Poetry Explorer

Classic and Contemporary Poetry

SLEEPLESSNESS, by                    
First Line: In subsequent waves / when a fit of anxiety is enough


1.

in subsequent waves
when a fit of anxiety is enough
to lose oneself
in the layers, a sleepless drowsiness,
on the tense outline of the steps
a veil of astonished dust,
and mute to the sudden sight
the panting of a speedy
every speedier race,
long and distant
variegated in the greed
that the years do not subdue.

2.

circular movements steeped in
the verbal magma-tapping
the keyed vibraphone where the
timely choice appears always difficult,
the race without a finish line, the
narcissistic mania of the beyond
that scatters scorn that slows
in an emergent glow
wordthings that every time tempt
the expropriated Id symptom/syndrome of Ganser.

3.

more and more headlong
in the alogical incinerating, the nuance
that counts and transplants
other stems to grow one day
one hour interposed in thick plots
of calculated childhood: turnings
lost among the new year's
cliches and effortlessly apparent.

4.

on the blackened street the usual
mental processes multiply,
the ivyleaf in tolerated
cataclysms offers itself not
to the hands of disguised criminals,
the pulsating plaining of the mulberry
by the house waits for mechanical
fruits in sweet flavors of long
windgusts and invents alphabets,
the brown squirrel that
furrows flounders flings itself
on the net of the ancestral branches
then in vigilant waiting for my step
that he doesn't decipher.

5.

today is a holiday, holiday, holiday
the people make ready make haste
(a bit) to the courtly spin
that crushes every fresher hope.
to hide among the year-curtains
masturbating time
that rests radiant fingerlengths
on the walls carpets tables plants letters papers
thoughts.

6.

here, in the mild net that enchains
days and tangled hopes
the split-second-time is brief
vaporizing desires
and distances: another passage
then another
on the picture window of the today
that I stop with a tracing
finger.
then the uncontrolled sliding.


Used by permission of Story Line Press.




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