA SPEYER: |
| FIDDLER'S FAREWELL |
|
| INDIANS (DEERFIELD MEMORIAL HALL) |
|
WILLIAM EDGAR STAFFORD: |
| A RITUAL TO READ TO EACH OTHER |
|
| ABSENCES |
|
| ALLEGIANCES |
|
| APOLOGIA PRO VITA SUA |
|
| ASK ME |
|
| AT THE UN-NATIONAL MONUMENT ALONG THE CANADIAN BORDER |
|
| BY THE SNAKE RIVER |
|
| DREAM OF NOW |
|
| FOR MY YOUNG FRIENDS WHO ARE AFRAID |
|
| INTRODUCTION TO SOME POEMS |
|
| LIGHT BY THE BARN |
|
| LITTLE WAYS THAT ENCOURAGE GOOD FORTUNE |
|
| OREGON MESSAGE |
|
| THINKING FOR BERKY |
|
| TRAVELING THROUGH THE DARK |
|
| YOU READING THIS, BE READY |
|
ALICE E. STALLINGS: |
| ASPHODEL (AFTER THE WORDS OF PENNY TURNER NYMPHAION GREECE) |
|
| DIRECTOR'S INSTRUCTIONS ON COMEDY |
|
| DOLL HOUSE |
|
| HADES WELCOMES HIS BRIDE |
|
| HOW THE DEMONS WERE ASSIMILATED & BECAME PRODUCTIVE CITIZENS |
|
| LULLABY FOR INSOMNIACS |
|
EDMUND CLARENCE STEDMAN: |
| AARON BURR'S WOOING |
|
| JOHN BROWN OF OSAWATOMIE [OCTOBER 16, 1859] |
|
| PAN IN WALL STREET |
|
| THE HAND OF LINCOLN |
|
GERTRUDE STEIN: |
| GUILLAUME APOLLINAIRE |
|
| STANZAS IN MEDITATION |
|
| SUSIE ASADO |
|
GERALD STERN: |
| BEHAVING LIKE A JEW |
|
| DANCING |
|
| EGG |
|
| IN BEAUTY BRIGHT |
|
| IN MEMORY OF W.H. AUDEN |
|
| LAST BLUE |
|
| LUCKY LIFE |
|
| ONE THING IN LIFE |
|
| RED COAL |
|
| RED COAL |
|
| THIS TIME |
|
WALLACE STEVENS: |
| ANECDOTE OF THE JAR |
|
| PETER QUINCE AT THE CLAVIER |
|
| SUNDAY MORNING |
|
| TEA AT THE PALAZ OF HOON |
|
| THE EMPEROR OF ICE-CREAM |
|
| THE IDEA OF ORDER AT KEY WEST |
|
| THE SNOW MAN |
|
| THIRTEEN WAYS OF LOOKING AT A BLACKBIRD |
|
ANNE STEVENSON: |
| A MARRIAGE |
|
| AT THE GRAVE OF EZRA POUND |
|
| INHERITING MY GRANDMOTHER'S NIGHTMARE |
|
| THE VICTORY |
|
ROBERT LOUIS STEVENSON: |
| ALL INFLUENCES WERE IN VAIN |
|
| AND THORNS, BUT DID THE SCULPTOR SPARE |
|
| BED IN SUMMER |
|
| CHRISTMAS AT SEA |
|
| ESCAPE AT BEDTIME |
|
| FOREIGN CHILDREN |
|
| FOREIGN LANDS |
|
| FROM A RAILWAY CARRIAGE |
|
| GARDEN DAYS: 2. NEST EGGS |
|
| LOVE'S VICISSITUDES |
|
| MARTIAL ELEGY FOR SOME LEAD SOLDIERS |
|
| MY SHADOW |
|
| SONGS OF TRAVEL: 1. THE VAGABOND |
|
| THE CHILD ALONE: 6. BLOCK CITY |
|
| THE LAMPLIGHTER |
|
| THE LAND OF COUNTERPANE |
|
| TO ALISON CUNNINGHAM; FROM HER BOY |
|
| UNDERWOODS: BOOK 1: 21. REQUIEM |
|
| UNDERWOODS: BOOK 1: 24 |
|
| UNDERWOODS: BOOK 1: 28. TO MY FATHER |
|
| UNDERWOODS: BOOK 2: 4 |
|
| WHERE GO THE BOATS? |
|
WILLIAM STIRLING-MAXWELL: |
| ABDICATION OF CHARLES V |
|
THOMAS TOD STODDART: |
| ANGLER'S VINDICATION |
|
| RIVER |
|
| TAKING OF THE SALMON |
|
MARK STRAND: |
| EATING POETRY |
|
| ELEGY FOR MY FATHER: 1. THE EMPTY BODY |
|
| ET CETERA, ET CETERA |
|
| KEEPING THINGS WHOLE |
|
| THE GARDEN |
|
| THE STORY OF OUR LIVES |
|
| VARIATIONS ON A THEME |
|
JOHN SUCKLING: |
| A BALLAD UPON A WEDDING |
|
| A SESSIONS OF THE POETS |
|
| CONSTANCY |
|
| ON RICHARD THE THIRD SUPPOSED TO BE BURIED UNDER BRIDGE AT LEICESTER |
|
| THE EXPOSTULATION |
|
| TO MY LOVE |
|
| WOMAN'S CONSTANCY |
|
JOHN D. SWAIN: |
| BALLADE OF FRANCOIS VILLON, AS HE WAS ABOUT TO DIE |
|
KAREN SWENSON: |
| AKHMATOVA |
|
MAY SWENSON: |
| ANALYSIS OF BASEBALL |
|
| CENTAUR |
|
| QUESTION |
|
| THE DNA MOLECULE |
|
JONATHAN SWIFT: |
| A DESCRIPTION OF A CITY SHOWER |
|
| A DESCRIPTION OF THE MORNING |
|
| A SATIRICAL ELEGY ON THE DEATH OF A LATE FAMOUS GENERAL |
|
| IN SICKNESS (1714) |
|
| ON THE DEATH OF DR. SWIFT |
|
ALGERNON CHARLES SWINBURNE: |
| A BALLAD OF FRANCOIS VILLON |
|
| A FORSAKEN GARDEN |
|
| AVE ATQUE VALE; IN MEMORY OF CHARLES BAUDELAIRE |
|
| MEMORIAL VERSES ON THE DEATH OF THEOPHILE GAUTIER |
|
| MEMORIAL VERSES ON THE DEATH OF WILLIAM BELL SCOTT |
|
| SONNETS ON ENGLISH DRAMATIC POETS: 14. JAMES SHIRLEY |
|
| THE TRIUMPH OF TIME |
|
| TO JOHN NICHOL |
|
RANDALL SWINGLER: |
| ACRES OF POWER |
|
| ENVOI |
|
| IN DEATH THE EYES ARE STILL |
|
| LETTER: 1 |
|
| LETTER: 7 |
|
| LETTER: 8 |
|
| POEM |
|
| POSSIBLE |
|
| PRISONER |
|
| SIXTY CUBIC FEET |
|
| STRANGE FIELDS |
|
| SWANS |
|
| THEY LIVE |
|
JOHN ADDINGTON SYMONDS: |
| THE CAMERA OBSCURA |
|
| THE JEWS' CEMETERY ON THE LIDO |
|
| THE SONNET |
|
GARY SYNDER: |
| MID-AUGUST AT SOURDOUGH MOUNTAIN LOOKOUT |
|
WISLAWA SZYMBORSKA: |
| A FEW WORDS ON THE SOUL |
|
| A FILM FROM THE SIXTIES |
|
| A MOMENT IN TROY |
|
| A TERRORIST IS WATCHING |
|
| CENSUS |
|
| CLOCHARD |
|
| EVERYTHING |
|
| EXPERIEMENT |
|
| FAMILY ALBUM |
|
| FOUR A.M. |
|
| GOING HOME |
|
| HATRED |
|
| HITLER'S FIRST PHOTOGRAPH |
|
| IN PRAISE OF FEELING BAD ABOUT YOURSELF |
|
| LOT'S WIFE |
|
| MEMORY AT LAST |
|
| NEGATIVE |
|
| ON DEATH, WITHOUT EXAGGERATION |
|
| ON THE QUESTION OF PORNOGRAPHY |
|
| ONE VERSION OF EVENTS |
|
| PIETA |
|
| PORTRAIT OF A WOMAN |
|
| REPORT FROM THE HOSPITAL |
|
| RUBENS' WOMEN |
|
| SMILES |
|
| SOME PEOPLE |
|
| STAGE FRIGHT |
|
| STARVATION CAMP NEAR JASLO |
|
| STILL |
|
| THE ACROBAT |
|
| THE JOY OF WRITING |
|
| THE SILENCE OF PLANTS |
|
| THE TERRORIST, HE WATCHES |
|
| THEATER IMPRESSIONS |
|
| TORTURES |
|
| TRUE LOVE |
|
| UTOPIA |
|
| VIETNAM |
|
| VIEW WITH A GRAIN OF SAND |
|
| WE'RE EXTREMELY FORTUNATE |
|
| WRONG NUMBER |
|
JOHN BANISTER TABB: |
| THE DIFFERENCE |
|
ROBERT TANNAHILL: |
| GOOD NIGHT |
|
| JESSIE, THE FLOWER O' DUNBLANE |
|
| NOW WINTER, WI' HIS CLOUDY BROW |
|
JAMES TATE: |
| A SHIPWRECKED PERSON |
|
| ABANDONED CONCEPTIONS |
|
| DREAM ON |
|
| HOW THE POPE IS CHOSEN |
|
| I SHOULD HAVE BEEN A TREE |
|
| IN HIS HUT SAT BABA JAGA, HAG-FACED AND WITH A LEG OF CLAY |
|
| INTIMIDATIONS OF AN AUTOBIOGRAPHY |
|
| TEACHING THE APE TO WRITE POEMS |
|
| THE BLUE BOOBY |
|
| THE LOST PILOT |
|
| THE WHEELCHAIR BUTTERFLY |
|
| WITCHES |
|
JOHN ORLEY ALLEN TATE: |
| HORATIAN EPODE TO THE DUCHESS OF MALFI |
|
| INTELLECTUAL DETACHMENT |
|
| MR. POPE |
|
| ODE TO THE CONFEDERATE DEAD |
|
| PARTHENIA |
|
NAHUM TATE: |
| FOR NEW YEAR'S DAY 1698 |
|
| FOR NEW YEAR'S DAY 1703 |
|
| FOR THE KING'S BIRTHDAY 1697 |
|
| SONG OF THE ANGELS AT THE NATIVITY |
|
| TO THE AUTHOR ON HIS EXCELLENT POEMS |
|
BAYARD TAYLOR: |
| BEDOUIN [LOVE] SONG |
|
| EPICEDIUM: WILLIAM CULLEN BRYANT |
|
| THE QUAKER WIDOW |
|
| THE SONG OF THE CAMP |
|
RACHEL ANNAND TAYLOR: |
| NIGHT OBSCURE OF THE SOUL |
|
| THE IMMORTAL HOUR |
|
| THE ROMAN ROAD |
|
ALFRED TENNYSON: |
| BREAK, BREAK, BREAK |
|
| CROSSING THE BAR |
|
| IDYLLS OF THE KING: DEDICATION |
|
| IN MEMORIAM A.H.H. (COMPLETE) |
|
| LOCKSLEY HALL |
|
| LOCKSLEY HALL SIXTY YEARS AFTER |
|
| MARIANA |
|
| MAUD |
|
| OENONE |
|
| THE BROOK; AN IDYL |
|
| THE CHARGE OF THE HEAVY BRIGADE AT BALACLAVA: THE CHARGE |
|
| THE CHARGE OF THE LIGHT BRIGADE |
|
| THE EAGLE; A FRAGMENT |
|
| THE GRANDMOTHER'S APOLOGY |
|
| THE GRAVE OF A SUICIDE |
|
| THE KRAKEN |
|
| THE LADY OF SHALOTT |
|
| THE LOTOS-EATERS |
|
| THE MAY QUEEN |
|
| THE PRINCESS: SONG |
|
| THE PRINCESS: [BUGLE] SONG |
|
| THE REVENGE; A BALLAD OF THE FLEET |
|
| TITHONUS |
|
| ULYSSES |
|
CELIA THAXTER: |
| THE FLIGHT OF THE GODDESS |
|
CELIA LEIGHTON THAXTER: |
| THE SANDPIPER |
|
WILLIAM THOM: |
| DREAMINGS OF THE BEREAVED |
|
| THE BLIND BOY'S PRANKS |
|
| THE MITHERLESS BAIRN |
|
DYLAN THOMAS: |
| A REFUSAL TO MOURN THE DEATH, BY FIRE, OF A CHILD IN LONDON |
|
| A WINTER'S TALE |
|
| ALTARWISE BY OWL-LIGHT |
|
| BALLAD OF THE LONG-LEGGED BAIT |
|
| CEREMONY AFTER A FIRE RAID |
|
| DEATH AND ENTRANCES |
|
| DO NOT GO GENTLE INTO THAT GOOD NIGHT |
|
| EARS IN THE TURRETS HEAR |
|
| ESPECIALLY WHEN THE OCTOBER WIND |
|
| FERN HILL |
|
| I SEE THE BOYS OF SUMMER |
|
| IN MEMORY OF ANN JONES |
|
| IN MY CRAFT OR SULLEN ART |
|
| LIGHT BREAKS WHERE NO SUN SHINES |
|
| ON THE MARRIAGE OF A VIRGIN |
|
| POEM IN OCTOBER |
|
| THE CONVERSATION OF PRAYER |
|
| THE FORCE THAT THROUGH THE GREEN FUSE DRIVES THE FLOWER |
|
| THE HAND THAT SIGNED THE PAPER FELLED A CITY |
|
| THE HUNCHBACK IN THE PARK |
|
| TWENTY-FOUR YEARS REMIND THE TEARS OF MY EYES |
|
PHILIP EDWARD THOMAS: |
| ADLESTROP |
|
| ASPENS |
|
| MELANCHOLY |
|
| OLD MAN |
|
| OUT IN THE DARK OVER THE SNOW |
|
| RAIN |
|
| TALL NETTLES |
|
| THE CHERRY TREES |
|
| THE SUN USED TO SHINE |
|
FRANCIS THOMPSON: |
| A CORYMBUS FOR AUTUMN |
|
| AT LORD'S [CRICKET GROUND] |
|
| THE HOUND OF HEAVEN |
|
| THE KINGDOM OF GOD |
|
| THE MISTRESS OF VISION |
|
| TO A SNOWFLAKE |
|
JAMES THOMSON (1700-1748): |
| A NUPTIAL SONG |
|
| A POEM SACRED TO THE MEMORY OF SIR ISAAC NEWTON |
|
| BRITANNIA |
|
| THE CASTLE OF INDOLENCE: CANTO 1 |
|
| THE CASTLE OF INDOLENCE: CANTO 2 |
|
| THE SEASONS: AUTUMN |
|
JAMES THOMSON (1834-1882): |
| ART |
|
| DESPOTISM TEMPERED BY DYNAMITE |
|
| E.B.B., 1861 |
|
| IN THE ROOM |
|
| POLISH INSURGENT |
|
| REAL VISION OF SIN |
|
| SIBERIA |
|
| SUNDAY AT HAMPSTEAD: 10 |
|
| SUNDAY UP THE RIVER: 15 |
|
| THE CITY OF DREADFUL NIGHT: PROEM |
|
| WILLIAM BLAKE |
|
HENRY DAVID THOREAU: |
| MUSIC |
|
| POVERTY |
|
| SIC VITA |
|
CHIDIOCK TICHBORNE: |
| TICHBORNE'S ELEGY, WRITTEN IN THE TOWER BEFORE HIS EXECUTION |
|
HENRY TIMROD: |
| ETHNOGENESIS |
|
| THE COTTON BOLL |
|
JOHN TODHUNTER: |
| EUTHANASIA |
|
| FAIRY GOLD |
|
| IN THE LOUVRE |
|
| SUNBURST |
|
| THE BANSHEE |
|
| THE SWANS' LAMENT FOR THE DESOLATION OF LIR |
|
AURELIAN TOWNSEND: |
| YOUTH AND BEAUTY |
|
HERBERT TRENCH: |
| ODE ON A SILVER BIRCH IN ST. JAMES'S PARK |
|
NATASHA TRETHEWEY: |
| ACCOUNTING |
|
| AMATEUR FIGHTER |
|
| BELLOCQ'S OPHELIA |
|
| CALLING HIS CHILDREN HOME |
|
| CLOSING TIME |
|
| COLLECTION DAY |
|
| DEEDYWOPS |
|
| DOMESTIC WORK, 1937 |
|
| DR. SAMUEL ADOLPHUS CARTWRIGHT ON DISSECTING THE WHITE NEGRO, 1851 |
|
| DRAPERY FACTORY, GULFPORT, MISSISSIPPI, 1956 |
|
| EARLY EVENING, FRANKFORT, KENTUCKY |
|
| ELEGY FOR MY FATHER |
|
| EXPECTANT |
|
| FLOUNDER |
|
| GENUS NARCISSUS |
|
| GRAVEYARD BLUES |
|
| HISTORY LESSON |
|
| INCIDENT |
|
| KITCHEN MAID WITH SUPPER AT EMMAUS, OR THE MULATA |
|
| LAYING THE WAVES |
|
| LETTER HOME |
|
| LIMEN |
|
| MISCEGENATION |
|
| MONUMENT |
|
| MYTH |
|
| MYTHMAKER |
|
| NAOLA BEAUTY ACADEMY, NEW ORLEANS, 1945 |
|
| NATIVE GUARD |
|
| PHOTOGRAPH OF A BAWD DRINKING RALEIGH RYE |
|
| PICTURE GALLERY |
|
| PILGRIMAGE |
|
| PROVIDENCE |
|
| SATURDAY DRIVE |
|
| SATURDAY MATINEE |
|
| SECULAR |
|
| SELF-EMPLOYMENT, 1970 |
|
| SIGNS, OAKVALE, MISSISSIPPI, 1941 |
|
| SOUTH |
|
| SPECULATION, 1939 |
|
| STORYVILLE DIARY |
|
| TABLEAU |
|
| THE FOUR CORNERS |
|
| THE HOUSE DOWN THE STREET |
|
| THE SOUTHERN CRESCENT |
|
| THEORIES OF TIME AND SPACE |
|
| THREE PHOTOGRAPHS: 1. DAYBOOK, APRIL 1901 |
|
| THREE PHOTOGRAPHS: 2. CABBAGE VENDOR |
|
| VESPERTINA COGNITIO |
|
| WHAT IS EVIDENCE |
|
| WHITE LIES |
|
EVA TRIEM: |
| CHARLES BAUDELAIRE IN THE BOIS |
|
JOHN TOWNSEND TROWBRIDGE: |
| THE OLD MAN OF THE MOUNTAIN; PROFILE NOTCH, FRANCONIA |
|
| THE VAGABONDS |
|
FREDERICK GODDARD TUCKERMAN: |
| MARK ATHERTON |
|
| THE CRICKET |
|
| THE SUPERLATIVE |
|
KATHARINE TYNAN: |
| A MEMORY |
|
| A SONG OF ST. ANNE |
|
| A WOMAN COMMENDS HER LITTLE SON |
|
| AFTER GREAT DROUGHT |
|
| AFTER JUTLAND |
|
| ALICE MEYNELL |
|
| AN ANTHEM IN HEAT |
|
| AN OLD SONG RE-SUNG |
|
| ANY WOMAN |
|
| AT EUSTON STATION |
|
| AUX CARMELITES |
|
| BLACKBIRD |
|
| BLESSINGS |
|
| CHANTICLEER |
|
| CONVENT GARDEN |
|
| DE PROFUNDIS |
|
| EIGHTY YEARS OLD |
|
| EVERYTHING THAT I MADE |
|
| FLYING WHEEL |
|
| FOGGY DEW |
|
| GEORGE WYNDHAM: JUNE 8TH, 1913 |
|
| HOLY INNOCENTS |
|
| I WAS BORN UNDER A KIND STAR |
|
| IMMORTALITY |
|
| IRISH HILLS |
|
| LAST NIGHT |
|
| LAVENDER |
|
| MAN OF THE HOUSE |
|
| MATER DEI |
|
| NEW HEAVEN |
|
| NYMPHS |
|
| OF AN ORCHARD |
|
| OUR LADY OF PITY |
|
| PALESTINE |
|
| QUIET EYES |
|
| ROSA MYSTICA |
|
| SAINT FRANCIS AND THE WOLF |
|
| SHAMROCK SONG |
|
| SHEEP AND LAMBS |
|
| SLOW SPRING |
|
| ST. FRANCIS TO THE BIRDS |
|
| TEN LEPERS |
|
| THE ASS OF HEAVEN |
|
| THE CALL |
|
| THE CHILDLESS WOMAN |
|
| THE CHILDREN OF LIR |
|
| THE DOVES |
|
| THE GHOST |
|
| THE IRISH PIPES |
|
| THE NURSE |
|
| THE ONLY CHILD |
|
| THE WEEPING BABE |
|
| VITA NUOVA |
|
| WAITING |
|
FEODOR (FYODOR) IVANOVICH TYUTCHEV: |
| AS OCEAN'S STREAM GIRDLES THE BALL OF EARTH |
|
| AUTUMN EVENING |
|
| JULY 14, AT NIGHT |
|
| NAY, IN A POET PUT NO TRUST |
|
| NO SICKNESS OF THE FLESH IS OURS TODAY |
|
| OH, THOU, MY WIZARD SOUL, OH, HEART |
|
| SILENTIUM |
|
| SPRING THUNDER |
|
TRISTAN TZARA: |
| ANGEL |
|
| DEATH OF GUILLAUME APOLLINAIRE |
|
| MANIFESTO ON FEEBLE AND BITTER LOVE |
|
| MONSIEUR AA, ANTIPHILOSOPHER: 1 |
|
| THE MOON HAS TURNED AMISS |
|
| XIII |
|
MARINA IVANOVNA TZVETAYEVA: |
| ...I'D LIKE TO LIVE WITH YOU |
|
| ATTEMPT AT JEALOUSY |
|
| BENT WITH WORRY |
|
| POEMS TO BLOK |
|
| TO KISS A FOREHEAD IS TO ERASE WORRY |
|
| TO VLADIMIR MAYAKOVSKY |
|
| VERSES ABOUT MOSCOW, SELS |
|
| WHERE DOES THIS TENDERNESS COME FROM? |
|
MIGUEL DE UNAMUNO: |
| IT IS NIGHT, IN MY STUDY |
|
| SALAMANCA |
|
| THE SNOWFALL IS SO SILENT |
|
| THROW YOURSELF LIKE SEED |
|
EVELYN UNDERHILL: |
| NON-COMBATANTS |
|
UNKNOWN: |
| JOHNNY, I HARDLY KNEW YE |
|
| RAKES OF MALLOW |
|
JEAN STARR UNTERMEYER: |
| A SOLDIER LISTENS |
|
LOUIS UNTERMEYER: |
| CHALLENGE |
|
| RETURN TO THE BIRDS |
|
| SONGS AND THE POET (FOR SARA TEASDALE) |
|
| THE WISE WOMAN |
|
ELAINE MARIA UPTON: |
| STORY |
|
HENRY VALENTINE: |
| BEGGAR'S LAMENT |
|
JEAN VALENTINE: |
| ABORTION CHILD |
|
| AT THE CONFERENCE ON WOMEN IN THE ACADEMY |
|
| DOOR IN THE MOUNTAIN |
|
| JAMES WRIGHT: IN MEMORY |
|
| MESSENGER: 1. THE FATHER |
|
| ORPHEUS AND EURYDICE |
|
| RIVER AT WOLF |
|
| SILENCES: A DREAM OF GOVERNMENTS |
|
CESAR VALLEJO: |
| A MAN WALKS BY WITH A LOAF OF BREAD ON HIS SHOULDER |
|
| ABSOLUTE |
|
| AGAPE |
|
| ANGER |
|
| COMMUNION |
|
| DEAD IDYLL |
|
| FOR THE IMPOSSIBLE SOUL OF MY BELOVED |
|
| FORBIDDEN LOVE |
|
| FRESCO |
|
| FUNEREAL DRUM-ROLL FOR THE REMAINS OF DURANGO |
|
| HAVE YOU ANYTHING TO SAY IN YOUR DEFENSE |
|
| HUACO |
|
| HYMN TO THE VOLUNTEERS OF THE REPUBLIC |
|
| I AM GOING TO TALK ABOUT HOPE' |
|
| IT WAS SUNDAY IN THE FAIR EARS OF MY BURRO |
|
| LITTLE PRAYER FOR A LOYALIST HERO |
|
| MASSES |
|
| MINERS |
|
| NERVOUS FIT OF ANGUISH |
|
| NUDE IN CLAY |
|
| OUR BREAD |
|
| PEDRO ROJAS |
|
| SACRED DEFOLIATION |
|
| THE BLACK CUP |
|
| THE BLACK MESSENGERS |
|
| THE HUNGRY MAN'S WHEEL |
|
| TODAY I LIKE LIFE MUCH LESS |
|
| TRILCE: 18 |
|
| TRILCE: 56 |
|
| TRILCE: 57 |
|
| TRILCE: 59 |
|
| TRILCE: 61 |
|
| TRILCE: 63 |
|
| TRILCE: 65 |
|
| TRILCE: 72 |
|
| TRILCE: 73 |
|
| TRILCE: 77 |
|
| VOICE OF THE MIRROR |
|
| WHITE ROSE |
|
MONA VAN DUYN: |
| A BOUQUET OF ZINNIAS |
|
| A CHRISTMAS CARD, AFTER THE ASSASSINATIONS |
|
| ADVICE TO GOD |
|
| AT THE NEW ORLEANS ZOO |
|
| BURNING OF YELLOWSTONE |
|
| DEATH BY AESTHETICS |
|
| FOR MAY SWENSON |
|
| LETTERS FROM A FATHER |
|
| THE VISION TEST |
|
HENRY VAUGHAN: |
| A SONG TO AMORET |
|
| AFFLICTION |
|
| EASTER HYMN |
|
| PEACE |
|
| REGENERATION |
|
| SILEX SCINTIALLANS: THEY ARE ALL GONE |
|
| THE NIGHT |
|
| THE RETREAT |
|
| THE STAR |
|
| THE TIMBER |
|
| THE TRUE CHRISTMAS |
|
| THE WATERFALL |
|
| THE WORLD (1) |
|
DAVID VEDDER: |
| TO ORKNEY |
|
PAUL VERLAINE: |
| A BAD SLEEPER |
|
| A FORGOTTEN TUNE |
|
| AN EXCHANGE OF FEELINGS |
|
| ANOTHER SONG WITHOUT WORDS |
|
| APATHY |
|
| ARS POETICA |
|
| ARSEHOLE |
|
| AUTUMN SONG |
|
| CHANSON D'AUTOMNE |
|
| COLLOQUE SENTIMENTAL |
|
| CORTEGE |
|
| FEMME ET CHATTE |
|
| FETES GALANTES: A CLYMENE |
|
| FETES GALANTES: CYTHERE |
|
| FETES GALANTES: FANTOCHES |
|
| FETES GALANTES: L'ALEE |
|
| FETES GALANTES: L'AMOUR PAR TERRE |
|
| FETES GALANTES: LES INDOLENTS |
|
| FETES GALANTES: MANDOLINE |
|
| FETES GALANTES: PANYOMIME |
|
| FETES GALANTES: ROMANCES SANS PAROLE: 7 |
|
| FROM SAGESSE |
|
| GREEN |
|
| IL BACIO |
|
| IL PLEUT DOUCEMENT SUR LA VILLE |
|
| IN THE WOODS |
|
| LANGUOR |
|
| LATE WISDOM |
|
| MOONLIGHT |
|
| MY FAMILIAR DREAM |
|
| MYSTCIAL EVENING TWILIGHT |
|
| O HEARKEN THE SO GENTLE PLAINT |
|
| OH SAD, SAD WAS MY SOUL |
|
| ON THE BALCONY |
|
| SENTIMENAL COLLOQUY |
|
| SONG OF AUTUMN |
|
| SPLEEN |
|
| SPRING |
|
| SUR L'HERBE |
|
| TEARS FALL IN MY HEART |
|
| THE ART OF POETRY; TO CHARLES MORICE |
|
| THE GOODLY SONG |
|
| THE NIGHTINGALE |
|
| THE SHPEHERD'S HOUR |
|
| THE SONG OF THE INGENUES |
|
| THE SPELL |
|
| THE WHITE MOON |
|
| WHAT HAVE YOU DONE? |
|
| WOMAN AND CAT |
|
FRANCIS VIELE-GRIFFIN: |
| IN MEMORIAM: STEPHANE MALLARME |
|
GEORGE SYLVESTER VIERECK: |
| CHILDREN OF LILITH |
|
| THE CANDLE AND THE FLAME |
|
PETER VIERECK: |
| 60TH BIRTHDAY |
|
| AFFIRMATION: 1. GLADNESS ODE |
|
| AFFIRMATION: 2. IN DEFENSE OF GLADNESS |
|
| AFFIRMATION: 3. THE KILLER AND THE DOVE |
|
| AT MY HOSTPIAL WINDOW: SACERDOTAL |
|
| COUNTER-SERENADE: SHE INVOKES THE AUTUMN INSTANT |
|
FRANCOIS VILLON: |
| A DOUBLE BALLAD OF GOOD COUNSEL |
|
| ARBOR AMORIS |
|
| BALLAD |
|
| BALLAD |
|
| BALLAD |
|
| BALLAD FOR FAT MARGOT |
|
| BALLAD OF PROVERBS |
|
| BALLAD OF THE LORDS OF OLD TIME |
|
| BALLAD OF THE WOMEN OF PARIS |
|
| BALLAD: THE DAMES OF THE OLDEN TIME |
|
| BALLAD: THE KNIGHTS OF THE OLDEN TIME |
|
| BALLAD: THE THINGS OF NO ACCOUNT |
|
| BALLADE AGAINST THE ENEMIES OF FRANCE |
|
| BALLADE OF THE MEN WHO WERE HANGED |
|
| BALLADE OF WENCHES |
|
| DIOMEDES |
|
| EPISTLE IN FORM OF A BALLAD TO HIS FRIENDS |
|
| EPITAPH IN BALLADE FORM |
|
| FRAGMENT ON DEATH |
|
| HIS MOTHER'S SERVICE TO OUR LADY |
|
| HIS OWNE EPITAPH |
|
| I AM FRANCOIS, TO MY DISMAY |
|
| TESTAMENT: 1 |
|
| TESTAMENT: 22 |
|
| TESTAMENT: 23 |
|
| TESTAMENT: 25 |
|
| THE COMPLAINT OF THE FAIR ARMOURESS |
|
| THE DISPUTE OF THE HEART AND BODY OF FRANCOIS VILLON |
|
| THE EPITAPH IN FORM OF A BALLAD |
|
| THE OLD WOMAN LAMENTS THE DAYS OF HER YOUTH |
|
| VILLON'S EPITAPH |
|
DAVID WAGONER: |
| A GUIDE TO THE FIELD |
|
| AFTER THE SPEECH TO THE LIBRARIANS |
|
| APPLYING FOR A LOAN WITH THE HELP OF THE DICTIONARY OF OCCUP. TITLES |
|
| BENJAMIN FRANKLIN AND THE DUST DEVIL |
|
| BETWEEN NEIGHBORS |
|
| ELEGY FOR A SECRET AGENT |
|
| HOUSE OF SONG |
|
| JOURNEY: STANDING IN THE MIDDLE OF A DESERT |
|
| LOST |
|
| THE ESCAPED GORILLA |
|
| THE GOOD NIGHT AND GOOD MORNING OF FEDERICO GARCIA LORCA |
|
| THE PRINCIPLES OF CONCEALMENT |
|
| THEIR BODIES |
|
| TRYING TO WRITE A POEM WHILE THE COUPLE UPSTAIRS MAKE LOVE |
|
| TV EDITORIAL |
|
| UNDER ALL SPEECH |
|
DEREK WALCOTT: |
| A FAR CRY FROM AFRICA |
|
| CRUSOE'S ISLAND |
|
| GROS-ILET |
|
| LOVE AFTER LOVE |
|
| MARINA TSVETAEVA |
|
| RUINS OF A GREAT HOUSE |
|
| SCHOONER FLIGHT |
|
| SEASON OF PHANTASMAL PEACE |
|
ANNE WALDMAN: |
| ALONE IN HER SPRINT OF HIM |
|
| FAST SPEAKING WOMAN |
|
| MATRIARCHLY |
|
MARGARET ABIGAIL WALKER: |
| 1933 |
|
| AFRICA |
|
| AMOS (POSTSCRIPT, 1968) |
|
| AT THE LINCOLN MONUMENT IN WASHINGTON, AUGUST 28, 1963 |
|
| BAD-MAN STAGOLEE |
|
| BALLAD FOR PHILLIS WHEATLEY |
|
| FOR MALCOLM X |
|
| FOR MY PEOPLE |
|
| LINEAGE |
|
RONALD W. WALLACE: |
| CONDOMS |
|
| STUDENT THEME |
|
EDMUND WALLER: |
| BATTLE OF THE SUMMER ISLANDS |
|
| OF ENGLISH VERSE |
|
| OF THE LAST VERSES IN THE BOOK |
|
| ON A GIRDLE |
|
| ON ST. JAMES PARK, AS LATELY IMPROVED BY HIS MAJESTY |
|
| PANEGYRICK TO MY LORD PROTECTOR |
|
| SONG |
|
| THE STORY OF PHOEBUS [OR APOLLO] AND DAPHNE APPLIED |
|
| TO A LADY SINGING |
|
EDWARD WALSH: |
| MAIRGREAD NI CHEALLEADH |
|
| MO CRAOIBHIN CNO (MY CLUSTER OF NUTS) |
|
| ON THE COLD SOD THAT'S O'ER YOU |
|
IZAAK WALTON: |
| THE ANGLER'S WISH |
|
JOHN BYRNE LEICESTER WARREN: |
| A SONG OF FAITH FORSWORN |
|
ROBERT PENN WARREN: |
| A WAY TO LOVE GOD |
|
| ALF BURT, TENANT FARMER |
|
| AUDUBON: 7. TELL ME A STORY |
|
| BALLAD OF BILLIE POTTS |
|
| BALLAD: BETWEEN THE BOXCARS (1923) |
|
| BICENTENNIAL |
|
| CHIEF JOSEPH OF THE NEZ PERCE |
|
| EVENING HAWK |
|
| HEART OF AUTUMN |
|
| MORTAL LIMIT |
|
| PONDY WOODS |
|
| PROMISES: 2. COURT-MARTIAL |
|
| SAN FRANCISCO NIGHT WINDOWS |
|
| SILA |
|
| SONNET OF AUGUST DROUTH |
|
| SPELEOLOGY |
|
| THE DAY DR. KNOX DID IT |
|
| THE LIMITED |
|
| TRUE LOVE |
|
THOMAS WARTON THE ELDER: |
| A FAREWELL TO POETRY |
|
| VERSES ON HENRY THE EIGHTH'S SEIZING THE ABBEY-LANDS |
|
JOSEPH WARTON: |
| ODE TO FANCY |
|
| THE ENTHUSIAST, OR, THE LOVER OF NATURE |
|
AUGUSTA DAVIES WEBSTER: |
| A CASTAWAY |
|
| CIRCE |
|
| THE HAPPIEST GIRL IN THE WORLD |
|
CHARLES WEEKES: |
| POPPIES |
|
| SOLSTICE |
|
AMOS RUSSEL WELLS: |
| FAILURE |
|
| THINGS! THINGS! THINGS! |
|
| WHEN THE FIRST TEETH GO |
|
| WHO KILLED THE PLAN? |
|
DAVID WHEATLEY: |
| SONNETS TO JAMES CLARENCE MANGAN |
|
PHILLIS WHEATLEY: |
| A FAREWELL TO AMERICA, TO MRS. S. W. |
|
| AN HYMN TO THE EVENING |
|
| HIS EXCELLENCY GENERAL WASHINGTON |
|
| ON BEING BROUGHT FROM AFRICA TO AMERICA |
|
| ON IMAGINATION |
|
| ON VIRTUE |
|
| TO S.M., A YOUNG AFRICAN PAINTER, ON SEEING HIS WORKS |
|
HENRY KIRKE WHITE: |
| CLIFTON GROVE |
|
| THE EARLY PRIMROSE |
|
| THE STAR OF BETHLEHEM |
|
JETT W. WHITEHEAD: |
| MAKING POEMS |
|
SARAH HELEN POWER WHITMAN: |
| BEAUTIFUL ORIGINAL POEM; TO EDGAR ALLAN POE |
|
| HYMN WRITTEN FOR THE CONSECRATION OF SWAN POINT CEMETERY |
|
WALT WHITMAN: |
| AS I WALK THESE BROAD MAJESTIC DAYS OF PEACE |
|
| BEAT! BEAT! DRUMS! |
|
| CROSSING BROOKLYN FERRY |
|
| DIRGE FOR TWO VETERANS |
|
| GOOD-BYE MY FANCY! |
|
| I HEAR AMERICA SINGING |
|
| O CAPTAIN! MY CAPTAIN! |
|
| PRESIDENT LINCOLN'S BURIAL HYMN |
|
| SONG OF MYSELF |
|
| SONG OF THE OPEN ROAD |
|
| SONG OF THE REDWOOD-TREE |
|
| TO A LOCOMOTIVE IN WINTER |
|
| TO YOU (3) |
|
ISABELLA WHITNEY: |
| A LETTER TO HER INCONSTANT LOVER |
|
JOHN GREENLEAF WHITTIER: |
| ASTRAEA |
|
| BANISHED FROM MASSACHSETTS; 1660 (PAINTING BY E. A. ABBEY) |
|
| BARBARA FRIETCHIE [SEPTEMBER 13, 1862] |
|
| BOLIVAR |
|
| MAUD MULLER |
|
| SNOWBOUND |
|
CORNELIUS WHUR: |
| THE FIRST-RATE WIFE |
|
RICHARD WILBUR: |
| A BAROQUE WALL-FOUNTAIN IN THE VILLA SCIARRA |
|
| A BARRED OWL |
|
| A FABLE |
|
| A WEDDING TOAST |
|
| A WORLD WITHOUT OBJECTS IS A SENSIBLE EMPTINESS |
|
| ADVICE TO A PROPHET |
|
| AFTER THE LAST BULLETINS |
|
| AGENT |
|
| ALATUS |
|
| BALLADE FOR THE DUKE OF ORLEANS |
|
| BEASTS |
|
| BEOWULF |
|
| BOY AT THE WINDOW |
|
| CASTLES AND DISTANCES |
|
| CEREMONY |
|
| DEATH OF A TOAD |
|
| EPISTEMOLOGY |
|
| EXEUNT |
|
| FIRE-TRUCK |
|
| FOR C. |
|
| FOR K.R. ON HER SIXTIETH BIRTHDAY |
|
| FOR THE STUDENT STRIKERS |
|
| HOLE IN THE FLOOR; FOR RENE MAGRITTE |
|
| IN A CHURCHYARD |
|
| IN THE SMOKING-CAR |
|
| JUGGLER |
|
| JUNE LIGHT |
|
| JUNK |
|
| LOOKING INTO HISTORY |
|
| LOVE CALLS US TO THE THINGS OF THIS WORLD |
|
| LYING |
|
| MATTHEW VIII, 28 FF |
|
| MUSEUM PIECE |
|
| ON HAVING MISIDENTIFIED A WILD FLOWER |
|
| ORCHARD TREES, JANUARY |
|
| PARABLE |
|
| PRAISE IN SUMMER |
|
| PURITANS |
|
| RIDDLE |
|
| SHAME |
|
| STILL, CITIZEN SPARROW |
|
| THE BEAUTIFUL CHANGES |
|
| THE HOUSE |
|
| THE MIND-READER |
|
| THE PRISONER OF ZENDA |
|
| THE PROOF |
|
| THE RIDE |
|
| THE WRITER |
|
| TO THE ETRUSCAN POETS |
|
| TRANSIT |
|
| TWO VOICES IN A MEADOW |
|
ELLA WHEELER WILCOX: |
| AS YOU GO THROUGH LIFE |
|
| I AM |
|
| LOVE'S BURIAL |
|
| SOLITUDE |
|
| THE WINDS OF FATE |
|
OSCAR WILDE: |
| APOLOGIA |
|
| ATHANASIA |
|
| AVE IMPERATRIX |
|
| E TENEBRIS [FROM THE SHADOWS] |
|
| ENDYMION |
|
| FANTAISIES DECORATIVES: 1. LE PANNEAU |
|
| LA BELLA DONNA DEL MIA MENTE |
|
| LIBERTATIS SACRA FAMES |
|
| PAN: DOUBLE VILLANELLE |
|
| PANTHEA |
|
| PHEDRE |
|
| POEMS IN PROSE: 1. THE ARTIST |
|
| PORTIA |
|
| QUANTUM MUTATA |
|
| QUEEN HENRIETTA MARIA |
|
| QUIA MULTUM AMAVI |
|
| RAVENNA |
|
| REQUIESCAT |
|
| ROME UNVISITED |
|
| SEN ARTYSTY; OR, THE ARTIST'S DREAM (FROM HELENA MODJESKA) |
|
| SONNET. ON THE MASSACRE OF CHRISTIANS IN BULGARIA |
|
| THE HARLOT'S HOUSE |
|
| THE NEW HELEN |
|
| THE SPHINX |
|
| THE THEATRE AT ARGOS |
|
| THEOCRITUS; A VILLANELLE |
|
| TO MILTON |
|
CHARLES KENNETH WILLIAMS: |
| AFTER AUSCHWITZ |
|
| BISHOP TUTU'S VISIT TO THE WHITE HOUSE: 1984 |
|
| BONE |
|
| CITY IN THE HILLS |
|
| DANCE |
|
| DAY FOR ANNE FRANK |
|
| DEMAGOGUE |
|
| GIFT |
|
| GUATEMALA: 1964 |
|
| HEARTH |
|
| HERCULES, DEIANIRA, NESSUS |
|
| MIDAS |
|
| NAIL |
|
HELEN MARIA WILLIAMS: |
| SONNET TO HOPE |
|
MILLER WILLIAMS: |
| A POEM FOR EMILY |
|
| A TENTH ANNIVERSARY PHOTOGRAPH, 1952 |
|
| AESTHETIC DISTANCE |
|
| AFTER A BRUBECK CONCERT |
|
| ALLENDE AT THE END |
|
| ART PHOTOGRAPHER PUTS HIS MODEL AT EASE |
|
| BIRTH OF THE BLUES |
|
| COMPASSION |
|
| DEATH OF CHET BAKER |
|
| LOOKING FOR JOHNNY CASH |
|
| MANIFOLD USEFULNESS OF AN EDUCATION |
|
| NORMANDY BEACH |
|
| NOTES FROM THE AGENT ON EARTH: HOW TO BE HUMAN |
|
| OF HISTORY AND HOPE |
|
| ORIGAMI |
|
| SHRINKING LONESOME SESTINA [STARTING WITH LONG LINES] |
|
| THE WOMAN IN THE ROOM |
|
| WIEDERSEHEN |
|
WILLIAM CARLOS WILLIAMS: |
| DANSE RUSSE |
|
| PATERSON: BOOK 1. PREFACE |
|
| THE RED WHEELBARROW |
|
| THE YACHTS |
|
| THIS IS JUST TO SAY |
|
NATHANIEL PARKER WILLIS: |
| ABSENCE |
|
| TO HELEN IN A HUFF |
|
JOHN WILMOT: |
| A SATIRE [OR, SATYR] AGAINST MANKIND |
|
| A SONG OF A YOUNG LADY TO HER ANCIENT LOVER |
|
| AGAINST CONSTANCY |
|
| SATIRES: 51. UPON NOTHING |
|
JOHN WILSON (1785-1854): |
| A SLEEPING CHILD |
|
| MARY |
|
YVOR WINTERS: |
| AT THE SAN FRANCISCO AIRPORT |
|
| BEFORE DISASTER; WINTER, 1932-33 |
|
| BY THE ROAD TO THE SUNNYVALE AIR-BASE |
|
| HERACLES; FOR DON STANFORD |
|
| ON A VIEW OF PASADENA FROM THE HILLS |
|
| THE SLOW PACIFIC SWELL |
|
| TIME AND THE GARDEN |
|
| TO A MILITARY RIFLE, 1942 |
|
| TO THE HOLY SPIRIT; FROM A DESERTED GRAVEYARD IN SALINAS |
|
| WINTER EVENING |
|
GEORGE WITHER: |
| A NYMPH'S SONG; IN PRAISE OF THE LOVER OF VIRTUE |
|
| EPITHALAMION |
|
| FIDELIA: 4. THE AUTHOR'S RESOLUTION IN A SONNET |
|
| IN A CLEAR STARRY NIGHT |
|
| SONNET: ON THE DEATH OF PRINCE HENRY |
|
| THE SHEPHERD'S HUNTING: PRELUDE |
|
GEORGE EDWARD WOODBERRY: |
| REQUIEM; THOMAS RANDOLPH PRICE |
|
WILLIAM WORDSWORTH: |
| A SLUMBER DID MY SPIRIT SEAL |
|
| COMPOSED UPON WESTMINSTER BRIDGE, SEPTEMBER 3, 1802 |
|
| DAFFODILS |
|
| ECCLESIASTICAL SONNETS: PART 1: 1. INTRODUCTION |
|
| EVENING ON CALAIS BEACH |
|
| EVENING VOLUNTARY |
|
| EXPOSTULATION AND REPLY |
|
| EXTEMPORE EFFUSION UPON THE DEATH OF JAMES HOGG |
|
| LINES COMPOSED A FEW MILES ABOVE TINTERN ABBEY |
|
| LINES WRITTEN IN EARLY SPRING |
|
| LONDON, 1802 (1) |
|
| LONDON, 1802 (2) |
|
| LUCY (4) |
|
| LUCY (5) |
|
| LUCY GRAY; OR, SOLITUDE |
|
| MICHAEL; A PASTORAL POEM |
|
| NUTTING |
|
| ODE ON THE INSTALLATION OF HIS ROYAL HIGHNESS PRINCE ALBERT |
|
| ODE TO DUTY |
|
| ODE: INTIMATIONS OF IMMORTALITY FROM RECOLLECTIONS OF EARLY CHILDHOOD |
|
| ON THE EXTINCTION OF THE VENETIAN REPUBLIC |
|
| PERFECT WOMAN |
|
| REMEMBRANCE OF COLLINS |
|
| RESOLUTION AND INDEPENDENCE |
|
| SONNET ON CATHERINE WORDSWORTH |
|
| THE AFFLICTION OF MARGARET |
|
| THE FOUNTAIN; A CONVERSATION |
|
| THE GREEN LINNET |
|
| THE NIGHTINGALE [AND THE STOCK-DOVE] |
|
| THE OAK AND THE BROOM |
|
| THE PRELUDE: BOOK 1. CHILDHOOD AND SCHOOL-TIME |
|
| THE RAINBOW [IN THE SKY] |
|
| THE RIVER DUDDON: DEDICATION TO THE REV. DR. WORDSWORTH |
|
| THE SOLITARY REAPER |
|
| THE TABLES TURNED |
|
| THE THORN |
|
| THE WORLD; SONNET |
|
| TO JOHN DYER |
|
| YEW-TREES |
|
MARY WORTLEY MONTAGU: |
| EPISTLE FROM MRS. YONGE TO HER HUSBAND |
|
| HYMN TO THE MOON; WRITTEN IN JULY, IN AN ARBOUR |
|
| THE BRIDE IN THE COUNTRY |
|
| THE LOVER: A BALLAD |
|
| VERSES ADDRESSED TO IMITATOR OF FIRST SATIRE OF HORACE |
|
HENRY WOTTON: |
| ON HIS MISTRESS, THE QUEEN OF BOHEMIA |
|
| ON THE SUDDEN RESTRAINT OF ROBERT CARR, EARL OF SOMERSET |
|
| THE CHARACTER OF A HAPPY LIFE |
|
| VERSES IN PRAISE OF ANGLING |
|
JAMES WRIGHT: |
| A BLESSING |
|
| A DREAM OF BURIAL |
|
| A NOTE LEFT IN JIMMY LEONARD'S SHACK |
|
| A WINTER DAYBREAK ABOVE VENCE |
|
| AT THE EXECUTED MURDERER'S GRAVE |
|
| AUTUMN BEGINS IN MARTINS FERRY, OHIO |
|
| DEPRESSED BY A BOOK OF BAD POETRY, I WALK TOWARD AN UNUSED PASTURE AND INVITE THE INSECTS TO JOIN ME |
|
| IN RESPONSE TO RUMOR THAT OLDEST WHOREHOUSE IN WHEELING, WV, CONDEMNED |
|
| LYING IN A HAMMOCK AT WILLIAM DUFFY'S FARM IN PINE ISLAND, MINNESOTA |
|
| NORTHERN PIKE |
|
| SAINT JUDAS |
|
| THE JEWEL |
|
| THE JOURNEY |
|
| THE MINNEAPOLIS POEM |
|
| TO THE MUSE |
|
| TRYING TO PRAY |
|
JAY WRIGHT: |
| BENJAMIN BANNEKER HELPS TO BUILD A CITY |
|
| CRISPUS ATTUCKS |
|
| THE HOMECOMING SINGER |
|
THOMAS WYATT: |
| A PROMISE |
|
| FORTUNE |
|
| HONESTY |
|
| MY LUTE AND I |
|
| OF THE MEAN AND SURE ESTATE |
|
| PENITENTIAL PSALM |
|
| THE HIND |
|
| THE LOVER SHOWETH HOW HE IS FORSAKEN |
|
| TO HIS LUTE |
|
ELINOR WYLIE: |
| A CROWDED TROLLEY CAR |
|
| COLD-BLOODED CREATURES |
|
| FULL MOON |
|
| LET NO CHARITABLE HOPE |
|
| LITTLE ELEGY |
|
| LODGING FOR THE NIGHT |
|
| SEA LULLABY |
|
| VALENTINE |
|
| VELVET SHOES |
|
| WILD PEACHES |
|
| WINTER SLEEP |
|
WILLIAM BUTLER YEATS: |
| AMONG SCHOOL CHILDREN |
|
| AN IRISH AIRMAN FORESEES HIS DEATH |
|
| EASTER 1916 |
|
| FOR ANNE GREGORY |
|
| LEDA AND THE SWAN |
|
| SAILING TO BYZANTIUM |
|
| THE CIRCUS ANIMALS' DESERTION |
|
| THE LAKE ISLE OF INNISFREE |
|
| THE SECOND COMING |
|
| THE WILD SWANS AT COOLE |
|
| WHEN YOU ARE OLD |
|
SERGEY ALEXANDROVICH YESENIN: |
| BITCH |
|
| DROVES |
|
| GOODBYE, MY FRIEND |
|
| HOPES, PAINTED |
|
| IN THE CLEAR COLD |
|
| TRANSFIGURATION: 3 |
|
LORD YESTER: |
| TWEEDSIDE |
|
YEVGENY ALEXANDROVICH YEVTUSHENKO: |
| BABII YAR |
|
EDWARD YOUNG (1683-1765): |
| EPISTLE TO MR. POPE: THE BLACK MILITIA OF THE PEN |
|
| NIGHT THOUGHTS; THE COMPLAINT: 1. LIFE, DEATH & IMMORTALITY |
|
| NIGHT THOUGHTS; THE COMPLAINT: 2. TIME, DEATH AND FRIENDSHIP |
|
| NIGHT THOUGHTS; THE COMPLAINT: 3. NARCISSA |
|
| NIGHT THOUGHTS; THE COMPLAINT: 4. THE CHRISTIAN TRIUMPH |
|
| NIGHT THOUGHTS; THE COMPLAINT: 5. THE RELAPSE |
|
| NIGHT THOUGHTS; THE CONSOLATION: 9 |
|
| RESIGNATION: PART 1: SEASCAPE |
|
| THE FOREIGN ADDRESS: WITH A YO, HO, HO |
|
| THE FOREIGN ADDRESS: YE NATIONS, TREMBLE! PARLIAMENT HAS MET |
|
KEVIN YOUNG: |
| BANJO |
|
| BEYOND WORDS |
|
| BOOGIE-WOOGIE |
|
| BUSKING |
|
| CADILLAC MOON |
|
| CASSIUS CLAY BY BASQUIAT |
|
| COTILLION |
|
| DITTY |
|
| DIXIELAND |
|
| EARLY SHOW |
|
| EDDIE PRIEST'S BARBERSHOP & NOTARY |
|
| ERRATA |
|
| EULOGY |
|
| FILM NOIR (THE CHASE) |
|
| FILM NOIR (THE SET-UP) |
|
| FOR THE CONFEDERATE DEAD |
|
| JACK JOHNSON: BLACK JACK |
|
| JACK JOHNSON: THE CROWN |
|
| JACK JOHNSON: THE FIX |
|
| JACK JOHNSON: THE UPSET |
|
| JITTERBUG |
|
| JOOK |
|
| ODE TO THE MIDWEST |
|
| PIETA |
|
| REWARD |
|
| RHYTHM & BLUES |
|
| SAINT JOE LOUIS: SURROUNDED BY SNAKES |
|
| SHIMMY |
|
| SIREN |
|
| SONG OF SMOKE |
|
| SUMMER SONG |
|
| THE DRY SPELL |
|
| THE LIVING |
|
| THE MISSION |
|
| URGENT TELEGRAM TO JEAN-MICHEL BASQUIAT |
|
LOUIS ZUKOFSKY: |
| 29 |
|
| A' - SECOND MOVEMENT |
|
| ATQUE IN PERPETUUM A.W. |
|
| AUBADE: 1925 |
|
| EXPOUNDING THE TORAH |
|
| MADISON, WIS., REMEMBERING THE BLOOM OF MONTICELLO |
|
| MANTIS |
|
| OF DYING BEAUTY |
|
| POEM BEGINNING THE |
|
| POEM BEGINNING THE : FIFTH MOVEMENT: AUTOBIOGRAPHY |
